Camden International Film Festival, an Oscar Campaign Hotspot, Unveils 2022 Lineup (EXCLUSIVE)

She never goes out of style! Taylor Swift looked golden like daylight as she walked the red carpet with Sadie Sink at the Toronto International Film Festival 2022.

Daniel Radcliffe’s Weird Al film has gone down a treat at Toronto International Film Festival. Also starring Evan Rachel Wood as Madonna, the project, titled Weird: The Al Yankovic Story, follows the life and career of the Grammy winner, who is known for his hits included Eat It (a parody of Michael Jackson’s Beat It) and Amish Paradise (Coolio’s Gangsta’s Paradise). The Harry Potter actor takes on the title role and well and truly got into character, donning his signature moustache and a curly wig.

Harry Styles spit on his costar, Chris Pine. It all started at the Don’t Worry Darling premiere, which has proven to be one of the most dramatic releases in Hollywood.There were people on both sides of the theory arguing for hours with internet detectives finding different angles, and slowing down the footage.

Italian director Paolo Sorrentino has been named as jury president of Morocco’s Marrakech International Film Festival, which will run as a physical event for the first time in three years from 11 to 19 November.

The Venice Film Festival audience were enraptured with “The Banshees of Inisherin”.

Naman Ramachandran Fresh off a standing ovation for auteur Lav Diaz’s “When the Waves Are Gone” at the Venice Film Festival, the Philippines’ Epicmedia Productions has revealed a global co-production slate. Next up is Swiss co-production “Electric Child” by Simon Jacquemet (“The Innocent”), which was presented at the Venice Production Bridge last year. The story revolves around a couple whose child develops an unusual illness. While the mother and baby drift into their own world, the computer-science professor father develops a pact with an A.I. character on a virtual island to save his child. The project, which is starting production imminently, is supported by the Film Location Incentive Fund of the Film Development Council of the Philippines, Swiss Federal Office of Culture, Zurich Film Foundation, Filmstiftung NRW and TV channels SRF and ARTE.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Nick Vivarelli International Correspondent Top international news agencies, including the Associated Press and Reuters, are up in arms against the Venice Film Festival over what they claim are restrictions to access footage of the fest’s star-studded red carpet activities and press conferences. In past years, the agencies have been able to give their clients more or less unlimited amounts of Venice footage, excluding live feeds. Upon arrival on the Lido this year, with no forewarning, agency video teams collected their red carpet accreditation on opening day and were then handed a form to sign telling them there is a 90-second limit, the groups allege. The 90-second limit is allegedly due to Italian media regulation that was always in existence, but is only being enforced this year.

Elsa Keslassy International Correspondent After taking a break from his filmmaking career to preside over the French film promotion org Unifrance, Jean-Paul Salomé has made a big comeback with a pair of films with Oscar-nominated French actor Isabelle Huppert. The latest one, “The Sitting Duck,” is world premiering at Venice in the Horizons section. Adapted from Caroline Michel-Aguirre’s book “La Syndicaliste,” “The Sitting Duck” tells the true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse who becomes a whistleblower, denouncing top-secret deals that shook the French nuclear sector. One day, Kearney is found in her home, tied to a chair, the letter “A” carved into her abdomen, and a knife handle inserted into her vagina. Traumatized, she has no memory of the assault. However, after an investigation, the police accused her of staging the attack herself.

Good afternoon Insiders, Max Goldbart here with your weekly runthrough of the biggest news as prequels launch and Venice gets underway. Do read on.

of late, from the translucent Interior NYC gown she wore to Westworld’s season four premiere to the dramatic and cycling shorts she sported on the streets of London earlier this summer.Over at Venice Film Festival, the actor has already delivered a series of stand-out moments—arriving in style in , paired with a clashing Vivienne Westwood bag and bright red gloves. This was quickly followed up with a black tulle skirt and oversized blazer by Rodarte, worn with a black bralette underneath.For her latest red-carpet appearance on Wednesday, August 31, Thompson opted for vintage—stepping out for the White Noise premiere in a sci-fi inspired look from Armani Privé’s autumn/winter 2009 couture show.

Elsa Keslassy International Correspondent Studiocanal has boarded Quentin Reynaud’s timely disaster thriller “The Blaze” ahead of its world premiere at the BFI London Film Festival. The film reteams Reynaud with popular French actor Alex Lutz, who headlined the director’s feature debut “Final Set.” Lutz stars alongside revered French actor André Dussolier (“Tell No One”). “The Blaze” follows Simon and his father Joseph who embark on a race-against-the-clock to escape a wildfire. The first-look image features Simon and Joseph who must leave everything behind to escape their coastal region alongside multiple evacuees who are fighting to survive. 

Leo Barraclough International Features Editor The Zurich Film Festival will honor Italian director and screenwriter Luca Guadagnino at its 18th edition, which runs Sept. 22-Oct. 2. He will receive its “A Tribute To…” award on Sept. 30 before the screening of his latest film “Bones and All,” which plays in the Gala Premiere section, and will hold a public masterclass on Oct. 1. The film world premieres in Venice tomorrow. Guadagnino, born in Palermo in 1971, has been one of the most internationally sought-after directors since the success of “Call Me By Your Name” in 2017, which Guadagnino presented in person at the Zurich fest.

Nick Vivarelli International Correspondent President Volodymyr Zelenskyy of Ukraine made an impassioned speech on Wednesday during the Venice Film Festival’s opening ceremony, pleading for the global film community to rally to the country’s cause as it suffers a a mounting death toll amid fierce fighting with Russia. “Personalities of culture: directors, producers and actors, screenwriters, cameramen, composers, artistic directors, set designers, critics and many, many more, from many countries in the world, all belonging to the same family of cinema!,” Zelenskyy said in a recorded speech beamed onto the festival’s Sala Grande screen. “Your opinion is important and your voice counts.”

Leo Barraclough International Features Editor The Zurich Film Festival has selected some of the year’s most anticipated auteur films and high-brow Hollywood movies in its Gala Premieres section. Among other films, the fest screens the European premieres of “The Woman King,” with Viola Davis, and “Bros” by Nicholas Stoller. It also plays “The Son” by Florian Zeller. “Of the 145 films in this year’s festival program, we are able to show more than a quarter of them as world or European premieres – more than ever before in the festival’s history,” Christian Jungen, artistic director, says. “We are particularly proud to be holding the European premieres of Gina Prince-Bythewood’s historical epic ‘The Woman King,’ in which Academy Award-winner Viola Davis leads an international Black cast, as well as the gay romantic comedy ‘Bros’ by Nicholas Stoller, who cast all LGBTQ+ actors for the film. These two movies are a testament to the diverse talent working in Hollywood cinema, and we are very excited to be bringing them to a European audience.”

Nick Vivarelli International Correspondent Julianne Moore, who is presiding over the Venice Film Festival jury, spoke at a press conference on Tuesday morning that kicked off the 79th edition of the movie gathering that kicks off awards season for Hollywood on the Lido. She reminisced about how she first came to Venice as an actress on the American soap opera “As the World Turns” in 1986. “I never, ever in my life though I would be the head of this jury,” Moore said. “And If you had told me that one day I was going to head the jury of the Venice Film Festival I would have fallen into the canal, honestly.” Asked about the importance of film festivals during a time of change in the movie industry, as streaming threatens theatrical distribution, Moore pointed out that “Curation matters so much.”

Chris Willman Senior Music Writer and Chief Music Critic The Nashville Film Festival announced the full lineup Friday for a fall gathering of filmgoers in Music City that will begin with the Brandi Carlile-produced documentary “The Return of Tanya Tucker” as the gala opening on Sept. 29 and end with director Sacha Jenkins’ “Louis Armstrong’s Black & Blues” for closing night on Oct. 5. The 53rd annual edition of the festival will take place both in-person and virtually, with a selection of more than 150 films that includes 38 full-length features, about 30 of which will be world, North American or U.S. premieres. Although the virtual component continues to be strong for the festival, its leaders note that of the 150 or so films in the festival, more than 50 will screen for audiences in Nashville venues, starting with the Tanya Tucker doc, which will be seen in the historic main auditorium of the city’s beloved Belcourt Theater, one of the original homes of the Grand Ole Opry. Other locations include the Franklin Theater in the nearby city of that name, and the TPAC Andrew Johnson Theater in downtown Nashville.

EXCLUSIVE: The Points North Institute today announced recipients of three of its prestigious fellowship programs, ahead of next month’s Camden International Film Festival in Maine.