Despite fears for the future of film in the new, seemingly disposable digital era, there are still many auteurs holding on out there in the modern movie landscape. For example, there’s Quentin Tarantino, Christopher Nolan and even Michael Bay (for, as director Tarsem said of the latter’s work, “You may not like it, but you know who made it”). But few directors are as instantly recognizable as Wes Anderson. Nothing happens by accident in a Wes Anderson movie: the camera moves are perfectly choreographed — sideways tracking shots are a specialty — and the sets don’t even begin to aim for realism. Clothes are tailored, hair and makeup is scrutinized all the way down to lipstick and nail polish, and music is key, creating a subtle, sometimes melancholy and always wholly effective emotional backdrop.