Vicky Krieps Latest Celebrity News & Gossip

​​Viggo Mortensen To Attend Glasgow Film Festival 

Pat Saperstein Deputy Editor UPDATE: Canadian filmmaker Xavier Dolan, whose film “Mommy” received the Cannes Jury Prize in 2014, will head the jury of Un Certain Regard at the Cannes Film Festival. Joining him on the jury will be “Cuties” director Maïmouna Doucouré, “The Mother of All Lies” helmer Asmae El Moudir, “Phantom Thread” actor Vicky Krieps and film critic Todd McCarthy. “I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” he said in a statement.

Viggo Mortensen loves him a good Western. The actor has starred in several of them, 2008’s “Appaloosa,” 2004’s “Hidalgo,” and even more recent arthouse international films like “Jauja” and “Far from Men” employ elements of this genre.

Viggo Mortensen really puts the word multi-hyphenate to good use for his second directorial effort The Dead Don’t Hurt as he also wrote, co-stars in and composes the music for this distinctive Western film, which played at the Glasgow Film Festival earlier this week after world premiering to critical acclaim at the Toronto Film Festival last year. 

Viggo Mortensen, the star of Lord Of The Rings, showed his support for Ukraine at the Glasgow Film Festival. He wore the Ukrainian trident symbol, their national emblem, on his shirt as he walked the red carpet.

The Berlin Film Festival officially kicked off this evening with an eventful opening ceremony at the Berlinale Palast theater in the German capital. 

EXCLUSIVE: Following a competitive bidding situation, Shout! Studios has acquired North American rights to The Dead Don’t Hurt, the Western written, directed, produced by and starring Viggo Mortensen (Thirteen Lives) which world premiered at last year’s Toronto Film Festival, where star Vicky Krieps (Phantom Thread) was honored with the TIFF Tribute Performer Award.

Alex Ritman “The Dead Don’t Hurt,” the Viggo Mortensen-directed Western in which the three-time Oscar nominee stars alongside Vicky Krieps, has landed a number of international sales for HanWay Films. Newly confirmed territory deals for the film — a Talipot Studio, Recorded Picture and Perceval Pictures production — include France (Metropolitan), Spain (Wanda & Elastica), Scandinavia (Scanbox), U.K. (Signature), Benelux (Imagine), Poland (Galapagos), Middle East (Front Row), Singapore (Shaw) and Airlines/Ships (Cinesky).

Patrick Frater Asia Bureau Chief Taiwanese streamer Catchplay has added its original series “Not a Murder Story” to its available lineup in Indonesia. The eight-part series combines a gripping criminal thriller narrative with an exploration of greed and deception. The story revolves around Dong, an aspiring actor who finally gets an opportunity to become famous and successful, but wakes up one day next to a dead woman.

Glasgow Film Festival (GFF) have announced a special live In Conversation event with Hollywood star Viggo Mortensen.

MARRAKECH – Nominated three times for the Best Actor Academy Award, including in “Eastern Promises” by his dear friend and close collaborator David Cronenberg, and best known for playing Aragorn in “The Lord of the Rings” by Peter Jackson, actor Viggo Mortensen is also a big fan of Marrakech. He has returned for the 20th edition of the Marrakech International Film Festival, which wrapped this weekend, to give an In Conversation session, talking about his career, and to present Lisaandro Alonso’s 146-minute drama “Eureka,” which premiered in Cannes (read our review).

EXCLUSIVE: Shooting has wrapped on Went Up the Hill, the psychological ghost story starring Cannes award winner Vicky Krieps and Stranger Things actor Dacre Montgomery.

The stars stepped out for the 2023 TIFF Tribute Gala & Awards during the Toronto Film Festival over the weekend!

Spike Lee blasted critics who suggested that “Do The Right Thing” would spark riots when it opened in 1989, while honoring one of the reviewers who came to the film’s defense. The remarks came as Lee received the Ebert Director Award, named for the late film critic Roger Ebert, at the Toronto International Film Festival Tribute Awards on Sunday. “Your husband got behind me when those mother f–kers in the press were saying that ‘Do the Right Thing’ was going to incite Black people to riot,” Lee said, as he accepted his prize from Chaz Ebert, the late critic’s wife.

Top-billed Vicky Krieps dies in the opening frame of Viggo Mortensen’s “The Dead Don’t Hurt,” with a tear running down her cheek and her co-star/director keeping vigil at her bedside, which might prompt some confusion from the casual viewer; is this a Western zombie movie? It is not, but it’s a picture that takes some time to reveal its methodology and motives; the viewer’s patience is required but rewarded.   Continue reading ‘The Dead Don’t Hurt’ Review: Writer/Director/Star Viggo Mortensen’s Contemplative Western Is A Dazzling Showcase For Vicky Krieps [TIFF] at The Playlist.

The western genre has been so pervasive throughout the entire history of the movies, and it is hard to imagine doing anything in it that hasn’t already been done. Viggo Mortensen, in writing, directing, producing, and co-starring in only his second film behind the camera (after 2020’s Falling) finds a moving, if tragic, love story to play against the stunning landscape of the circa 1860’s west, and somehow it all feels new. John Ford and Howard Hawks would love this movie.

Vicky Krieps, the star of Viggo Mortensen’s western The Don’t Dead Hurt and Paul Thomas Anderson’s The Phantom Thread, will be bestowed with the TIFF Tribute Performer Award at the fifth annual Awards gala on Sunday, Sept. 10, at Fairmont Royal York Hotel.

Leo Barraclough International Features Editor Vicky Krieps, best performance prize winner in Cannes’ Un Certain Regard for “Corsage,” will star as Sophie Toscan du Plantier in six time-Oscar nominee Jim Sheridan and David Merriman’s “Re-creation,” which is being presented in the Venice Gap-Financing Market. The docu-drama, which centers on the brutal murder in 1996 in Ireland of French film and TV producer Toscan du Plantier, has been co-written and will be co-directed by Sheridan, best known for “My Left Foot” and “In the Name of the Father,” and Merriman.

TIFF continues to build out its speaker lineup despite the SAG-AFTRA and WGA strikes barring a number of participants from this year’s 48th edition.

ActorsZar Amir-Ebrahimi – “Holy Spider,” “Bride Price vs. Democracy”Sakura Ando – “A Man,” “Shoplifters”Selma Blair – “Hellboy,” “Legally Blonde”Marsha Stephanie Blake – “I’m Your Woman,” “Luce”Austin Butler – “Elvis,” “Once upon a Time…in Hollywood”Raúl Castillo – “Cha Cha Real Smooth,” “The Inspection”Chang Chen – “The Soul,” “Crouching Tiger, Hidden Dragon”Ram Charan – “RRR,” “Magadheera”Kerry Condon – “The Banshees of Inisherin,” “Gold”Robert John Davi – “Licence to Kill,” “The Goonies”Dolly De Leon – “Triangle of Sadness,” “Verdict”Martina Gedeck – “The Lives of Others,” “Mostly Martha”Bill Hader – “Trainwreck,” “The Skeleton Twins”Nicholas Hoult – “The Favourite,” “Mad Max: Fury Road”Stephanie Hsu – “Everything Everywhere All at Once,” “Shang-Chi and the Legend of the Ten Rings”Tin Lok Koo – “A Witness out of the Blue,” “Paradox”Vicky Krieps – “Corsage,” “Phantom Thread”Joanna Kulig – “Cold War,” “Elles”Lashana Lynch – “The Woman King,” “No Time to Die”A Martinez – “Ambulance,” “Powwow Highway”Noémie Merlant – “Tár,” “Portrait of a Lady on Fire”Paul Mescal – “Aftersun,” “The Lost Daughter”Richard Mofe-Damijo – “Oloibiri,” “30 Days in Atlanta”Keke Palmer – “Nope,” “Hustlers”Park Hae-il – “Decision to Leave,” “Memories of Murder”Ke Huy Quan – “Everything Everywhere All at Once,” “Indiana Jones and the Temple of Doom”NT Rama Rao Jr.

Brent Lang Executive Editor Samuel Goldwyn Films announced today that the company has acquired U.S. rights to the “The Three Musketeers,” a two-part adaptation of the swashbuckling French adventure story by Alexandre Dumas. The two films were shot back-to-back, with the first film “The Three Musketeers: D’Artagnan” released in France this past April, earning $35 million at the international box office. The sequel “The Three Musketeers: Milady” will open in the country on Dec. 13. The period epic boasts a top-shelf ensemble of European stars such as Francois Civil (“Call My Agent!”), Vincent Cassel (“Black Swan”), Romain Duris (“Eiffel”), Pio Marmaï ((“Happening”), Eva Green (“Casino Royale”), Vicky Krieps (“Phantom Thread”) and Louis Garrel (“The Dreamers”). Both films were directed by Martin Bourboulon, with screenplay by Matthieu Delaporte and Alexandre de La Patellière.

So many celebs were in attendance at the Chanel Cruise show, including Kristen Stewart and Riley Keough, who sat together in the front row.

Manori Ravindran Executive Editor of International “Emily” star Emma Mackey has joined the cast of “Hot Milk,” the adaptation of the bestselling novel by Deborah Levy. The BAFTA nominee will lead the cast alongside Fiona Shaw (“Killing Eve”), Vicky Krieps (“Corsage”), Vincent Perez (“Shantaram”) and Patsy Ferran (“Living”). HanWay Films has worldwide sales rights and will shop the pic to buyers in Cannes next week. “Hot Milk” marks the directorial debut of award-winning writer Rebecca Lenkiewicz (“She Said,” “Ida,” “Colette”). It will start shooting in July in Greece in co-production with Heretic Films.

EXCLUSIVE: Range Media Partners on Monday announced its signing of award-winning actor, producer, writer and director Ben Foster for management.

Elsa Keslassy International Correspondent Strand Releasing has bought all North American rights to Emily Atef’s last two movies, “Someday We’ll Tell Each Other Everything” which competed at the Berlin Film Festival, as well as her Cannes entry “More Than Ever.” Both films are represented in international markets by The Match Factory. Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps (“Corsage,” “Phantom Thread”) and late French actor Gaspard Ulliel as a couple whose bond is tested when one of them is diagnosed with a terminal disease.

Guy Lodge Film Critic Nearly 125 years after her assassination, the Empress Elisabeth of Austria — or Sisi to her enduring cultists — continues to inspire a veritable industry of portraiture in Europe: In the last year alone, a novel, two TV series (one of them a glossy Netflix affair) and two feature films have been dedicated to the tightly corseted royal icon. Viewers outside the Continental sphere of Sisi-mania may only have registered one of those films, Marie Kreutzer’s chic, subversive anti-biopic “Corsage,” which might make the second, German director Frauke Finsterwalder’s lush, irreverent “Sisi & I,” seem to them a too-soon spare — coincidentally repeating several tricks from Kreutzer’s anachronistic playbook with its modern feminist inflections, contemporary soundtrack cues and sensational fashions, albeit with plenty of its own panache.

From “Rosa Luxemburg” in 1986 to 2012’s “Hannah Arendt,” the films of Margarethe Von Trotta, an icon of the New German cinema, have put strong female protagonists center-stage in renditions of German history. For her latest, Von Trotta paints a portrait of German poet Ingeborg Bachmann, author of essays, radio dramas, and opera libretti.

“They treat you like a movie star,” says an admirer to Ingeborg Bachmann at one of her celebrated readings. She smiles graciously and agrees, thus establishing the baseline for her story.

Jessica Kiang One wonders what Ingeborg Bachmann — the celebrated Austrian poet, author, linguist and thinker who became a darling of the midcentury, continental European literary set — would make of the staunchly old-fashioned Margarethe von Trotta biopic that now bears her name. She might be happy to be portrayed by Vicky Krieps — who among us would not be? She might be gratified by the occasional mention of one of her poems or lectures, and the nice amber tinge to Martin Gschlacht’s stately photography. Or she might be justifiably miffed that for all she achieved across a glittering, eccentric literary career, it is her rocky personal life and the men who rocked it, that are the film’s sole, stultifying focus.