China Box Office: ‘Jonny Keep Walking’ Keeps Pace Atop Unchanged Top-Five Chart

Michaela Zee Paramount’s “Mean Girls” musical made fetch happen after surpassing $100 million at the global box office. The oh-so pink movie musical has generated $101.2 million worldwide after six weeks of release, including $71.2 million in North America and $30 million from 31 international territories. Based on the Broadway adaptation of the 2004 comedy classic, “Mean Girls” was originally commissioned with plans to make a streaming debut directly on Paramount+, but executives opted for a theatrical release after enthusiastic test screenings.

Patrick Frater Asia Bureau Chief The Hong Kong-Europe-Asian Film Collaboration Funding Scheme being launched this week in Berlin is intended as a major component of an exercise in rehabilitating and internationalizing the Hong Kong film industry. In unprecedented fashion, the territory’s Film Development Council is getting ready to start giving cash grants to movie projects that don’t necessarily have to shoot in the city or even use one of its three official languages.

Patrick Frater Asia Bureau Chief On Saturday, audiences in Berlin will see the world premiere of “Above the Dust,” a Chinese-made drama that plays somewhat incongruously in the Generation Kplus section, which screens films for or about children. Whether the film plays again, and where, is moot.

Patrick Frater Asia Bureau Chief In January, when Netflix unveiled its slate of Chinese-language original productions for 2024, all of them turned out to be Taiwanese. Not Chinese. And not from Hong Kong, a territory that once produced over 300 movies a year in multiple Chinese dialects.

Patrick Frater Asia Bureau Chief Taipei and Los Angeles-based Organic Media Group has picked up rights to U.S.-produced classical music documentary title “Crescendo” and will be launching it at the European Film Market, which accompanies the Berlin Film Festival. The picture had its first commercial release in South Korea in December and became the highest grossing foreign documentary in the last three years.

Patrick Frater Asia Bureau Chief Cinema box office in Hong Kong failed to live up to expectations over the Lunar New Year holidays, even as local films led the chart. Movie theatre takings between Feb. 9-13 in Hong Kong weighed in at just HK$48.6 million ($6.23 million), according to data provided by Hong Kong Box Office Limited, a joint venture between Motion Picture Industry Association (MPIA) and the Hong Kong Theatres Association.

Patrick Frater Asia Bureau Chief The New Zealand International Film Festival has appointed veteran programmer Paolo Bertolin as its new artistic director. The festival, which travels around the country, will return in July and August, but stop in just four places.

Barbie” and Christopher Nolan’s “Oppenheimer” ignited the summer box office, the blockbusters with twin release dates are bringing populist energy to the Oscars. Yet the one-two punch of “Barbie” ($1.445 billion globally) and “Oppenheimer” ($957 million), along with a valiant assist from Martin Scorsese’s crime epic “Killers of the Flower Moon” ($156 million), can’t compete with the box office power of last year’s contenders. Led by “Avatar: The Way of Water” ($2.3 billion) and “Top Gun: Maverick” ($1.5 billion), the 10 films up for best picture in 2023 were collectively the highest grossing in more than a decade, racking up $4.4 billion worldwide.

Patrick Frater Asia Bureau Chief Indian director and cinematographer Jatla Siddhartha has assembled several of the biggest names in world cinema in service of “In the Belly of a Tiger.” The film has its premiere next week at the Berlin Film Festival. Pitched as a blend of surreal horror and selfless love, the film is a fictionalization of reportedly real events in rural India, in which a couple arranges to be eaten by a tiger in order to ensure their family’s financial security.

Patrick Frater Asia Bureau Chief Four Chinese films dominated the global box office charts over the weekend, with combined takings of $350 million earned over just two days. And, as North America watched the Super Bowl instead, the weekend’s top Hollywood title, “Argylle” earned just $15.9 million worldwide. Chinese titles eschewed their usual Friday release pattern and opened on Saturday, the first official day of the Lunar New Year holiday period in China and much of Asia. Female-directed comedy drama “YOLO,” earned $113 million (RMB802 million), according to data from consultancy Artisan Gateway. That was narrowly ahead of car-racing comedy “Pegasus 2,” which earned RMB758 million or $107 million and was the bigger title on Saturday.

The international box office was generally muted this weekend, save for in China which ushered in the Year of the Dragon on Saturday, and with it the lucrative Chinese New Year moviegoing period. According to early figures from Maoyan, the first two days of Spring Festival 2024 amassed RMB 2.44B ($339M), just a touch below the comparable days in 2023. 

Patrick Frater Asia Bureau Chief Sony Pictures has acquired international distribution rights to “YOLO,” a mainland Chinese comedy film that releases in China on Saturday, the first day of the Lunar New Year holiday. The film is written, directed by and stars Jia Ling, China’s top-grossing female filmmaker. She portrays Le Ying, an unemployed woman in her thirties who still lives with her parents until one day, she meets a boxing coach (portrayed by Lei Jiayin), who just may change her life.

Patrick Frater Asia Bureau Chief “Citizen of a Kind,” a comedy-drama about a woman who takes matters into her own hands after becoming the victim of a scam, fulfilled its promise from an earlier week of previews. “Citizen” topped the South Korean box office on its opening weekend, accounting for a more than 40% market share.

Patrick Frater Asia Bureau Chief Sony Pictures‘ “Madame Web,” a standalone origin story in the studio’s array of “Spider-Man”-based Marvel characters, has been granted a theatrical release in mainland China. The film will open in the country on March 1 — two weeks after the title’s Valentine’s Day bow in North America and multiple international territories, including the Chinese-language markets of Taiwan and Hong Kong. The release marks a welcome opportunity for Sony, which, along with the other traditional studios faced difficulty in securing theatrical runs in China over recent years.

Patrick Frater Asia Bureau Chief Six projects have been announced as participating in the inaugural edition of the HKIFF Industry – CAA China Genre Initiative, a project incubator in Hong Kong for Chinese-language genre films. The HCG platform will run March 11-13, 2024, alongside the 22nd Hong Kong – Asia Film Financing Forum (HAF) and the Hong Kong International Film & TV Market (FilMart), Asia’s largest film and TV rights market. From the six, two winning projects will each receive a cash prize of $20,000 for development funding.

Patrick Frater Asia Bureau Chief Three Japanese films enjoying their world premieres, along with festival favorites “City of Wind” and “Solids by the Seashore,” are set to appear in the 13-title competition section of the Osaka Asian Film Festival in March. The event will be held March 1-10 at venues including ABC Hall, Cine Libre Umeda, T-Joy Umeda and the Nakanoshima Museum of Art. The opening and closing films will be announced in early February. The 19th edition of the festival, which will eventually contain 55 feature and short films, is set to also include three special programs – a “Thai Cinema Kaleidoscope,” “Taiwan: Movies on the Move,” and “Special Focus on Hong Kong” – as well as its regular Spotlight Section on underrated Asian films and the Indie Forum of more challenging and innovative works. The competition titles are: “City of Wind,” by Mongolia’s Lkhagvadulam Purev-Ochir; “Fire on Water,” by Malaysia’s Sun-J Perumal; “Hyphen,” by The Philippines Joy Arnaldo; “The Lyricist Wannabe,” by Hong Kong’s Norris Wong; “The Missing,” by The Philippines’ Carl Joseph E.

Patrick Frater Asia Bureau Chief Iconic Hollywood musical film “La La Land” is to re-release (again) in South Korean theaters from Wednesday. Distributed by Pancinema, it will play at the country’s Imax cinemas for a one-week limited run with tickets costing upwards of KRW15,000 ($11.25) for adults. The film was directed by Damien Chazelle and stars Ryan Gosling (newly Oscar-nominated for his role as Ken in “Barbie”) and Emma Stone, and holds the box office record for movie musicals with global box office of $470 million. It recently re-released in cinemas in China in time for the Christmas peak season.

Patrick Frater Asia Bureau Chief The CinemAsia Film Festival in Amsterdam has unveiled titles from seven different Asian countries for its competition section. The festival will play at the Studio/K, Rialto De Pijp and Rialto VU venues March 5-10, 2024. The event will close with the out-of-competition screening of “Gaga,” a drama about indigenous communities in Taiwan, directed by Laha Mebow. “Gaga” documents the challenges faced by a commune after the death of a respected tribal elder who, while alive, had held things together.

Patrick Frater Asia Bureau Chief Fish out of water comedy film “Jonny Keep Walking” kept its place at the top of the mainland China box office in its fourth weekend of release. Hong Kong-made action comedy “Rob N Roll” opened in second position. “Jonny,” in which a man from the countryside struggles to hold down a corporate job in a big city, earned $15 million (RMB106 million), according to data from consultancy Artisan Gateway.

So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level.