Senegalese and French director Ramata-Toulaye Sy is only the second Black woman to make it into Competition in Cannes. Her debut feature, Banel & Adama, which had its debut Saturday, follows in the footsteps of Mati Diop’s 2019 Atlantics.
02.05.2023 - 06:33 / thewrap.com
strikes for the first time since 2007-08, more details are being released over what exactly led to the impasse in its talks with Hollywood studios on a new bargaining agreement. In its statement announcing the end of talks, the studios’ labor representatives, the Alliance of Motion Picture and Television Producers, said that “mandatory staffing,” and “duration of employment” were the “primary sticking points” when it came to the failed negotiations.
In a side-by-side chart released by the WGA to its members in the email announcing the start of the strike, more information was given on what the two sides were proposing in talks. For its mandatory staffing proposals, the WGA’s proposal called for at least six writers for “mini-rooms,” which are writers rooms created before a project is even greenlit to generate more scripts for studio consideration.
Of those minimum six writers, at least four must have writer-producer status, ensuring higher minimum rates. After a show is greenlit, the WGA proposal would also ensure that every writers room employs between six-12 writers depending on the number of episodes ordered.
The WGA also proposed a guaranteed minimum of 10 weeks of work for mini-rooms and requirements that at least half of the minimum number of writers on greenlit productions remain employed during the entirety of production among other rules regarding proposed minimum employment times. The WGA said in interviews and membership memos prior to the start of talks that such proposals were necessary to reverse the downward trend of real wages for writers, as streaming has led to shorter episode orders and mini-rooms where writers work at minimum rates.
Senegalese and French director Ramata-Toulaye Sy is only the second Black woman to make it into Competition in Cannes. Her debut feature, Banel & Adama, which had its debut Saturday, follows in the footsteps of Mati Diop’s 2019 Atlantics.
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