Sergio Leone’s Daughter Raffaella on His Legacy Depicted in Venice Doc ‘The Italian Who Invented America’ – Clip

Nick Vivarelli International Correspondent The 17th annual Rome Film Festival will fete James Ivory with a career honor, a mini retrospective and the Italian launch of the Oscar-winning filmmaker’s personal new documentary “A Cooler Climate.” Ivory is expected in Rome to receive the award and present the doc about his life as a traveler that takes its cue from boxes of film the director shot during a life-changing trip to Afghanistan in 1960. The film premieres beforehand at the New York Film Festival. Rome’s Ivory mini-retrospective will comprise his films “Maurice”; “Mr. and Mrs. Bridge,” starring Paul Newman and Joanne Woodward; “The Remains of the Day”; and “A Room With a View.”

Nick Vivarelli International Correspondent An English-language reimagining of the world of Sergio Corbucci’s cult 1966 spaghetti western “Django,” which launched the career of Italian icon Franco Nero, is set to launch from the Rome Film Festival in October. The high–concept TV series, titled “Django,” will play in 2023 exclusively on Sky and its streaming service NOW in all countries where Sky operates, including the U.K., Ireland, Italy, Germany and Austria. It will also air on Canal+ in France, Switzerland, Benelux and Africa. The Rome Film Festival runs from Oct. 13-23. The 10-episode “Django” show stars Matthias Schoenaerts (“Rust and Bone,” “Bullhead”) as the iconic gunman who is the title character, alongside Nicholas Pinnock (“For Life”) as John Ellis, described as the “visionary founder” of the town of New Babylon. Lisa Vicari (“Dark”) plays Django’s daughter Sarah and Noomi Rapace (Millennium Trilogy) has the adversarial role of John’s powerful and ruthless enemy Elizabeth Thurman. 

This week’s 20 Questions On Deadline guest is Marcia Gay Harden.

Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.

Nick Vivarelli International Correspondent “I see a lot of rich people here!” said Jodie Turner-Smith as she took to the stage to open the Venice Film Festival AmfAR gala and auction held Wednesday evening in the Arsenale, a former shipyard complex on the edge of the city’s Grand Canal. Urging guests to be generous, Turner-Smith, who looked stunning in a yellow corset top, reminded everyone that, “It’s easy to forget that AIDS still remains one of the world’s most serious health threats.”  Though undoubtedly lower key than the event held at Cannes, AmfAR Venice had its fair share of glamour and star power with Heather Graham, Patricia Clarckson, Marisa Tomei and Rachel Brosnahan among chairs. 

Nick Vivarelli International Correspondent Italian director Stefano Sollima, who is known in Hollywood for “Sicario: Day of the Soldado,” “Without Remorse” and TV show “Gomorrah,” is back behind camera on a contemporary Rome-set crimer titled “Adagio.” Shooting started Sept. 5 on “Adagio” which features an ensemble cast of Italian A-listers comprising Pierfrancesco Favino (“Nostalgia”), Toni Servillo (“The Great Beauty”), Valerio Mastandrea (“Perfect Strangers”) and Adriano Giannini (“The Ties”). “I am eager and full of enthusiasm about finally returning to depict my city after all these years. Rome has changed, and so have I,” Sollima said in a statement for Variety. He went on to describe “Adagio” as a dark story of revenge and redemption, which will be the last chapter of my Roman criminal trilogy.”

Florence Pugh for her “unbothered energy” after she was filmed holding an Aperol spritz and strutting in Venice amid rumours of a feud between herself and Olivia Wilde. The rumours of a conflict between the Don’t Worry Darling star and Wilde, who directed the film, escalated after Pugh, 26, skipped a press conference for the upcoming movie ahead of the film’s red carpet premiere in Venice on Monday.

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

Dwayne Johnson is sharing his support of Brendan Fraser, following the premiere of Brendan‘s latest movie, The Whale, during the 2022 Venice Film Festival over the weekend.

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Ana de Armas keeps it casual while arriving in Venice, Italy on Monday (September 5).

Nick Vivarelli International Correspondent Iranian cinema is having a great year despite the many impediments film directors face there, including being jailed. Reflecting this burst of irrepressible cinematic energy, after strong showing of Iranian cinema at Berlin, Cannes and Karlovy Vary, Venice has five films from the country, two of which are in competition. Also, Leila Hatami, star of Cannes festival jurist Asghar Farhadi’s “A Separation,” is a member of Venice’s main jury panel. “We have never received so many submissions from Iran, and many of them are good,” says Venice chief Alberto Barbera. He notes that “the paradox is that this is happening at a time when the Iranian regime is among the most rigidly conservative and repressive in the world,” and is responding to uprisings sparked by the country’s harsh economic conditions by re-incarcerating directors such as Jafar Panahi, whose latest film “No Bears” launches from Venice, fellow dissident filmmaker Mohammad Rasoulof, and others “who try to freely express their opposing points of view.”

Brendan Fraser’s return to Hollywood at the 79th Venice Film Festival was met with many tears.

The Whale” at the Venice Film Festival is any indication, Brendan Fraser’s return to Hollywood will be met with plenty of cheers — and even more tears. When the credits rolled on the Darren Aronofsky drama, in which Fraser plays a 600-pound gay man confined to a wheelchair, the actor was overcome with emotion.Fraser sobbed throughout the six-minute standing ovation for the film, which will likely put him at the forefront of this year’s best actor Oscars race.Among those spotted inside the Sala Grande Theatre were Pheoebe Waller-Bridge, Nick Kroll and Hillary Clinton staffer Huma Abedin, who was seated a few rows behind Fraser and shed as many tears as he did. Many others inside the theater also broke out a handkerchief during the film’s heartbreaking final scenes.

Brendan Fraser suits up for the red carpet premiere of his new movie, The Whale, during the 2022 Venice Film Festival on Sunday (September 4) in Venice, Italy.

Venice Film Festival began in the Italian city on 31 August, attracting the great and the good from the film world. As the world’s longest-running film festival, it regularly attracts the crème de la crème of the industry, the most anticipated new movies, as well as some exceptional red carpet looks. This year will see the premiere of the long-awaited Don’t Worry Darling, starring Florence Pugh, Harry Styles and Gemma Chan, and directed by Olivia Wilde.

Who would have thought that, of all the top-shelf auteurs in Venice’s big comeback year, the most constrained would be Darren Aronofsky? His new competition film The Whale opens with that very intent — the screen is cropped to 1:33 — which turns out to be most appropriate for a small and intimate movie about a very big man.

By Crispian BalmerVENICE (Reuters) - U. S. actor Brendan Fraser, returning to the big screen as a leading man after a nine-year absence, said on Sunday playing the obese hero of "The Whale" was the biggest challenge of his career.