Venice Review: ‘The Lord Of The Ants’ Addresses Homosexuality Under Fascist Rule
06.09.2022 - 20:21
/ deadline.com
Myrmecology is a study of science that looks at the life, society, and hierarchy of Ants. Early Myrmecologists believed that Ant culture was utopian and thought by studying them in encased Ant farms, they could find solutions to human problems. However, in Gianni Amelio’s Italian post-WWII drama, The Lord of the Ants (Il Signore Delle Formiche), flips this idea around. It examines why strict societies foster cultures of oppression where everyone must play their role or be punished. The screenplay by Amelio, Federico Fava, and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule.
In Rome, 1965, Aldo Braibanti is caught sleeping with his young lover Ettore. Their relationship started a year earlier in small town Italy, 1964, where Aldo was directing a play. This is when he meets Ettore, who shares Aldo’s love for poetry, theater, and Ants. Ettore’s brother warns him against getting close to the man as he apparently has a tendency to groom barely legal men. However, the attraction is strong between them, and soon a love affair begins. Eventually, the two run away to Rome, and they are caught by his Brother and Mother and taken away from Aldo.
In the form of conversion therapy, Ettore is institutionalized, where he receives shock treatment and other forms of medical torture. His mother visits frequently, but each time, he is more disconnected from reality. Aldo is sitting in jail awaiting trial. He’s charged with the crime of ‘moral subjugation.’ There is a group of young progressives who believe the man is being mistreated and protest his trial. Ennio (Elio Germano) is a local
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