When Is ‘The Flash’ Movie Streaming on Max?

After two full weekends of a decidedly underwhelming release, it’s not hyperbole to say “The Flash” is an unmitigated box office disaster for Warner Bros. Discovery.

Rebecca Rubin Film and Media Reporter “The Flash” continues to stumble at the box office, collecting $26.6 million from 78 international territories over the weekend and bringing its overseas tally to just $123.3 million. The Warner Bros. comic book movie, starring Ezra Miller as the eponymous, timeline-spanning speedster, has grossed $210.9 million globally, including a lousy $87 million at the domestic box office. It’s far less than what a film of its size and scope — it cost $200 million to make and another $100 million to market — needs to break even in its theatrical run. China is leading the foreign territories with a lackluster $23.6 million followed by Mexico with $14.4 million and the United Kingdom with $8.5 million.

Rebecca Rubin Film and Media Reporter In another universe, “The Flash,” once touted by its own studio as “one of the greatest superhero movies of all time,” would be towering over the box office with ease in its second weekend of release. But in this universe, audiences are flat-out rejecting the Warner Bros. movie, starring Ezra Miller as the eponymous, timeline-spanning speedster. Rather than taking a victory lap, the comic book adventure is cratering in third place with $15.3 million from 4,265 North American theaters, marking a brutal 73% decline from its unimpressive $55 million debut. That’s a far bigger drop than recent DC adaptations, including “Black Adam” (59%) and “Shazam: Fury of the Gods” (69%), which ended up as huge money losers for the studio.

Zack Sharf Digital News Director SPOILER ALERT: This article contains major spoilers for Warner Bros. and DC Studios’ “The Flash,” now playing in theaters. “I finally got to see Nic Cage be Superman. It has been an absolute delight for me,” Kevin Smith recently told Rolling Stone about watching “The Flash.” The film and that Cage-as-Superman cameo near the end is a full circle moment for Smith, who was the screenwriter of the studio’s infamous “Superman Lives.” After launching the Batman movie franchise for Warner Bros. to great success, Tim Burton turned his attention towards Superman in 1998 with the development of “Superman Lives.” Smith penned the script, which focused on Superman’s fight against Doomsday. Despite spending over $30 million on the film’s casting and pre-production, Warner Bros. pulled the plug on “Superman Lives” due to creative differences.

Tim Chan If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Fans of The Flash can add now another title to their collection.

The Flash (★★★☆☆), look no further than IMDb, which has listed every single (uncredited) appearance on the movie’s full cast list. Some cameos are clever, while others are slightly creepy –- yet another example of CGI eerily resurrecting the dead.

“The Flash,” which is opening below expectations with an estimated $70 million 4-day opening weekend after grossing $24.5 million from 4,234 theaters on Friday.Industry estimates have the 3-day opening for “Flash” at $61 million, which would be identical to what Paramount’s “Transformers: Rise of the Beasts” opened to last weekend. But both figures are below the $67 million 3-day/$71.5 million 4-day opening earned last fall by fellow DC film “Black Adam,” which ended up grossing only $393 million worldwide against a $200 million-plus production budget before marketing.

J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.

Jordan Moreau Warner Bros. and DC Studios’ tentpole summer release, “The Flash,” finally hits theaters this weekend, but the superhero movie had been beset by delays and off-screen controversies involving star Ezra Miller in the years before its release. “The Flash” was initially revealed back in October 2014 as part of the inaugural DC Universe slate. It received a 2018 release date, alongside eventual releases like “Batman v Superman: Dawn of Justice,” “Suicide Squad,” “Wonder Woman,” “Aquaman” and “Shazam.” However, parts of that plan didn’t come to fruition. Standalone “Cyborg” and “Green Lantern” movies were scrapped, and a two-part “Justice League” movie by Zack Snyder became one film.

The Flash” has finally arrived.After several attempts (this iteration of the character has been brewing since at least 2013) and substantial controversy, the scarlet speedster has arrived in theaters with an accompanying whirlwind of both excitement and hesitation. Borrowing loosely from the event comic series “Flashpoint,” “The Flash” stars Ezra Miller as Barry Allen, a crime lab technician and superhero (or “metahuman” in DC speak) who decides to go back in time and prevent his mother’s murder (and his father’s arrest for said murder) but winds up being knocked out of his timeline and into an alternate reality that is very, very wrong.

SPOILER ALERT: This article contains major spoilers for Warner Bros. and DC Studios’ “The Flash,” now playing in theaters. Ezra Miller’s speedy superhero tears apart the DC Universe in the multiverse-hopping movie, “The Flash.” After first appearing in cameos in “Batman v Superman: Dawn of Justice” and “Suicide Squad,” the Flash finally gets his own standalone movie, full of surprise appearances and shocking cameos.

The Flash director Andy Muschietti has hit back at claims that the new DC movie has bad CGI.In the build up to the film’s release, many fans shared clips of the trailer on Twitter and mocked the superhero movie’s special effects.In a new interview with i09, Msuchietti addressed the criticism head-on, and said that the “weird” look of the film’s CGI was completely intentional.The director was discussing one scene in particular, in which The Flash/Barry Allen (Ezra Miller) is seen saving babies from a nursery as a building begins collapse around him.Muschietti said: “We are in the perspective of The Flash. Everything is distorted in terms of lights and textures.

The Flash” is here, and if you’ve seen it, you probably have a lot of questions about what it all, especially that cacophonous ending, means for the DC Universe.In the film, Barry Allen (Ezra Miller) travels back in time and to other dimensions in an effort to save his mom’s life (and that of his father, who was wrongly convicted of her murder). Along the way he interacts with at least two actors playing Batman — Ben Affleck from Zack Snyder’s films, and Michael Keaton, who last played the role in 1992’s “Batman Returns” — alongside a whole lot of other characters.

Andy Muschietti has landed his next role in the DC Universe!

Zack Sharf Digital News Director SPOILER ALERT: This story contains minor spoilers from “The Flash,” now playing in theaters nationwide. Reviews for Warner Bros.’ long-in-the-works “The Flash” movie have been largely favorable to mixed, but most critics agree the film is the latest comic book tentpole to suffer from unappealing visual effects. Leaked scenes on social media have also led to fan bafflement over the film’s VFX, especially an opening sequence in which Ezra Miller’s superhero speeds to Gotham City to save a bunch of falling babies from a collapsing hospital. To say the VFX babies in “The Flash” opening scene are rendered in a hugely un-human way would be an understatement. The same goes for all of the human characters who appear during the movie’s many time travel sequences. Suffice to say, none of them look human at all.

The Flash” got off to a slow start in its domestic box office sprint, earning $9.7 million in Thursday previews. That’s barely more than the $8.9 million earned by “Transformers: Rise of the Beasts” last weekend and only a bit more than the $7.5 million and $7.6 million earned by “Black Adam” and “Fast X” respectively in their Thursday preview runs.

Jordan Moreau “The Flash” is racing ahead at the box office, picking up $9.7 million in previews at the box office. The Warner Bros. film, starring Ezra Miller as the DC Comics speedster and helmed by “It” director Andy Muschietti, has endured a long and rocky road to theaters, but it’s finally opening this weekend. “The Flash” is projected to earn around $70 million in its first weekend, with some predictions as high as $85 million and others as low as $68 million. That expected opening is in line with previous DC Studios projects like last year’s “Black Adam” and 2018’s “Aquaman,” which both debuted to $67 million — but Warner Bros. is surely hoping that “The Flash” takes more after his “Justice League” companion than Dwayne Johnson’s antihero. “Black Adam” stalled out with $168 million domestically and less than $400 million globally, while Jason Momoa’s “Aquaman” surfed to $335 million in North America and $1.14 billion worldwide. Without question, “The Flash” will perform better than March’s “Shazam: Fury of the Gods,” which opened with $30 million and ended its domestic run with just $57 million. In terms of Thursday previews, “Black Adam” collected $7.6 million, “Aquaman” had $9 million and “Shazam: Fury of the Gods” made $3.4 million.

After watching, even the biggest DC Comics fans might be asking why Nicolas Cage played Superman in one of the many colliding alternate universes in Barry Allen’s (Ezra Miller) Speed Force showdown. While Michael Keaton’s highly-anticipated return as Batman was the most substantial tribute among several loving homages to past adaptations, the most surprising nod is to another Tim Burton comic book project, . «It's a different time now. We're going into the new millennium,» Cage said in 1997.

Matt Donnelly Senior Film Writer Andy Muschietti is officially suiting up to direct a new Batman film, Variety can report exclusively. The film is one of several new DC Studios titles mapped out by leaders James Gunn and Peter Safran earlier this year. Muschietti, behind this weekend’s superhero release “The Flash,” will direct “Batman: The Brave and the Bold.” The project is based on the comic series authored by Grant Morrison, who Gunn called “exceptionally influential” on in the DC Universe in January. The comics imagine a “Bat family,” where Bruce Wayne’s biological son Damian serves as Robin to his dad’s Batman. Muschietti’s sister and creative partner Barbara will produce the project via their label Double Dream, alongside Gunn and Safran.

In today’s episode of The Discourse, host Mike DeAngelo speeds his way through the DC Universe with director Andy Muschietti & producer Barbara Muschietti (“IT,” “Mama”). The talented duo is promoting their latest film, “The Flash,” which follows Barry Allen (Ezra Miller) discovering that his speed unlocks the ability to change the past that has haunted him and, in turn, plunges him into another timeline where many of the heroes he knows do not exist.