VUE Cinema in the Manchester Printworks will be one of only three cinemas in the UK to showcase a special screening of Oppenheimer on IMAX.
18.06.2023 - 22:23 / variety.com
McKinley Franklin editor Historian Kai Bird, co-author of the 2005 book that inspired Christopher Nolan’s “Oppenheimer,” has shared his thoughts about the upcoming film, revealing that he has high hopes for how it can resonate with the public during a conversation with David Nirenberg at Leon Levy Center for Biography in New York. “I am, at the moment, stunned and emotionally recovering from having seen it,” Bird said. “I think it is going to be a stunning artistic achievement, and I have hopes it will actually stimulate a national, even global conversation about the issues that Oppenheimer was desperate to speak out about — about how to live in the atomic age, how to live with the bomb and about McCarthyism — what it means to be a patriot, and what is the role for a scientist in a society drenched with technology and science, to speak out about public issues.”
Bird co-wrote the Pulitzer-winning “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer,” working alongside the late Martin J. Sherwin. The screenplay for Nolan’s film is adapted from the book, which serves as a biography of J. Robert Oppenheimer, the American physicist who led the Manhattan Project in the creation of the atomic bomb. Cillian Murphy plays Oppenheimer in Nolan’s film. Bird is renowned for his varying biographies, including books about John J. McCloy, McGeorge Bundy and William Bundy. “Oppenheimer” will make its theatrical debut on July 21 from Universal Pictures. Along with Murphy, the film stars Emily Blunt, Robert Downey Jr., Matt Damon and Florence Pugh.
VUE Cinema in the Manchester Printworks will be one of only three cinemas in the UK to showcase a special screening of Oppenheimer on IMAX.
“There’s something I have to tell you:” As an 18-year-old undergraduate at Harvard, Ted Hall was recruited to help Robert Oppenheimer and his team develop a weapon that would alter the course of human history. When the Atomic Bomb was detonated twice the following year, over the Japanese cities of Hiroshima and Nagasaki, Hall did not share in his colleagues’ enthusiasm for the Manhattan Project.
Rebecca Rubin Film and Media Reporter Christopher Nolan’s historical epic “Oppenheimer,” about the creation of the atomic bomb during World War II, is preparing for a massive global debut next month. As of now, though, the film’s distributor Universal has yet to announce when — or if — it will premiere in Japan. A spokesperson for the studio says “plans have not been finalized in all markets.” Universal is releasing the $100 million-budgeted “Oppenheimer” in the U.S. and much of the rest of the world on July 21. The situation in Japan is complicated given the film’s subject matter and the devastation the bombs wrought on the country. “Oppenheimer” centers on American theoretical physicist J. Robert Oppenheimer (played by Cillian Murphy), who led the efforts to build the weapons of mass destruction that ended the war. Approximately 200,000 Japanese civilians died after two atomic bombs were dropped in 1945 over the cities of Hiroshima and Nagasaki. Though the movie’s focus may not be enough to prevent the country from playing “Oppenheimer” in its theaters, if it does secure a release date, it’s not clear that Japanese moviegoers will be interested in seeing a film about the topic.
Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is gunning for the top spot on box office charts. The fifth and final adventure to star Harrison Ford as the legendary, globe-trotting explorer is targeting at least $65 million from 4,500 North American theaters in its opening weekend. The latest Indy installment is also debuting day-and-date at the international box office, where it’s aiming to add $80 million for a global start of $145 million to $150 million. Those ticket sales are decent, especially for the fourth sequel to a decades-old property that’s aimed at older audiences. But Disney spent a mind-boggling $295 million to bring the action-adventure to life. That’s not including marketing costs, such as a no-expense-spared premiere and afterparty at the Cannes Film Festival where much champagne was tippled. Even in the best circumstances, it’ll take a heroic feat — and a lot of nostalgia from long-time fans of the series — for “Indiana Jones 5” to turn a profit in its theatrical run.
Naman Ramachandran Top global talent paid homage to director Martin Campbell (“Casino Royale,” ”Goldeneye”) and special effects supervisor Chris Corbould (“Inception,” ”The Dark Knight,” “No Time to Die”) at the second London Action Festival, which concluded Sunday. The duo, who were honored with the festival’s Moving Target Award for their outstanding contribution to action cinema, were surprised with a range of video messages from people who had worked with them. Daniel Craig described Campbell and Corbould as “two people who have had a major influence on my career.” On Campbell, Craig said: “It gave me incredible security knowing you were steering the ship [Casino Royale]. I have so much to thank you for. I’m incredibly proud of the film we made together.” On Courbould, Craig added: “I don’t know what to say. You’ve blown me up, you’ve set me on fire – but what has been so incredible in working with you is to have had the privilege of getting inside your imagination. Those have been some of the most joyous experiences on a film set that I have had in my fairly long career.”
Christopher Nolan has said there’s an “interesting relationship” between the endings of Oppenheimer and his 2011 film Inception.In the director’s upcoming biopic, Cillian Murphy plays scientist J. Robert Oppenheimer who is credited as the “father of the atomic bomb” for his role in the Manhattan Project. The film is set to be released on July 21, 2023.Speaking in an interview with Wired, Nolan explained that there’s some similarities between Oppenheimer’s ending and the ambiguous final scene in Inception, where it was left unclear whether Dom Cobb (Leonardo DiCaprio) was still in a dream.Asked whether he believed his films have an optimistic or “anti-nihilistic” outlook, Nolan said: “I mean, the end of Inception, it’s exactly that.
Variety, in wake of the exit of network head Pola Changnon this week. Warner Bros. Discovery CEO David Zaslav had been considering bringing in De Luca and Abdy for some time, insiders said, to rely on their cinephile instincts and shape the best possible programming slate for the channel — one beloved by Hollywood titans and film fans for its showcase of film history. TCM will still exist with the US Networks Group run by Kathleen Finch. While De Luca and Abdy will advise, a senior executive in charge of operations is expected to be named in the future. Warner Bros. Discovery had no comment on the matter.
Christopher Nolan has revealed that early screenings of Oppenheimer have left audiences “devastated”, with some even describing it as a horror film.The biographical drama stars Cillian Murphy as the titular J. Robert Oppenheimer, who is known as “the father of the atomic bomb”, and will be released in cinemas on July 21.“Some people leave the movie absolutely devastated,” Nolan said of early screenings in a new interview with Wired magazine.“They can’t speak.
Next month, Christopher Nolan‘s “Oppenheimer” faces off against Greta Gerwig‘s “Barbie” on its opening weekend, a showdown that very well may christen the summer’s biggest movie. In “Barbie,” moviegoers know what to expect, a smart, quippy film from Gerwig with a meta twist on its subject.
Zack Sharf Digital News Director Christopher Nolan has a warning for anyone purchasing “Oppenheimer” tickets: The film might emotionally destroy you. Speaking to Wired magazine in a new interview, Nolan said that some early “Oppenheimer” viewers have had a visceral reaction to the film, which follows theoretical physicist J. Robert Oppenheimer (Cillian Murphy) as he creates the atomic bomb to end World War II. “Some people leave the movie absolutely devastated,” Nolan said about early screenings. “They can’t speak. I mean, there’s an element of fear that’s there in the history and there in the underpinnings. But the love of the characters, the love of the relationships, is as strong as I’ve ever done.”
“Like it or not,” declared Christopher Nolan at CinemaCon in April, “J. Robert Oppenheimer is the most important person who ever lived. He made the world we live in, for better or for worse.”
Zack Sharf Digital News Director Christopher Nolan got honest about artificial intelligence in a new interview with Wired magazine. The Oscar-nominated filmmaker says the writing has been on the wall about AI dangers for quite some time, but now the media is more focused on the technology because it poses a threat to their jobs. “The growth of AI in terms of weapons systems and the problems that it is going to create have been very apparent for a lot of years,” Nolan said. “Few journalists bothered to write about it. Now that there’s a chatbot that can write an article for a local newspaper, suddenly it’s a crisis.” Nolan said the main issue with AI is “a very simple one” and relates to the technology being used by companies to “evade responsibility for their actions.”
Rebecca Rubin Film and Media Reporter There’s been a battle brewing between two of Hollywood’s blockbuster talents. In one corner, Tom Cruise is gearing to take a victory lap from the behemoth success of “Top Gun: Maverick” with a sequel to his other big action franchise, “Mission: Impossible – Dead Reckoning Part One.” It’s expected to be one of the biggest movies of the summer when it opens on July 12. In the other corner, Christopher Nolan, one of the few directors so famous that his name alone can draw crowds, is readying to release his highly anticipated “Oppenheimer.” The big-budget drama about the creation of the atomic bomb launches just a week later on July 21.
When Christopher Nolan‘s “Oppenheimer” hits theaters next month, it marks the first film by the director not produced by Warner Bros. in nearly 20 years.
If you were ever questioning just how powerful Christopher Nolan is in Hollywood, look no further than the situation that developed between the filmmaker and Warner Bros. during the pandemic.
Addie Morfoot Contributor At Tuesday’s New York’s premiere of Wes Anderson’s “Asteroid City,” the star-studded cast had plenty to say about Hollywood’s writers strike. Scarlett Johansson, Adrien Brody, Bryan Cranston and Rupert Friend revealed how they really feel about the face off between the Writers Guild of America and the Alliance of Motion Pictures and Television Producers while walking the beige carpet at Lincoln Center’s Alice Tully Hall. “Whatever happens moving forward will forever change how revenue is determined,” Johansson told Variety. “It’s a thing that has needed to happen for a long time, that we’ve been talking about for a long time, and it’s finally reached this breaking point. It’s important for all of us creatives to unite and support this massive shift so we can get over to the other side, which we will.”
it’ll play throughout the week and is very much worth checking out. We talked about where the short came from, being mentored by Francis Ford Coppola and Warren Beatty and his upcoming work in Marvel’s “Ironheart” and Christopher Nolan’s “Oppenheimer,” where he worked alongside Robert Downey Jr.Was this something that you had wanted to do for a while?Yeah.
Next month, the battle between summer blockbusters gets fully underway, with “Mission: Impossible – Dead Reckoning Part One,” “Barbie,” and Christopher Nolan‘s “Oppenheimer” slugging it out for box office supremacy. And to spice things up, “Oppenheimer” and “Barbie” go toe-to-toe for their theatrical debuts, opening up the same weekend.
Zack Sharf Digital News Director Christoper Nolan revealed to Empire magazine that he did something during the development of “Oppenheimer” that he’s never done before in more than two decades of making movies: He wrote a script in the first person. “There’s the idea of how we get in somebody’s head and see how they were visualizing this radical reinvention of physics,” Nolan said. “One of the things that cinema has struggled with historically is the representation of intelligence or genius. It very often fails to engage people.” When sending the finished “Oppenheimer” screenplay to his visual effects supervisor Andrew Jackson, Nolan stressed to him that “we have to find a way into this guy’s head. We’ve gotta see the world the way he sees it, we’ve gotta see the atoms moving, we’ve gotta see the way he’s imagining waves of energy, the quantum world. And then we have to see how that translates into the Trinity test. And we have to feel the danger, feel the threat of all this somehow.”
Christopher Nolan has revealed his preferred seating locations when watching a movie at the cinema.The British-American auteur shared his preferences with the Associated Press during a new interview to promote his 12th film Oppenheimer, his longest movie to date and his first R-rated one in over two decades. It stars Cillian Murphy as the titular J. Robert Oppenheimer – a physicist best known for developing the first nuclear weapons in the 1940s who later became known as “the father of the atomic bomb” for his part in their invention.Nolan revealed that where he sits in the cinema to see a movie depends on what anamorphic lens is being used.