Wang Xiaoshuai Risks China’s Wrath With ‘Above the Dust’ Screening in Berlin (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Taiwanese-produced crime action film “The Pig, the Snake and the Pigeon” opened on top of the mainland China box office over the weekend, ahead of a quartet of holdover titles from Lunar New Year. Sony’s ‘Madame Web’ and a rereleased “Dune” also opened, but they failed to penetrate the top five. “The Pig, the Snake and the Pigeon” earned $16.2 million (RMB115 million), according to data from consultancy firm Artisan Gateway.

Patrick Frater Asia Bureau Chief “Exhuma,” a locally produced occult drama-thriller, expanded its domination of the South Korea box office on its second week of release. That left the newly-released “Dune 2” several sand dunes behind in second place. “Exhuma,” about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, earned $17.2 million between Friday and Sunday, representing a 69% share of the overall box office market.

Patrick Frater Asia Bureau Chief New Zealand-set detective Series “A Remarkable Place to Die” is being launched by Banijay Rights at the London Screenings. The 4 x 90’ murder mystery was created by Screentime New Zealand and is co-produced with Real Film Berlin (Berlin, Berlin,” Netflix’s “Unorthodox”) in association with Banijay Rights. Smart and savvy detective Anais Mallory (portrayed by Chelsie Preston-Crayford) returns to her hometown, Queenstown, in South Island, New Zealand and is met with a series of startlingly different homicides.

Patrick Frater Asia Bureau Chief Janet Yang, the Los Angeles-based producer and president of the Academy of Motion Pictures Arts and Sciences, has been appointed as an independent non-executive director to the board of Imax China, a subsidiary of premium large format cinema company Imax that has its own share listing on the Hong Kong Stock Exchange. The company, Wednesday, reported a return to net profits of $27.5 million for the 2023 calendar year. That compared with net profit of $10.8 million in 2022.

Patrick Frater Asia Bureau Chief The Berlin Film Festival said Monday that it has filed criminal charges following the hacking of its Panorama section’s Instagram social media site, which was used to post anti-Semitic messages. After a politically charged edition, festival organizers also attempted to distance the Berlinale management from the stances taken by some of the awards winners at Saturday’s closing ceremony. The organizers said that on Sunday, the day after the festival concluded, “The Instagram channel of the Berlinale Panorama section was briefly hacked and anti-Semitic image-text posts about the Middle East war with the Berlinale logo were posted on the channel.

Patrick Frater Asia Bureau Chief The four strongest Chinese titles that launched over the Lunar New Year holidays continued to dominate the mainland China and global office charts for a third successive weekend, albeit with a change of order that put Zhang Yimou’s “Article 20” in top spot. Global box office tracking service ComScore showed “Article 20,” “Pegasus 2,” “YOLO” and “Boonie Bears: Time Twist” as ranking first, second, fifth and sixth, respectively, in the world over the latest weekend. Within mainland China, the quartet’s numbers were sufficiently solid that the year-to-date aggregate is now closely comparable to 2023’s.

Patrick Frater Asia Bureau Chief Occult drama-thriller “Exhuma,” dominated the South Korea box office in its opening weekend with a scarily good debut approaching $17 million. The film, about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, grabbed $14.5 million between Friday and Sunday, representing a 77% share of the overall box office market. Including the earnings since its Wednesday debut, the film earned $16.8 million in its full opening session, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief In Berlin with “The Roundup: Punishment,” part four of the action movie series that he created and stars in, the larger-than-life Korean American Don Lee finds himself simultaneously in multiple timely and lucrative businesses. These include the Marvel superhero business, the Korea-to-Hollywood remake business, “The Roundup” franchise and its multiple spinoff possibilities. Lee may even be in the business of saving Korean cinema, which is currently having one of its periodic wobbles.

Patrick Frater Asia Bureau Chief Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham.

Patrick Frater Asia Bureau Chief The route from idol group member to TV and film acting is a well-trodden one for multiple Japanese performers as they mature and attempt to broaden and extend their career. Few, however, can have received the plaudits of SixTONES member Matsumura Hokuto, who flies in to the Berlin Film Festival for the international premiere of two handed drama feature “All the Long Nights.” Derived from a novel by Seo Maiko and directed by Miyake Sho, the narrative features a woman (portrayed by Kamishiraishi Mone) whose pre-menstrual tension is so intense that it changes her character and disrupts her career. She is befriended by a younger, somewhat solitary man who, in turn, suffers from panic attacks.

Patrick Frater Asia Bureau Chief Four Chinese films dominated the mainland China and global box office charts over the latest weekend. “YOLO,” a comedy drama about weight loss and self-discovery, was crowned as the top earning film worldwide for a second weekend running. “YOLO” took $86.5 million (RMB614 million) between Friday and Sunday, giving it a 9-day cumulative total of $402 million (RMB2.85 million), according to data from consultancy firm Artisan Gateway. The second film by Jia Ling, who previously directed 2021 Lunar New Year smash hit “Hi, Mom”, “YOLO” released on Saturday, Feb.

Patrick Frater Asia Bureau Chief France’s Isabelle Huppert, one of the leading actors of her age, has crafted a unique relationship with Korean auteur Hong Sang-soo. Hong’s “A Traveler’s Needs,” which premieres this week in competition at the Berlin Film Festival, is the third time that Huppert has starred in one of his unique pieces of minimalist cinema. She says she hopes the partnership can go much further. Huppert plays a footloose and intense French woman at large in Korea and vaguely making ends meet as an untrained language tutor with eccentric methods.

Patrick Frater Asia Bureau Chief French shingle MK2 will handle international sales on “We Shall Be All,” a new epic from Jia Zhangke, China’s pre-eminent indie film director.Announced last year, the film has been a labor of love over more than 20 years for Jia. His previous works, including “Platform,” “Unknown Pleasures” and “Still Life,” have chronicled the rapid economic development of China and its impact on people and society.

Patrick Frater Asia Bureau Chief Production firm Movierock and rights sales outfit Hive Filmworks are in advanced production on “Hear Me: Our Summer,” a Korean remake of hit 2009 romance film “Hear Me” from Taiwan. The story involves a motorbike delivery man who falls in love with a hearing-impaired younger woman. Comparing themselves with water birds and trees the pair slowly try to break through the barriers in their relationship, pursue their dreams and take things to the next level. The retread stars Hong Kyung, who has a recent string of appearances including Netflix’s “D.P,” “TV’s Revenant” and “Hero,” and the upcoming “Troll Factory.” Co-star Roh Yoon-seo has credits in “Crash Course in Romance” and “Our Blues” and is currently one of the most ubiquitous faces in Korea thanks to her position as the face of the Paris Baguette bakery and café chain. Stylistically, the adaptation aims for the feel of Iwai Shunji’s pan-Asian hit “Love Letter,” and is directed by Jo Seon-ho, who previously made “A Day.” Movierock previously produced a 2018 Korean remake of 2004 Japanese hit “Be With You.” The film is already being pre-sold to multiple territories in Asia.

Patrick Frater Asia Bureau Chief The Hong Kong-Europe-Asian Film Collaboration Funding Scheme being launched this week in Berlin is intended as a major component of an exercise in rehabilitating and internationalizing the Hong Kong film industry. In unprecedented fashion, the territory’s Film Development Council is getting ready to start giving cash grants to movie projects that don’t necessarily have to shoot in the city or even use one of its three official languages.

Patrick Frater Asia Bureau Chief In January, when Netflix unveiled its slate of Chinese-language original productions for 2024, all of them turned out to be Taiwanese. Not Chinese. And not from Hong Kong, a territory that once produced over 300 movies a year in multiple Chinese dialects.

Patrick Frater Asia Bureau Chief Culturally pluralistic and gender-diverse Taiwan is the backdrop for “The Chronicles of Libidoists,” a new film by Gilles Yang, a director whose three previous films have also explored the erotic. The story is inspired by “The Little Mermaid,” the traditional fairy tale in which a mermaid princess falls in love with a human prince. But in Yang’s hands there is a twist in that the mermaid turns out to be a boy.

Patrick Frater Asia Bureau Chief Asia Argento (“xXx,” “Land of the Dead”) and Melvil Poupaud (“Speed Racer,” “Laurence Anyways”) will star in French crime thriller “Stronger Than the Devil.” The project will be pitched for the first time at the European Film Market, attached to the Berlin Film Festival, by All Rights Entertainment, the Hong Kong, Paris and Los Angeles-based film sales agency which has picked up the rights. The picture, which heads into production later this month, is written and directed by Graham Guit (“Les Kidnappeurs,” “Hello, Goodbye”). The finished film is expected to be completed by the autumn.

Patrick Frater Asia Bureau Chief Taipei and Los Angeles-based Organic Media Group has picked up rights to U.S.-produced classical music documentary title “Crescendo” and will be launching it at the European Film Market, which accompanies the Berlin Film Festival. The picture had its first commercial release in South Korea in December and became the highest grossing foreign documentary in the last three years.

Patrick Frater Asia Bureau Chief U.S-Asian sales company EST N8 has picked up the international rights for “30 Minutes,” a Korean sci-fi thriller film that is currently in production. The story revolves around a middle-aged man trapped in a time loop, repeatedly reliving the Christmas Eve of his murder.