‘La La Land’ to Release Again in Korean Cinemas – Global Bulletin

Naman Ramachandran Kylie Minogue will receive the Brits Global Icon award at this year’s ceremony on March 2, “in recognition of her career spanning across five decades as one of the world’s most successful and iconic music stars,” the organizers said. The Brits Icon is the highest accolade given by the Brit Awards, with previous winners including Elton John, Robbie Williams, David Bowie and Taylor Swift. Minogue, who is also nominated for international artist of the year, is confirmed to perform on the night, joining the previously announced Dua Lipa and Raye.

Patrick Frater Asia Bureau Chief Indian director and cinematographer Jatla Siddhartha has assembled several of the biggest names in world cinema in service of “In the Belly of a Tiger.” The film has its premiere next week at the Berlin Film Festival. Pitched as a blend of surreal horror and selfless love, the film is a fictionalization of reportedly real events in rural India, in which a couple arranges to be eaten by a tiger in order to ensure their family’s financial security.

Patrick Frater Asia Bureau Chief Four Chinese films dominated the global box office charts over the weekend, with combined takings of $350 million earned over just two days. And, as North America watched the Super Bowl instead, the weekend’s top Hollywood title, “Argylle” earned just $15.9 million worldwide. Chinese titles eschewed their usual Friday release pattern and opened on Saturday, the first official day of the Lunar New Year holiday period in China and much of Asia. Female-directed comedy drama “YOLO,” earned $113 million (RMB802 million), according to data from consultancy Artisan Gateway. That was narrowly ahead of car-racing comedy “Pegasus 2,” which earned RMB758 million or $107 million and was the bigger title on Saturday.

Patrick Frater Asia Bureau Chief Sony Pictures has acquired international distribution rights to “YOLO,” a mainland Chinese comedy film that releases in China on Saturday, the first day of the Lunar New Year holiday. The film is written, directed by and stars Jia Ling, China’s top-grossing female filmmaker. She portrays Le Ying, an unemployed woman in her thirties who still lives with her parents until one day, she meets a boxing coach (portrayed by Lei Jiayin), who just may change her life.

Naman Ramachandran Altitude is launching international sales on two films featuring iconic British band Blur at the Berlin European Film Market. The band, consisting of singer Damon Albarn, guitarist Graham Coxon, bass guitarist Alex James and drummer Dave Rowntree, was formed in 1988 and tasted considerable success until it went on hiatus in 2015. The first film is an untitled feature-length documentary depicting the return of Blur, captured across a year in which the band made a surprise return with their first record in eight years, the #1 album “The Ballad of Darren.” It follows the relationship of the bandmates of over three decades as they come together to record 10 new songs ahead of their sold-out shows at London’s Wembley Stadium in 2023.

Patrick Frater Asia Bureau Chief Margot Robbie, lead actor and producer of “Barbie,” is to be awarded the AACTA Trailblazer Award next month by the Australian Academy of Cinema and Television Arts. Hailing originally from Queensland, the presentation will be a homecoming of sort for Robbie. The award will be presented to her at the 2024 AACTA Awards Ceremony on Feb.

Patrick Frater Asia Bureau Chief “Concrete Utopia,” the highly regarded drama-thriller that was South Korea’s Oscars contender and one of the biggest box office hits of 2023, has scored a streaming release in North America. Rakuten Viki, which specializes in Asian content, has licensed exclusive rights to the film in the U.S. and Canada and will begin streaming it to North American audiences from Friday.

Patrick Frater Asia Bureau Chief Netflix has picked up worldwide rights to “The Imaginary,” a currently-on-release Japanese animation film from producer Studio Ponoc. “Studio Ponoc is thrilled to bring our storytelling and innovative hand-drawn, hand-painted animated films to all audiences, and in particular to children and their families to enjoy together, around the world on Netflix,” said Nishimura Yoshiaki, Ponoc founder and former Studio Ghibli producer. The film is directed by Momose Yoshiyuki, who has credits on Ponoc’s 2017 title “Mary and the Witch’s Flower” and others on Ghibli’s “Spirited Away,” “Princess Mononoke” and “Porco Rosso.” Adapted from a novel by A.F. Harold, with a screenplay by Nishimura, the film “portrays the depths of humanity and creativity through the eyes of young Amanda and her imaginary companion, Rudger.

Patrick Frater Asia Bureau Chief Lotte Cultureworks will launch “Holy Night: Demon Hunters,” likely to be one of the biggest Korean movies of the year, at next month’s European Film Market in Berlin. The occult-themed action movie stars Don Lee, the Korean-American superstar who also fronts “The Roundup” comedy-action franchise. The fourth instalment in that series “The Roundup: Punishment” will have its world premiere in the Berlin festival’s Berlinale Special section, with Lee expected to be in attendance, giving Lotte some additional momentum with the new title launch.

Patrick Frater Asia Bureau Chief Sony Pictures‘ “Madame Web,” a standalone origin story in the studio’s array of “Spider-Man”-based Marvel characters, has been granted a theatrical release in mainland China. The film will open in the country on March 1 — two weeks after the title’s Valentine’s Day bow in North America and multiple international territories, including the Chinese-language markets of Taiwan and Hong Kong. The release marks a welcome opportunity for Sony, which, along with the other traditional studios faced difficulty in securing theatrical runs in China over recent years.

Patrick Frater Asia Bureau Chief Taiwanese streamer Catchplay has added its original series “Not a Murder Story” to its available lineup in Indonesia. The eight-part series combines a gripping criminal thriller narrative with an exploration of greed and deception. The story revolves around Dong, an aspiring actor who finally gets an opportunity to become famous and successful, but wakes up one day next to a dead woman.

Patrick Frater Asia Bureau Chief Indie distributor Bitters End has finally set a theatrical release date in Japan for Christopher Nolan’s lauded “Oppenheimer” – after the Oscars. The film will arrive in Japanese cinemas on March 29, the company said on Thursday. That date is some two and a half weeks after the Oscars ceremony (March 10 in Los Angeles, March 11 in Japan), at which “Oppenheimer” has a strong chance of winning multiple awards. At the Oscars nomination event, earlier this week, “Oppenheimer” became the front-runner, collecting 13 nods, including best picture, best director and a trio of acting nominations.A post shared by 映画会社ビターズ・エンド (@bitters_end) Despite its critical and commercial success in cinemas around the world last year – it earned $952 million – the film is controversial in Japan.

Patrick Frater Asia Bureau Chief Three Japanese films enjoying their world premieres, along with festival favorites “City of Wind” and “Solids by the Seashore,” are set to appear in the 13-title competition section of the Osaka Asian Film Festival in March. The event will be held March 1-10 at venues including ABC Hall, Cine Libre Umeda, T-Joy Umeda and the Nakanoshima Museum of Art. The opening and closing films will be announced in early February. The 19th edition of the festival, which will eventually contain 55 feature and short films, is set to also include three special programs – a “Thai Cinema Kaleidoscope,” “Taiwan: Movies on the Move,” and “Special Focus on Hong Kong” – as well as its regular Spotlight Section on underrated Asian films and the Indie Forum of more challenging and innovative works. The competition titles are: “City of Wind,” by Mongolia’s Lkhagvadulam Purev-Ochir; “Fire on Water,” by Malaysia’s Sun-J Perumal; “Hyphen,” by The Philippines Joy Arnaldo; “The Lyricist Wannabe,” by Hong Kong’s Norris Wong; “The Missing,” by The Philippines’ Carl Joseph E.

Patrick Frater Asia Bureau Chief Webtoons, the digital comics that have been the source material for scores of Korean films and TV series, are to receive a major boost from the South Korean government. Yu In-chon, minister for culture, sports and tourism, on Tuesday said that the government will foster webtoon platform development, launch a major webtoon festival in the autumn of this year and by 2027 open a school dedicated to the emerging genre. Webtoons emerged in the early years of the 21st century shortly after the mass market a acceptance of smart phones – a technology sector where Korea’s Samsung Electronics is a major manufacturer – and are vertically-scrolling comics designed for consumption on a small screen. As a relatively new medium webtoons have escaped some of the strictures of Japan’s manga business or the cartoon industry in other countries. Instead, they have diverse story genres, are cheap to produce, which allows creators from non-professional backgrounds to participate, and have been quickly internationalized through multi-lingual translations and overseas platforms.

Patrick Frater Asia Bureau Chief The CinemAsia Film Festival in Amsterdam has unveiled titles from seven different Asian countries for its competition section. The festival will play at the Studio/K, Rialto De Pijp and Rialto VU venues March 5-10, 2024. The event will close with the out-of-competition screening of “Gaga,” a drama about indigenous communities in Taiwan, directed by Laha Mebow. “Gaga” documents the challenges faced by a commune after the death of a respected tribal elder who, while alive, had held things together.

Naman Ramachandran “Emergency,” written, directed and produced by Bollywood star Kangana Ranaut, has set a release date. The film focuses on one of the most controversial periods of post-Independence Indian history from 1975 to 1977 when then Prime Minister Indira Gandhi declared a nationwide state of emergency. During that time civil liberties and press freedom were curtailed and elections were canceled.

Patrick Frater Asia Bureau Chief Australian actor Rebel Wilson has been named as the emcee of the 2024 edition of the Australian Academy of Cinema and Television Arts (AACTA) awards. Wilson will take to the stage on Saturday, Feb. 10. Two days earlier, on Feb.

Patrick Frater Asia Bureau Chief “Sound of Freedom,” the indie action-drama film that earned some $184 million at the North American box office, has set a significant theatrical release in South Korea. Angel Studios, the crowd-funded Utah-based production and distribution firm behind the film, initially set up direct-to-theater releases for the film’s first international outings in the U.K., Australia and Latin America. In Korea, rights have been licensed in conventional fashion by the N.E.W. – Contents Panda group, which plans to give the picture a release from Feb. 21, 2024.

Naman Ramachandran Warner Bros. Discovery, the Board of Control for Cricket in India and Pitch International have signed a package of rights that will see them broadcast live international cricket hosted in India on its linear and digital platforms, TNT Sports and Discovery+, for the next five years.

Patrick Frater Asia Bureau Chief ‘Exorcism Chronicles: The Beginning,’ a Korean-made animated horror film, has been added to the European Film Market slate of sales agent Finecut. The picture is derived from a novel and webtoon that are among the most successful in Korean history, about four individuals bestowed with special powers rooted in religion, the supernatural, and legend. The book sold 10 million copies and recorded 238 million views online. The film’s narrative is an origin story and recounts the first adventure of the foursome – an excommunicated priest, a young woman with telekinesis, a man who lost his sister to a malevolent spirit, and a child prodigy skilled in arcane magic.