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Brooklyn Beckham's loved up message to wife Nicola Peltz on International Women's Day - www.manchestereveningnews.co.uk - Paris - Los Angeles - county Adams
manchestereveningnews.co.uk
08.03.2023 / 19:25

Brooklyn Beckham's loved up message to wife Nicola Peltz on International Women's Day

If you’re scrolling through Instagram today, you may see your friends and favourite celebrities dedicating posts to the women in their life in honour of International Women’s Day. Brooklyn Peltz Beckham is one of them, and has shared a heartfelt message to his wife Nicola.

Bill Murray Holds Hands With 'Fabelmans' Star Jeannie Berlin at 2023 SAG Awards - www.etonline.com - Los Angeles - Berlin - county Murray
etonline.com
01.03.2023 / 03:03

Bill Murray Holds Hands With 'Fabelmans' Star Jeannie Berlin at 2023 SAG Awards

Bill Murray and star Jeannie Berlin set foot on the red carpet of the 2023 SAG Awards holding hands.Murray and Berlin appeared quite close when they arrived together for Sunday's soiree at the Fairmont Century Plaza in Los Angeles. The star wore a black tuxedo with a colorful bow tie, while Berlin sported an all-black suit and shades.Berlin, who portrayed Hadassah Fabelman in the Steven Spielberg film, was there for the film's nomination in the Best Ensemble Cast in a Motion Picture category.

Berlin Review: ‘20,000 Species Of Bees’ Starring 8-Year-Old Silver Bear Winner Sofia Otero - deadline.com - Berlin
deadline.com
28.02.2023 / 04:15

Berlin Review: ‘20,000 Species Of Bees’ Starring 8-Year-Old Silver Bear Winner Sofia Otero

With the delicacy of a bee probing a flower for pollen, Basque director Estibaliz Urresola Solaguren picks her way through the tensions and dilemmas within a family where the youngest member, an 8-year-old boy called Aitor, is feeling his way toward a new identity as a girl. Sofia Otero, who deservedly won the Silver Bear for a lead performer at the Berlinale’s award night Saturday, shows an instinctive, unforced and generous understanding of how difficult her character’s life must be. As Coco – the between-stools nickname the family has devised to avoid anything too specifically gendered – Otero is alternately obstinate, tearful, mischievous and withdrawn. She craves her mother’s comprehension but pushes her away when she tries to talk to her about why she doesn’t want to go to school.  

Berlin Review: ‘Joan Baez I Am A Noise’ - deadline.com - Berlin
deadline.com
27.02.2023 / 20:59

Berlin Review: ‘Joan Baez I Am A Noise’

Folk music icon Joan Baez, who’s now 82, came of age just as musicians’ live gigs were often recorded and thereby preserved for the record, virtues that are used to advantage in Joan Baez I Am A Noise. An up-close, intimate and mostly frank account of a career that arched across more than 60 years of musical and political expression while countless trends came and went, this elaborate documentary navigates adroitly through the professional and the personal aspects of a very full life, one marked by far more good fortune than bad. Whether you’ve followed her career for decades or are just now discovering her, the life under scrutiny is undeniably impressive and ceaselessly engaging.

Berlin Review: Christoph Hochhäusler’s ‘Till The End Of The Night’ - deadline.com - Berlin
deadline.com
27.02.2023 / 08:51

Berlin Review: Christoph Hochhäusler’s ‘Till The End Of The Night’

Christoph Hochhäusler’s slow-burn urban noir Till the End of the Night starts with time-lapse footage of the film’s first set, a well-to-do and apparently lived-in apartment flat, being built from scratch out of an empty room. Sadly, what looks to be challenging piece of Brechtian deconstruction is literally a plot point, as well as a not-so-subtle metaphor for the layers of deceit in the story that follows.

Berlin Review: Simon Baker In ‘Limbo’ - deadline.com - Australia - Berlin - county Baker
deadline.com
23.02.2023 / 21:37

Berlin Review: Simon Baker In ‘Limbo’

Odd people turn up in deserts. People are also inclined to disappear. A strange moonscape of opal prospectors’ digs and slurry heaps helps to set a bleak mood in Australian filmmaker Ivan Sen’s Limbo, shot in gently faded black and white in the South Australian mining town of Coober Pedy, repurposed here as Limbo. Limbo, says the preacher whose radio show seems to be the only thing available on the local airwaves, is the edge of hell. Here, unpurged sinners may be “in friendship with God.” Damnation, however, isn’t far away.

Berlin’s EFM Reports Record Numbers – Global Bulletin - variety.com - Australia - Birmingham - Berlin
variety.com
23.02.2023 / 18:33

Berlin’s EFM Reports Record Numbers – Global Bulletin

Naman Ramachandran Berlin’s just concluded European Film Market (EFM), which had a physical edition this year after two online editions in 2021 and 2022 due to the pandemic, has reported “record results” according to the organizers. There were 230 stands and 612 companies from 78 countries and more than 11,500 market participants from 132 countries. Some 773 films were shown in 1,533 screenings, including 647 online screenings and 599 market premieres. The total number of buyers also rose to 1,302. 629 film projects were presented on the new Producers & Project Pages. “After the past two irregular years, we’re pleased to return to the physical in full force, and with a vibrant, bustling and strong market. The exhibition areas at Gropius Bau and the Marriott Hotel were sold out, and the exhibitors reported strong sales and good business. The decision to group all the market happenings together with the Berlinale Series Market and the market screenings at Potsdamer Platz, and to provide the industry with an efficient infrastructure, was extremely well-received by our market participants,” said EFM director Dennis Ruh.

Berlin Review: ‘Love To Love You, Donna Summer’ Offers Moving Portrait Of Brilliant Singer Who Struggled With Fame And Faith - deadline.com - Houston - Berlin
deadline.com
21.02.2023 / 20:35

Berlin Review: ‘Love To Love You, Donna Summer’ Offers Moving Portrait Of Brilliant Singer Who Struggled With Fame And Faith

Donna Summer could hit notes more thrillingly beautiful than any other pop singer of her time, or since. I’m not sure even Whitney Houston, as great as she was, quite reached the glistening heights that culminate “Last Dance” (though she comes very close in “I Will Always Love You”). Mariah Carey (no relation to me) performs impressive vocal acrobatics, yet to my ear she can’t match the bell-like shimmer of Donna in the higher registers. And Donna in the lower registers – well, the voice thrums with visceral resonance.

Berlin Review: Giacomo Abbruzzese’s ‘Disco Boy’ - deadline.com - France - Paris - Poland - Berlin - Belarus
deadline.com
21.02.2023 / 03:35

Berlin Review: Giacomo Abbruzzese’s ‘Disco Boy’

What do a Belarusian emigrant and an African freedom fighter have in common? It’s a question that Giacomo Abbruzzese’s feature debut, which had its world premiere in Competition at the Berlin Film Festival, answers in a beguilingly magic-realist and digressive way that sort of adds up, even though it requires a lot of good faith from the viewer to make it do so. To illustrate its strangeness, Disco Boy could be loosely described as a mash-up of Beau Travail and Uncle Boonmee Who Can Recall His Past Lives, two very different movies. While both are firmly anchored in arthouse history, neither resembles the other, and it’s that contrast—the rich potential opened up by the space in between—that’s in play here.

Berlin Review ‘Inside’: Willem Dafoe Delivers Tour De Force Performance In An Art Film All About Art – And Survival - deadline.com - New York - Greece - Berlin
deadline.com
20.02.2023 / 22:21

Berlin Review ‘Inside’: Willem Dafoe Delivers Tour De Force Performance In An Art Film All About Art – And Survival

Willem Dafoe gets a dream role with Inside, a combo of art film in more ways than one, psychological thriller, heist movie, and survival tale all rolled into one in which Dafoe’s Nemo is center stage, alone, the entire time.

Berlin Review: Helen Mirren in Guy Nattiv’s ‘Golda’ - deadline.com - Britain - Berlin - Israel
deadline.com
20.02.2023 / 21:21

Berlin Review: Helen Mirren in Guy Nattiv’s ‘Golda’

War is coming in Guy Nattiv’s Golda, onscreen and off. But despite the media’s best efforts to turn the casting of British, non-Jewish actor Helen Mirren as Israeli Prime Minister Golda Meir into an explosive example of cultural appropriation, both Nattiv’s direction and Mirren’s performance are low-key and careful enough to rise above the controversy. In retrospect, it does seem a little strange that no other candidate was deemed suitable, and the movie won’t do much extra business on account of Mirren’s star power, but those anticipating a tone-deaf disaster will be sorely disappointed.

‘Ingeborg Bachman – Journey Into The Desert’ Review: Vicky Krieps’s Sensational Performance Leads Period Piece About Art, Love, And Suspicion [Berlin] - theplaylist.net - Germany - Berlin
theplaylist.net
20.02.2023 / 20:51

‘Ingeborg Bachman – Journey Into The Desert’ Review: Vicky Krieps’s Sensational Performance Leads Period Piece About Art, Love, And Suspicion [Berlin]

From “Rosa Luxemburg” in 1986 to 2012’s “Hannah Arendt,” the films of Margarethe Von Trotta, an icon of the New German cinema, have put strong female protagonists center-stage in renditions of German history. For her latest, Von Trotta paints a portrait of German poet Ingeborg Bachmann, author of essays, radio dramas, and opera libretti.

‘Femme’ Berlin Review: Queer Thriller Will Leave The Audience With More Questions Than Answers - deadline.com - city Stockholm - Berlin
deadline.com
20.02.2023 / 10:17

‘Femme’ Berlin Review: Queer Thriller Will Leave The Audience With More Questions Than Answers

Femme, a queer thriller written and directed by Sam H. Freeman and Ng Choo Ping, had its premiere at the Berlin International Film Festival and stars George Mackay and Nathan Stewart-Jarrett. The film explores the price of vengeance, the toll it can take on the psyche, and how that pressure can lead to some questionable decisions that may leave the viewer looking for explanations for these character’s actions.

Berlin Review: U2 Doc ‘Kiss The Future,’ From Matt Damon & Ben Affleck, Shows How Bono And Band Inspired Sarajevo Under Siege - deadline.com - Berlin - Serbia - city Sarajevo - county Clinton
deadline.com
19.02.2023 / 23:53

Berlin Review: U2 Doc ‘Kiss The Future,’ From Matt Damon & Ben Affleck, Shows How Bono And Band Inspired Sarajevo Under Siege

For almost four years of siege in the 1990s, the city of Sarajevo concussed from shelling, the rumblings of armored vehicles and the repeated pop of sniper fire.

‘Ingeborg Bachmann – Journey Into The Desert’ Review: Vicky Krieps Can’t Save an Oldfangled Biopic - variety.com - Paris - Austria - Switzerland
variety.com
19.02.2023 / 22:27

‘Ingeborg Bachmann – Journey Into The Desert’ Review: Vicky Krieps Can’t Save an Oldfangled Biopic

Jessica Kiang One wonders what Ingeborg Bachmann — the celebrated Austrian poet, author, linguist and thinker who became a darling of the midcentury, continental European literary set — would make of the staunchly old-fashioned Margarethe von Trotta biopic that now bears her name. She might be happy to be portrayed by Vicky Krieps — who among us would not be? She might be gratified by the occasional mention of one of her poems or lectures, and the nice amber tinge to Martin Gschlacht’s stately photography. Or she might be justifiably miffed that for all she achieved across a glittering, eccentric literary career, it is her rocky personal life and the men who rocked it, that are the film’s sole, stultifying focus. 

Luc Besson’s Comeback Movie ‘Dogman’ Starring Caleb Landry Jones Sparks Raft of International Deals; First-Look Art Unveiled (EXCLUSIVE) - variety.com - Spain - Paris - Texas - Italy - South Korea - Austria - Germany - Japan - Portugal - Switzerland - Greece - Poland - Czech Republic - Berlin - Turkey - Israel - Slovakia - Taiwan
variety.com
19.02.2023 / 22:11

Luc Besson’s Comeback Movie ‘Dogman’ Starring Caleb Landry Jones Sparks Raft of International Deals; First-Look Art Unveiled (EXCLUSIVE)

Elsa Keslassy International Correspondent Luc Besson’s ”Dogman,” starring Caleb Landry Jones, wowed buyers at the Berlin’s European Film Market, where it was screened for select buyers. “We hosted only one private screening of the completed film and buyers were stunned, they all came out saying that it was Luc Besson’s best film to date, his most mature movie and some even called it a masterpiece,” said Gregoire Melin, founder of Kinology, which is handling sales on the film. On the heels of the screening, Kinology closed deals with some of the biggest distributors in key international territories, including Italy (Lucky Red), Germany and Austria (Capelight Pictures), Spain and Latin America (Sun Distribution Group), Scandinavia (Svensk Filmindustri), Benelux (Belga Films), Switzerland (Elite Film), Middle East (Front Row), Poland (Monolith), Portugal (Nos Lusomundo Audiovisuais), Czech Republic and Slovakia (AQS) and former Yugoslavia (Blitz).

Genre Diversity Key in German Films - variety.com - Austria - Germany - Switzerland - Egypt - Berlin
variety.com
19.02.2023 / 22:11

Genre Diversity Key in German Films

Ed Meza @edmezavar German cinema looks set for a major boom this year with a strong lineup of diverse works that span historical dramas, coming-of-age tales, high-octane nostalgia, animation and sci-fi fun. The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest. Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.

Berlin Review: Byun Sung-hyun’s ‘Kill Boksoon’ - deadline.com - Japan - North Korea - Berlin - county Carter
deadline.com
19.02.2023 / 21:11

Berlin Review: Byun Sung-hyun’s ‘Kill Boksoon’

Most big Korean action movies are backloaded, wrapping up with three to five endings, but Byun Sung-hyun’s Kill Boksoon, which premiered as a Berlinale Special, has everything going on up front. So much so that it initially seems too much, to the extent that it sometimes feels as though there’s actually a mini-series in there bursting to get out. Surprisingly, that’s not such a crazy idea, since, once you get past the far-fetched premise—an underground network of professional contract killers, presided over the glossy conglomerate MK Ent—there’s a lot of rich character work to supplement the superbly choregraphed violence that we’ve come to expect from the region.

Vicky Krieps on Berlin Competition Film ‘Ingeborg Bachmann’: ‘I Went So Far, I Felt Like I Almost Lost Myself’ (EXCLUSIVE) - variety.com - Austria - Germany - Switzerland - Berlin
variety.com
19.02.2023 / 13:51

Vicky Krieps on Berlin Competition Film ‘Ingeborg Bachmann’: ‘I Went So Far, I Felt Like I Almost Lost Myself’ (EXCLUSIVE)

Naman Ramachandran Acclaimed “Phantom Thread” actor Vicky Krieps’ latest film, “Ingeborg Bachmann – Journey into the Desert,” directed by German cinema legend Margarethe von Trotta, has its world premiere in competition at the Berlin Film Festival. Krieps plays the titular Austrian Bachmann, one of the most renowned German-language poetry and prose writers of the 20th century. The film follows her life and career and her relationships with Swiss playwright (Ronald Zehrfeld), Austrian author Adolf Opel (Tobias Samuel Resch) and German composer Hans Werner Henze (Basil Eidenbenz) during a six-year period in her life from 1958. The actor was familiar with the writer from her formative years. “I knew about Bachmann because in Germany she’s very famous. I grew up with her in school,” Krieps told Variety. “I was very into poetry when I was younger, so I knew her poetry.” Krieps familiarized herself further with Bachmann’s work once she was cast.

Berlin Review: Jesse Eisenberg In John Trengrove’s ‘Manodrome’ - deadline.com - New York - South Africa - county Young - city Sandler - Berlin - city Odessa, county Young
deadline.com
18.02.2023 / 23:19

Berlin Review: Jesse Eisenberg In John Trengrove’s ‘Manodrome’

There’s a rich history of movies being entirely at odds with their cryptic titles—step forward Quantum of Solace—but for his follow-up to The Wound, South African director John Trengrove has picked a doozy, a title that sounds more like a dystopian Adam Sandler comedy than the dour story of urban disintegration that it actually is. Images of star Jesse Eisenberg sporting a mop of red hair for the film have been also something of a misdirect, perhaps giving some the impression that Manodrome, which premiered in Competition at the Berlin Film Festival, could be some kind of satirical emo Fight Club for sad-sacks. Fight Club comparisons actually do turn out to be (lightly) relevant, as are callbacks to Taxi Driver, but Manodrome is so achingly laborious and serious that it won’t be encroaching on either for virtual shelf space in the Toxic Masculinity section of anyone’s streaming library.

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