Chile’s Vibrant Doc Scene Lights Up Cannes With 3rd Showcase

Travel blog by Travels of Adam (Hipster Blog) – Travels of Adam (Hipster Blog) - Travel & Lifestyle Hipster Blog Happy Pride! To get things started, I wanted to share my top 5 tips for exploring Manhattan’s gay scene. I tend to stick to the Brooklyn borough because it’s where I work and mostly where I party, but at the beginning of the year, I did make a conscious decision to explore more of Manhattan. I already work in Manhattan and spend plenty of weekdays there during the week, and admittedly, it’s quite easy and quick to travel between where I live in Brooklyn and the gay scene in Manhattan.

Two films by Arab women directors are sharing the L’Oeil d’or (Golden Eye) prize for the best documentary in Cannes. Four Daughters (Les Filles d’Olfa) by Tunisian filmmaker Kaouther Ben Hania and The Mother of All Lies (La Mère de tous les mensonges) by Moroccan filmmaker Asmae El Moudir were announced as the winners at a joint ceremony this morning at the Palais in Cannes.

Elsa Keslassy International Correspondent Girls Supports Girls, the French film sorority launched by producer Vanessa Djian and publicist Karolyne Leibovici, made its debut at this year’s Cannes Film Festival with the backing of Orange, in association with Kering. A flurry of French female talent, notably “Simone” actress Elsa Zylberstein and “Houria” director Mounia Meddour, took part in the networking luncheon which was hosted on the rooftop terrasse of Kering’s Women in Motion event at the Majestic hotel. Djian, whose production banner Daïdaï Films recently became part of Newen Group, and Leibovici, the founder of A&K communication, launched Girls Supports Girls four years ago to connect and create opportunities for female producers, actresses, executives and diverse talent coming from the film, TV and media industries.

Three Floors” opened with a high-profile belly flop, festival-stalwart Nanni Moretti returns to Cannes with “A Brighter Tomorrow,” a comeback of sorts that also airs a list of grievances and could serve – should need arise – as a closing statement.Not that it likely will. Funny and endearing in some places, and typically grumpy and old-fashioned in others, “A Brighter Tomorrow” should, at very least, keep Moretti far from director’s jail for years to come.

A baby who appeared healthy at birth to his parents was diagnosed with a neuromuscular disorder after a doctor immediately spotted a problem with his breathing.

Zack Sharf Digital News Director Wes Anderson brought cowboys, aliens and movie stars to the Cannes Film Festival on Tuesday, earning a six-minute standing ovation at its world premiere. Scarlett Johansson, Tom Hanks, Jason Schwartzman, Matt Dillon, Maya Hawke, Steve Carell, Jeffrey Wright, Ed Norton, Margot Robbie and Jeff Gollum are among the starry ensemble cast — many of whom were in attendance at the Grand Palais with their notoriously stylish and exacting director. The project tells of a desert tourist trap that was one the site of an asteroid landing, which also doubles as the location of an annual camp for “star gazers and space cadets.” The conceit is a story-within-a-story, as the the cast plays a troupe of actors and stage crew for a play.

An English lieutenant, an American cowboy, and a mixed-race Chilean sheepherder venture into the inhospitable limits of the Tierra de Fuego region at the southernmost tip of the South American continent—the ends of the Earth, some might call it. Under the orders of their employer, landowner José Menéndez (the always masterful Alfredo Castro), the trio’s mission is to savagely murder as many Indigenous people as they encounter in their path.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch Set in 1901, “The Settlers” (Los Colonos), a scorching Western on Chile’s blood-soaked national myth, takes aspects from the official text-book history and probes at their conveniently sanitized interpretations of how they shaped the country’s future.

The Weeknd and Lily-Rose Depp shut down the Croisette to show the price of fame — and plenty of raunchy intrigue — at the Cannes premiere of “The Idol” on Monday. Making direct parallels to superstar meltdowns like the one suffered by Britney Spears, the HBO Original series finally revealed itself at a packed gala screening. Revenge porn photos of bodily fluids on Depp’s face, masturbation with ice cubes, nightclub-owning scam artists and vile Hollywood sycophants populated the first two episodes of the already-controversial series. Co-created by Abel “The Weeknd” Tesfaye, Reza Fahim and “Euphoria” visionary Sam Levinson, “The Idol” centers on an aspiring pop star named Jocelyn (Lily-Rose Depp) who gets taken under the wing of a self-help guru (Tesfaye) amid her ascent in the music industry. Tesfaye’s character, Tedros, is a modern day cult leader. The supporting cast includes Suzanna Son, Troye Sivan, Dan Levy, Rachel Sennott and more.

Manu Rios is enjoying the warm weather in Cannes and he went shirtless during a beach day!

The stars of HBO’s highly-anticipated new series The Idol have arrived at the 2023 Cannes Film Festival!

Alicia Vikander and Michael Fassbender looked all loved up on the red carpet for the premiere of her new movie, Firebrand.

didn’t do it. “We went after the screenplay almost from an anthropological perspective,” DiCaprio said. “Marty was there every day.

Matt Donnelly Senior Film Writer Todd Haynes brought delicious psychodrama to the Cannes Film Festival on Saturday, with the world premiere of his “May December” starring Natalie Portman and Julianne Moore. Captivating the Cannes crowd the film earned a 6-minute standing ovation at the festival’s Grand Palais. “May December” stars Natalie Portman as Elizabeth, an actor who heads to Savannah to study the lives of Gracie (Moore) and Joe (“Riverdale” star Charles Melton). Years prior, Gracie and Joe’s scandalous cross-generational affair sparked a national controversy due to their age gap and the fact that Gracie was Joe’s boss at a local pet store. Twenty years later, Elizabeth is playing Gracie in a film version of the scandal, but her arrival puts a disruptive pressure on Gracie and Joe’s marriage.

Martin Scorsese’s “Killers of the Flower Moon” premiered to the biggest and most thunderous standing ovation at the Cannes Film Festival so far on Saturday night. The 3 hour and 26 minute epic look at greed, racism and a dark and largely unexplored chapter of American history, stars Leonardo DiCaprio and Lily Gladstone. It kept the crowd so enraptured that they sprang to their feet and started applauding for 9 minutes after the credits ended and the lights came up. Cannes clearly loved what Scorsese, returning to the festival for the first time since 1985’s “After Hours,” had brought to the South of France. And that’s good news for Apple Original Films, which gave the auteur a reported $200 million budget to realize his vision, hoping he’d deliver one of his signature explorations of criminality. Many of those movies, however, unfolded on the mean streets of New York. This movie is set in northeastern Oklahoma as members of the Osage Nation are murdered in a systematic fashion.

Holly Jones Cannes Docs highlights Spain as part of its Docs in Progress program, featuring four documentaries that range from the avant-garde to the introspective. Spain’s doc filmmakers have labored to establish international footing — battling the stigma that the category is made up of dry narratives, productions strive for the robust funding granted to fiction. “There’s still a negative connotation that the documentary’s something purely informative, expository or boring. It’s a state of mind that affects the public, but more importantly the distribution and exhibition. We’ve the great challenge of explaining that yes, the documentary has a cinematographic, narrative and emotional treatment comparable to ‘real cinema,’” says Rafa Molés of Suica Films.

Black Flies,” the Sean Penn and Tye Sheridan film about emergency medical first responders, smacked the Cannes Film Festival in the face with a brutal world premiere on Thursday. Splattered brains, dead dogs, an addict giving birth with a needle dangling from her arm — these and a litany of other horrors confronted Penn and Sheridan, who play veteran and rookie paramedics, respectively, at the New York Fire Department. Interestingly enough, the black-tie screening at the Grand Palais enjoyed the dose of reality, giving the film a five-minute standing ovation. “We carry the misery,” a weary Penn tells Sheridan in the film of their chosen profession. That’s an understatement, as chaos unfolds neighborhood by neighborhood in a portrait of an unforgiving city.

Warner Bros. studio, founded in 1923, all the way to present-day. Talking heads include a cavalcade of stars from George Clooney and Keanu Reeves, to directors Baz Luhrmann and Martin Scorsese.

EXCLUSIVE: Producer Moshe Diamant, film financing company Chiltern Media, and the Santa Monica-based sales firm Film Bridge International have set a sales and production partnership to launch at this week’s Cannes Market.

Matt Donnelly Senior Film Writer By modern standards, Paul Verhoeven’s 1992 sex noir “Basic Instinct” might not seem that scandalous. It was a much different story when the film first premiered at the Cannes Film Festival, star Michael Douglas said. Considered genre-defining or high camp depending on who you ask, Douglas said the project was “unique, even for France,” during a conversation in Cannes on Wednesday. “Seeing a lot of those sex scenes on the Grand Palais’ huge screen, it was a little overwhelming for a lot of people. We had a very quiet dinner afterwards, everyone was sort of digesting it,” he remembered (the cast included Sharon Stone and Jeanne Tripplehorn).