Cross-Border Animation Collaborations in Asia Trend Up as Demand for Content Expands — Filmart

Jeff Benjamin Yoshiki’s involvement in philanthropy encompasses a diverse range of causes, with his family and upbringing being core influences. “I lost my father when I was young,” Yoshiki says. “He actually took his own life.

Manchester Airport has announced the launch of a direct route to Shanghai, the first service to operate to the Chinese city from the north. Juneyao Air has chosen Manchester as its first destination in the UK in a move that’s been hailed as “fantastic news” by regional leaders.

Patrick Frater Asia Bureau Chief Locally-produced horror-drama “Exhuma” held on to top spot at the South Korea cinema box office for a fifth consecutive weekend. Its complete dominance of the market kept “Exhuma” comfortably ahead of the holdover “Dune 2” and a couple of lower-powered new releases and allowed its running total to surpass 10 million ticket sales. That is the conventional measure of a blockbuster in Korea, a country with a population of roughly 50 million. Over the latest weekend “Exhuma” sold 618,000 tickets for a gross revenue of $4.56 million and a market share of 56%, according to data from Kobis, the database operated by the Korean Film Council (Kofic). The latest increment gives the film a total of $73.4 million earned from 10.2 million admissions.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery is to significantly expand its investment and production of Japanese anime through its existing local studio in Japan. “We have a Japanese anime studio, which has been producing five or ten anime series per year, over the last few years,” said James Gibbons, WBD president of Asia-Pacific. “We’ve approved expansion to take that to more than ten series per year.” The studio has been operational since 2011 and delivered over 80 titles in that span, a mix of high-quality anime, live action series and movies.

Naman Ramachandran Prime Video is bullish about the large, diverse and volatile Asian streaming market, driven by growth in India and Japan, the streamer’s top executives responsible for the region have said. The region’s online video component, excluding China, where international streamers cannot be present, is projected to grow at 9.2%, to reach $46 billion by 2028, according to a study from research and consultancy firm Media Partners Asia.

Patrick Frater Asia Bureau Chief Osaka-based Yomiuri Telecasting Corporation will launch ytv animation, a new brand that will leverage Yomiuri TV’s long history in animation, while also undertaking more challenging titles. The move comes a day ahead of the Anime Japan 2024 convention being held at Tokyo Big Sight. It also comes “ahead of the 60th anniversary in 2027 of Yomiuri TV’s airing of ‘Golden Bat’ in 1967,” the company said. “We will leverage our nearly 60 years of experience producing and broadcasting anime to bring exciting titles to our fans,” said ytv animation producer in a prepared statement.

Patrick Frater Asia Bureau Chief Fashion, East-West Asian identities, corporate espionage and romance are on the agenda in “Morning, Paris!,” a new mini-series project being pitched at Series Mania by veteran filmmaker Quentin Lee (“The People I’ve Slept With,” “White Frog”). “’Morning, Paris!’ is a heartfelt comedy about a young modern BIPOC Canadian woman discovering herself in the most romantic city in the world,” says Lee. “Or put another way, it is a limited television series about an aspiring female fashion designer from Vancouver who ends up in Paris Fashion week with a very unlikely companion because she wants to spy on her boss on whom she has a crush.

Patrick Frater Asia Bureau Chief The South Korean box office had a familiar look. Dark drama, “Exhuma” dominated the chart with a more than 50% market share for the fourth weekend in a row. And, for the third successive weekend, “Dune 2” placed second. “Exhuma,” about two shaman, a feng shui master and a mortician who attempt to reverse the mysterious events happening to a U.S.-based Korean family, earned $5.80 million between Friday and Sunday.

Variety Lounge at the 2024 Hong Kong International Film & TV Market (FILMART) emerged as a dynamic hub of creativity and insight. The studio played host to a series of illuminating interviews featuring prominent figures in the global film industry including European filmmaker Cristiano Bortone, producer and co-founder of boutique studio S11 Partners Ltd.

Naman Ramachandran Korean action drama “A Shop For Killers” has become the most viewed local original on Disney+ in the Asia Pacific region (Australia, New Zealand, Japan, Korea, Taiwan, Hong Kong, Singapore and Philippines) so far in 2024, the streamer has revealed. Set in contemporary Korea, the eight-part series follows college student Jeong Jian who dives for cover in her childhood home after a series of highly skilled assassins come after her.

Patrick Frater Asia Bureau Chief “Escaping Man,” a Chinese drama feature about a man dragged into a kidnap plot, heads the FilMart slate of Hong Kong-based sales agency Autumn Sun Company. The protagonist is a man who spent 20 years in jail after being falsely accused of rape. After his release, he intends to confront the woman, but instead falls for her again — to the point that she is able to manipulate him into kidnapping the child for which she is the nanny.

Naman Ramachandran Taiwan-based anime distribution and licensing company Muse Communication has acquired Asian distribution rights for anime “Dan Da Dan,” it was revealed at Hong Kong rights market FilMart on Monday. Written and illustrated by Yukinobu Tatsu, Japanese manga series “Dan Da Dan” was serialized in Shueisha’s Shonen Jump+ app and website from 2021. The anime series based on it is due to bow in October.

Chinese tech and media giant Alibaba is investing $640M (HK$5BN) into Hong Kong’s creative industries over the next five years.

“We don’t need a lot of content, we just need lots of really good content,” Kelvin Yau, President of Asia Pacific and Marketing iQIYI, concluded when quizzed on his company’s editorial strategy during a keynote session on streaming this morning at Filmart in Hong Kong.

After stints heading local-language production at Disney APAC and HBO Asia, Hong Kong-based Jessica Kam-Engle is now heading CreAsia Studio, a new Banijay Asia venture in Southeast Asia, in the role of EVP & Business Head.

Patrick Frater Asia Bureau Chief COVID, changing money flows and a new superpower Cold War of sorts may have, over the past few years, helped to reduce the connections between the film and TV industries of China and the rest of the world — so, will the 2024 edition of FilMart, whose organizers continue to claim bridgehead status, be the market to increase those connections? Candas Yeung, the Trade Development Council associate director who takes over as head of FilMart this year, says that visitor and exhibitor numbers have crept up again this year — to an anticipated 7,500 and 715, respectively — and that fully 40% of market participants hail from mainland China. “That’s a pretty significant proportion and they are very active in the market, both buying and selling, and making some announcements,” Yeung says.

Patrick Frater Asia Bureau Chief Film projects to be produced by Andrew Lau (“Infernal Affairs,” “Initial D”) and Han Sanping, the former head of China Film Corp., are among the new in-development titles that grace the FilMart slate of Hong Kong studio Media Asia. The Peter Lam-controlled studio is also poised, at an event within FilMart on Monday, to detail its new alliance with China’s Alibaba Pictures Group. Lau is producing “Behind the Scene,” a book-to-film adaptation to be directed by Lee Kwong-yiu (“Insanity”) in which four friends uncover a meticulously planned murder that is carefully disguised as a kidnapping. Suspicions fall on a bank president who is involved in counterfeiting. Han is aiming to produce “Fading Tracks,” another crime title that is also adapted from a novel.

Naman Ramachandran Indian sales outfit Indywood Distribution Network has sold Rupesh Paul’s “Kamasutra – The Revenge” wide ahead of Hong Kong’s film rights market FilMart. Starring Sherlyn Chopra, Milind Gunaji and Gajendra Chauhan, and produced by San2Creations, the film follows two princesses – one who is robbed of her dreams when forced to accept a middle-aged king as her husband, and another thirsty for revenge. Indywood has sold the film to Twin (Japan, all rights); A2 Filmes (Latin America TV/VOD); Filmbridge (Mongolia, all rights); Pioneer Film (Philippines, all rights) and RFT Films (U.K./Ireland, theatrical).

Taylor Swift’s concerts without tickets.The incidents took place last Monday (February 26), during the third of the pop icon’s six sold-out shows in the South East Asian city-state.According to reports by outlets including The Independent and BBC News, one man allegedly distracted security staff by talking to them, while another held onto a turnstile to let three fans in.A third man who was arrested is under investigation and has yet to be charged, Singapore police said in a statement on Tuesday (March 5).Singapore has some of the strictest laws in the world, and anyone convicted of cheating faces a sentence of up to three years in jail.The shows, held as part of Swift’s mammoth ‘Eras’ tour, were in particularly high demand when the pop icon visited Singapore, as they marked the only stop in the region. Tickets sold out months before the live shows took place.According to the various outlets, one of the three men that the group snuck into the show was Chinese influencer Yang Junhao, who alleged that he unknowingly bought fake tickets.“This is me after being told I bought fake tickets, and was brought out [of the concert] to be interrogated by the police,” he reportedly told his followers in a video posted to Douyin, China’s version of TikTok (via BBC).

Patrick Frater Asia Bureau Chief Veteran mainland Chinese director Zhang Yimou is to be honored twice over at the Asian Film Awards ceremony on Sunday. He will be presented with a lifetime achievement award and a separate prize for directing the highest-grossing Asian film of 2023.