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The Venice Film Festival is upon us again, and we can’t believe it. While we are a little sad that it means that summer is winding down, the positive is that it implies that audiences everywhere are about to have a treasure trove of sure-to-be spectacular films to look forward to.

Holly Jones Standout Paris-based sales outfit Luxbox (“1976”) has acquired international sales rights to the debut solo feature effort from Chilean multi-hyphenate Vinko Tomičić Salinas(“Durmiente”),“The Dog Thief” (“El Ladrón de Perros”), which bows in the international narrative competition at this year’s Tribeca Film Festival, running June 5-16. The film follows an adolescent shoe shining orphan, Martín (Franklin Aro Huasco), in his quest to get closer to Mr.

Platino Awards is right around the corner. The yearly ceremony, which recognizes the best in film and TV in Ibero-America, will be hosted in Xcaret, Mexico on April 20th.

Jazz Tangcay Artisans Editor Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.” Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.” The awards were handed out Sunday night at the Beverly Hilton Hotel. All five theatrical feature film nominees are also nominated for best cinematography at the Oscars.

Refresh for latest: Oppenheimer continued its romp through awards season by winning the top film prize at the American Society of Cinematographers‘ 38th annual ASC Awards, which were handed out Sunday night at the Beverly Hilton.

David Heuring At the inaugural American Society of Cinematographers awards almost four decades ago, about 100 attendees saw host Gregory Peck give a single award, acknowledging the artistry of Jordan Cronenweth on Francis Ford Coppola’s “Peggy Sue Got Married.” Today, the ASC Awards is an annual event with global reach where 10 major awards are presented, this year including recognition of music video cinematography. On March 3 at the Beverly Hilton, the 105-year-old organization will honor Spike Lee with its Board of Governors Award, in recognition of his career contributions to the art of visual storytelling.

American Cinematographer Ed Lachman will be the recipient of the Lifetime Achievement Award at this year’s Camerimage Film Festival.

Anna Marie de la Fuente Argentine director Luján Loioco (“About a Woman,” “The Girl with Yellow Heels”) is prepping her third feature film, “Queen of the Woods” (“Reina del bosque”), starring Chile’s venerable Alfredo Castro, seen most recently in Pablo Larrain’s Oscar-nominated “El Conde,” and rising Argentine actress Delfina Chaves (“Máxima,” “Ringo”). The story takes place in a cabin set against the snow-covered Patagonian mountains and is described as a “neo-horror feminine film that explores the failed relationship between a pregnant woman and her dying father.” Through the gripping mechanisms of thriller and neo-horror, the film delves deep into the theme of grief while posing unsettling reflections on the complexities of motherhood.

The Academy has confirmed to Deadline that this is the first time two international foreign-language movies have been nominated for Best Picture in the same year and the first time that two foreign-language movies have received five Oscar nominations apiece in the same year.

EXCLUSIVE: Fabula, the production company of internationally renowned brother filmmakers Pablo Larraín and Juan de Dios Larraín, has appointed Yira Vilaro as Vice President Of Film And Television, Deadline has learned.

The American Society of Cinematographers revealed the nominees for the 2024 ASC Awards, a precursor to the Oscar for Cinematography, and the results were somewhat as expected. Emphasis on “somewhat.” In the Theatrical Feature Film category, Matthew Libatique (“Maestro”), Robbie Ryan (“Poor Things”), Hoyte van Hoytema (“Oppeneheimer”), and Rodrigo Prieto (“Killers of the Flower Moon”) all earned nominations.

Like trailers, movie posters are marketing materials to put butts in seats for movies and one could argue—with the fragmenting nature of streaming and the downtrends of movie theatergoing—that movie posters aren’t as important as they once were to pop culture and movie-going culture. That said, we still love ‘em, especially the artful, more visually dynamic ones that aren’t afraid to do more than put a bunch of floating heads on a poster to sell the cast of a movie.

Will Tizard Contributor Cinematographer and director Warwick Thornton scored top honors Saturday at the Camerimage cinematography film festival for his magical tale of an aboriginal youth, “The New Boy,” which film jurors called a distinctive “portrait of an extinguished spirituality.” Thornton, in accepting the Golden Frog, said he had been so moved by the cinematography work onscreen at the fest, a top global event for directors of photography, he’d been “tearing for a week.” Ed Lachman, director of photography for Pablo Larrain’s horror fantasy “El Conde,” inspired by the life of Chilean tyrant Augusto Pinochet, won the Silver Frog for what the jury called “cinematic high poetry,” while the Bronze Frog and Audience Award went to cinematographer Robbie Ryan for his Gothic dream-like imagery in Emma Stone-starrer “Poor Things,” directed by Yorgos Lanthimos. Actor Peter Dinklage, honored with a festival director’s prize, expressed his gratitude for the Frog statuette, noting actors are “nothing without our collaborators,” followed onstage by cinematographer Mandy Walker, who also served as main jury president, also honored for her work on films such as “Elvis” and “Mulan.” Polish director Krzysztof Zanussi, one of the founders of the European Film Academy, was also feted for lifetime achievement in directing, as was cinematographer Peter Biziou (“The Wall,” “The Truman Show”) in the closing gala, held in Camerimage’s cavernous Jordanki screening hall.

This year’s winners at Camerimage Film Festival in Toruń, Poland were unveiled Saturday, with The New Boy, Warwick Thornton’s drama about an indigenous boy taken in at a mysterious remote monastery, taking the top prize.

Two-time Oscar-nominated cinematographer Ed Lachman looked shattered by the time he sat down with us for an interview here at EnergaCamerimage in Torun, Poland. 

Will Tizard Contributor The 30th edition of the Camerimage Film Festival, Europe’s top cinematography event, will welcome a host of stellar guests to the Gothic Polish town of Torun, including Adam Driver, Sean Penn and Academy of Motion Picture Arts and Sciences CEO Bill Kramer. Driver and Penn will screen their latest films, respectively, the high-octane biopic “Ferrari” and the portrait of Eastern Europe’s most remarkable wartime president, Volodymyr Zelensky, “Superpower.” As regular fest guests have learned, the calendar of film screenings is just as important to study as the schedule for panels, seminars and masterclasses.

Adam Driver will be the guest of honor at this year’s Camerimage Film Festival, where he will receive the Special EnergaCAMERIMAGE Award for an Actor and present his Michael Mann-directed biopic, Ferrari.

Peter Caranicas Deputy Editor EnergaCamerimage, the cinematography-focused film festival that will take place in Torun, Poland, Nov. 11-18, has announced three more films for its Main Competition: “El Conde,” “Filip” and “Ferrari.” “El Conde,” helmed by Chilean director Pablo Larraín (“Jackie,” “Spencer”), is billed as a dark comedy/horror picture that imagines a parallel universe in which Chile’s late fascistic dictator Augusto Pinochet is a vampire hiding away in a ruined mansion.

While many people are looking at “Killers of the Flower Moon,” “Poor Things,” “Oppenheimer,” and “Barbie” as serious awards season contenders, there are other films that could sneak in with some surprising nominations. One of those films is the upcoming thriller, “Fair Play.” READ MORE: 15 Films To See In September: ‘El Conde,’ ‘Henry Sugar,’ ‘The Creator’ & More As seen in the trailer for “Fair Play,” the film follows the story of two co-workers who begin an illicit relationship behind-the-scenes.

It’s interesting how the Venice Film Festival has gone from one of the festivals of the fall festival season to arguably the best film festival in the world now, even overshadowing Cannes in recent years thanks to the fact that Netflix now avoids the Croisette for the most part because of France’s theatrical laws and save their Oscar contenders for the Lido. Venice has had an amazing run, arguably since 2017 when Guillermo del Toro’s “The Shape Of Water” won the top prize and then went on to win the Oscar for Best Picture, which has happened one more time since with “Nomadland” and several key Oscar contenders since).

Hell hath no fury like a woman scorned, right? There’s something brilliant about casting Jenna Coleman in the upcoming revenge thriller series “Wilderness.” Petite, much much younger than she looks (37!, but going on 19), and known for “Doctor Who,” “Queen Victoria,” and “Victoria,” she seems something of an innocent nice girl. However, that stereotype is thrown on its head in the upcoming series, “Wilderness.” READ MORE: 15 Movies To See In September 15 Films To See In September: ‘El Conde,’ ‘Henry Sugar,’ ‘The Creator’ & More Written and created by BAFTA Breakthrough Brit Marnie Dickens and based on B.E.

As is the case every year, September remains a notable film month mainly because so many overlapping and concurrent film festivals are taking place. As Venice, Telluride, and the Toronto International Film Festival begin and come to a close, with others such as Fantastic Fest and the New York Film Festival upcoming, there’s plenty on the horizon for exciting films even if they won’t be playing theatrically, for a few months.

Fremantle kicked off its presence at the Venice Film Festival with a bang this year with the announcement of its new €150M ($162.7M) Scripted Fund forged in partnership with Israel-based IBI Investment House. 

Luc Besson’s Dogman had its world premiere at the Venice Film Festival on Thursday night, scoring a nearly six-minute standing ovation from the crowd inside the Palazzo del Cinema.

Michael Mann would seem a perfect fit for a biopic of Italian motorsports legend Enzo Ferrari, himself being a master technician and a director working at the high end of his commercial craft. The result, though, is a strangely tame beast, an introspective look at an in-between moment in its subject’s life, when his business hit the rocks, his marriage all but imploded and a series of fatal accidents kept his name in the papers for all the wrong reasons.

Pablo Larraín’s string of mostly 20th century biographical dramas hits a pinnacle of audacious brilliance with El Conde (The Count), a madly inspired reinvention of events embedded in the notion that longtime Chilean dictator Augusto Pinochet became a vampire who ultimately tires of life and wants out after living some 250 years. 

Nick Vivarelli International Correspondent As Chile prepares to mark 50 years since the Sept. 11, 1973 coup by Augusto Pinochet, Chilean auteur Pablo Larraín is back in Venice – following “Spencer” in 2021 – with scathing satire “El Conde,” in which Pinochet, a symbol of global fascism, resurfaces as a 250-year old vampire living in a rundown rural mansion after faking his death. “Pinochet had never been portrayed in film or TV before,” Larrain said.

Chilean filmmaker Pablo Larraín returns to Venice this evening with his latest pic El Conde, a black-and-white satire of dictator Augusto Pinochet, which he co-wrote and directed for Netflix.

With six feature credits in the last decade, Pablo Larraín is among the most prolific filmmakers working today, but he returns to the Lido this week with a new proposition.