Brent Lang Executive Editor Jason Clarke, Scott Eastwood and Chaske Spencer will star in the sequel to “Wind River.” Entitled “Wind River: The Next Chapter,” the film will bedirected by Emmy nominee and BAFTA award winner Kari Skogland. Patrick Massett and John Zinman have penned the screenplay. As previously announced, Martin Sensmeier will star and reprise his role as Chip Hanson. The original film also starred Jeremy Renner and Elizabeth Olsen, neither of whom has been attached. According to the official description, the sequel involves the investigation into a series of ritualistic murders on the Wind River reservation. To solve the case, the FBI enlists Chip Hanson, a newly minted tracker for the U.S. Fish & Game, who becomes embroiled in a desperate and dangerous fight between the authorities, a vigilante, and the reservation. Production is currently underway in Calgary.
Berlin Review: Helen Mirren in Guy Nattiv’s ‘Golda’
20.02.2023 - 21:21 / deadline.com
War is coming in Guy Nattiv’s Golda, onscreen and off. But despite the media’s best efforts to turn the casting of British, non-Jewish actor Helen Mirren as Israeli Prime Minister Golda Meir into an explosive example of cultural appropriation, both Nattiv’s direction and Mirren’s performance are low-key and careful enough to rise above the controversy. In retrospect, it does seem a little strange that no other candidate was deemed suitable, and the movie won’t do much extra business on account of Mirren’s star power, but those anticipating a tone-deaf disaster will be sorely disappointed.
Golda very much exists in the slipstream of two last-decade biopics, The Iron Lady and Darkest Hour, both humanizing studies of seemingly indomitable famous politicians. Nattiv, however, takes a much narrower view of his subject, using Meir’s testimony at an inquest into her government’s handling of the Yom Kippur war of 1973 as a framing device for an engrossing, if rather dry, docudrama procedural. It’s the kind of project Mirren does seem drawn to (Golda is very similar in spirit to 2015’s Eye in the Sky, a talky moral-maze movie about the ethics of modern warfare), while Nattiv’s understated direction (lots of earth tones, and nondescript office interiors) brings to mind Tomas Alfredson’s understated adaptation of John Le Carré’s Tinker Tailor Soldier Spy.
The shadow of Le Carré does loom large, which may be attributable to Nicholas Martin’s thoughtful script. In flashback, the drama begins with some very British espionage, with an undercover agent working in an East Finchley school (“The Postmistress”) sharing intelligence with another (“The Baker”) about the movement of dangerous radioactive materials. There is talk of imminent
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