Taylor Swift seems set to do for the UK cinema industry what she has pulled off for the live entertainment industry, ie provide a much-needed cash injection.
24.09.2023 - 15:58 / variety.com
Rebecca Rubin Film and Media Reporter “The Expendables 4,” an action-thriller starring Sylvester Stallone and Jason Statham, misfired in its box office debut, tumbling to a franchise-low $8.3 million. It landed in ever-so-slightly second place behind “The Nun II,” which collected $8.4 million in its third weekend. It’s possible the order could flip by the time the final tally is revealed on Monday.
Even so, this weekend’s collective ticket sales resulted in the lowest-grossing box office frame of the year as not a single film managed to clear $10 million. Despite the abysmal results, there are reasons to be more optimistic about the future of theatrical. Studios may be close to a deal with the writers on strike, and there’s hope that means a similar agreement could be looming for the actors union as well.
This would give stars the ability to promote their upcoming films, which in turn could goose box office returns. The Game Stop stock-inspired “Dumb Money” and Kenneth Branagh’s murder mystery “A Haunting in Venice,” both of which have ensembles filled with famous faces, have suffered because the A-list casts weren’t allowed to talk about or promote their work during the SAG-AFTRA strike. Heading into the weekend, the Lionsgate and Millenium “Expendables” fourquel was expected to open to $15 million from 3,400 North American theaters.
Instead, audiences felt the film was, well, expendable. Without encouraging reviews or positive word-of-mouth, opening weekend figures weren’t anywhere close to its series predecessors of 2014’s “Expendables 3” with $15.8 million, 2012 sequel with $28.5 million and 2010’s original “Expendables” with $34.8 million. “The last two ‘Expendables’ have dropped sharply from the previous episodes,
.Taylor Swift seems set to do for the UK cinema industry what she has pulled off for the live entertainment industry, ie provide a much-needed cash injection.
Chris Rock has reportedly teamed up with director Steven Spielberg for a new Martin Luther King Jr. biopic.According to Variety, Rock is in final negotiations to direct and produce an adaptation of author Jonathan Eig’s biography King: A Life, while Spielberg will executive produce the project.
Taylor Swift’s upcoming new ‘Eras’ tour film has broken more box office records this week.The upcoming film will play at ODEON and Vue cinemas across the UK and Europe starting October 13, the same day it is released in US cinemas via AMC. The concert film is expected to be available in more than 100 countries worldwide.Directed by Sam Wrench, the upcoming film is described as a “breathtaking, cinematic view” of Swift’s latest tour, which runs through her biggest hits and rarities across all ten of her studio albums.It’s now been revealed that the film has has already surpassed $100m (£82m) globally in advance ticket sales, with more than a week to go before it hits cinema screens across the world.According to the film’s official distributor, AMC Theatres, this total reflects all showtimes, locations and circuits that will be showing the movie, not just AMC (via The Independent).
Broadway‘s starry Merrily We Roll Along revival had another strong run of previews last week, grossing a hefty $1,471,644 and setting another house record at the Hudson Theatre.
It’s perhaps a little known fact that Manchester City star Matheus Nunes used to work in a bakery before he hit it big as a footballer. So, the superstar was taken back to his roots last week to work a shift at a popular hatch-style bakery in Ancoats to see if he remembered a thing or two.
Rebecca Rubin Film and Media Reporter Paramount’s animated sequel “PAW Patrol: The Mighty Movie” topped the box office in its debut, earning a solid $23 million from 3,989 North American locations over the weekend. Those ticket sales were more than enough to rule over the three other new nationwide releases, which could be categorized as the good (Lionsgate’s gruesome “Saw X“), the meh (Disney and New Regency’s sci-fi thriller “The Creator“) and the ugly (Sony’s Game Stop stock-inspired “Dumb Money“). “Saw X” took second place with $18 million, an impressive start for the 10th entry in the long-running horror series.
Matheus Nunes returns to Wolves on Saturday for the first time since his acrimonious exit in the summer and wants to set the record straight - starting with an apology.The £53m deadline day signing for Manchester City stopped training at Wolves to try and get the transfer over the line, prompting a backlash from fans and negative comments from their manager and Sporting Director. For that, he is ready to say sorry to his former club, as he expressed regret at how he left things at Molineux.Ahead of City's Premier League clash at Molineux on Saturday, Nunes broke his silence on his final days at Wolves, saying he couldn't afford to turn down a move to the Etihad as he simply did not know if the 'dream' opportunity would come again.
Wolverhampton Wanderers manager Gary O'Neil is not expecting Matheus Nunes to receive a positive reception when he returns to Molineux for Manchester City on Saturday.
Sylvester Stallone, his wife Jennifer, and his daughters, Sophia, Sistine, and Scarlet, stopped by the Vatican for a private audience with the Pope. The encounter was solemn at first, with the women dressed in black and Stallone wearing a suit, but quickly turned fun when the Pope confessed he’s been a long-time fan of Stallone’s work.
Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.
Rebecca Rubin Film and Media Reporter “Expend4bles,” the fourth action-thriller starring Jason Statham and Sylvester Stallone as elite mercenaries on a mission, is expected to top the box office in its debut. It’s aiming for $15 million in its opening weekend, which would be the lowest of the franchise. There’s a chance, though, it could slightly exceed expectations with $17 million.
A trio of new shows joined Broadway last week to mostly decent box office figures as the fall season begins to take shape.
Arnold Schwarzenegger has long been a patriot. The action star and politician celebrated his 40th anniversary as an American citizen by sharing a video filled with images taken over the course of his life, and some of his greatest achievements, including his tenure as governor of the state of California. Arnold Schwarzenegger shares moving tribute following the death of his senseiArnold Schwarzenegger gives us a pet update, featuring his donkey, pig and dogA post shared by Arnold Schwarzenegger (@schwarzenegger)The video is made up of photos of Schwarzenegger posing alongside American icons like Sylvester Stallone, or wearing various iterations of red, white and blue.
Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.
Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far.
Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.
according to IMDB’s Box Office Mojo.The supernatural mystery, which The Post called a “surefooted film with strong performances and a luxurious-yet-frightful tone,” is based on a 1969 Agatha Christie novel.“The Nun II,” which was in first place last week, moved down a notch to the No. 2 spot, with earnings of $4.4 million.
J. Kim Murphy Hercule Poirot is back on the case this weekend, with Kenneth Branagh’s “A Haunting in Venice” hoping to best a very quiet box office in its opening. The horror-tinged whodunnit scored$5.5 million from 3,305 theaters on its opening day, a figure that includes $1.2 million in Thursday previews.
20th Century Studios’ Kenneth Branagh starring and directed, A Haunting in Venice, has scared up $1.2M in previews. The weekend outlook for the feature take of the Agatha Christie novel Hallowe’en is $12M+, similar to what Branagh’s feature take on the author’s Death on the Nile did back in 2022 in its first weekend, $12.8M.
A Haunting in Venice, the third installment in Kenneth Branagh‘s Hercule Poirot franchise, has finally been released in theaters.