Udine’s Far East Film Festival Gives Double Prizes to Japan’s ‘Takano Tofu’

“Mommie Dearest” actress walked the red carpet at the premiere of the action film “Furiosa: A Mad Max Saga” starring Chris Hemsworth and Anya Taylor-Joy. She was joined by Laurent Bouzereau, 62, who is the director of her new documentary that is premiering at Cannes, and her son Liam Dunaway O’Neill, 43, who appears in the HBO doc.The Hollywood icon wore a black blazer over a white shirt with black pants.

Patrick Frater Asia Bureau Chief Los Angeles- and Bangkok-based sales firm EST N8 has bulked up its Cannes Market film sales slate with a trio of completed Asian titles. “Mash Ville” stars Jeon Sin-hwan (“The Housemaid,” “Time Renegades”) and Park Jong-hwan (“Concrete Utopia,” “Hell Is Other People”) and weaves together the lives of pseudo-religious believers and eight strangers in a rural area. When their paths cross they must fight for survival.

Patrick Frater Asia Bureau Chief Female stunt performer Wiriya Caesar will step up into the lead performer role in upcoming Thai action film “The 24.” The film project is being launched this week in the Cannes Market by new international sales firm Boz Pictures. Wiriya (aka Porntip Wiriya, aka “Fan”) has previously been a stunt double for Mary-Elizabeth Winstead in “Kate” and Golshifteh Farahani in “Extraction,” and has other credits on “Thirteen Lives” and “Hidden Strike.” In “The 24” she will star as an assassin who wakes up with a time bomb strapped to her body. She has clear instructions to kill a hit list of 24 members of the Bangkok underground, with each successful hit buying her more time alive. Caesar is joined in the cast by Japan’s Sakaguchi Tak (“Re:Born,” “One Percenter,” “Versus”), Dan Chupong (“Ong Bak 1 &2,” “Born to Fight”), Sunny Pang (“The Night Comes for Us,” “Headshot” and Gareth Evans’ upcoming “Havoc”) and Simon Kook (“Ip Man 3,” “Mayhem”). The film, which will shoot in the fourth quarter of this year, is written and directed by Lee Thongkham (“The Maid,” “The Lake,” “Kitty the Killer”).

Patrick Frater Asia Bureau Chief Seoul-based film sales company, Finecut has notched pre-sales for its upcoming action-comedy “The Desperate Chase, which it is launching this week at the Cannes Film Festival‘s Cannes Market,. The film is an action comedy featuring a hot-blooded detective and a swindler who is also a master of disguise who team up to combat an evil mafia. Early rights buyers include Rights Cube for Japan, Apex Success Global for Taiwan and Mockingbird Pictures for Vietnam. Screening as a rough cut in the Cannes Market, the film is the second feature by Kim Jae-hoon, known for his debut with the body-switch action thriller “Devils,” which released in South Korea last year.

Patrick Frater Asia Bureau Chief Asian audiences are increasingly turning to homegrown content in their streaming choices. Asian titles powering 80% of premium VOD engagement and customer acquisition, according to new research from research and consultancy firm Media Partners Asia. “The Rise of Asian Content” is based on passive tracking of 40,000 users by sister company AMPD in nine major Asian markets – Japan, Korea, Singapore, Taiwan, Indonesia, Malaysia, Philippines and Thailand – over 15 months between Jan.

Patrick Frater Asia Bureau Chief The feature “Tales of Taipei” is a tribute to the low-pressure, culturally rich city, which has been shaped by its regional neighbors, taken in diverse peoples and distilled the multiple competing influences into a messy, happy-go-lucky morass. Produced by Bowie Tsang and Amy Ma, the film calls on 10 directors hailing from Malaysia, France, Bhutan and Hong Kong, and Taiwanese locals Yin Cheng-han and Remii Huang to contribute.“Everything is possible in Taiwan, everything exits side by side,” says Tsang, who was born in Hong Kong. “We have old Chinese myths.

Patrick Frater Asia Bureau Chief Veteran Asian executive Buddy Marini has been appointed GM of Warner Bros. Discovery in Japan.The role covers all operations in Japan including home entertainment, digital & TV licensing, consumer products, anime production, franchise and pay-TV networks, but excluding theatrical and the Warner Bros. Studio Tour Tokyo: The Making of Harry Potter business. Marini joins WBD with 25+ years’ experience in leadership across media and technology companies in Japan, China and the U.S.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” debuted on top of the mainland China box office with an opening weekend score of $11.4 million (RMB81.1 million). That was only the fourth weekend this year that a Hollywood film has topped the China charts and the third time in 2024 that a Hollywood title has opened on top. “Apes” was also the top film this weekend in North America and international markets. Data from consultancy firm Artisan Gateway showed that the film accounted for some 30% of the theatrical total on a weekend where theaters earned a combined $38.2 million.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” opened in second place at the South Korean weekend box office, a distance behind local holdover title “The Roundup: Punishment.” “Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Kii Muneyuki, a former head of production at Japan’s Toei, is launching K2 Pictures, a company that aims to upend Japanese filmmaking practices. Its debut slate, with films by Kore-eda Hirokazu, Iwai Shunji and Nishikawa Miwa, will be unveiled in Cannes next week. A key part of the new company’s strategy is the establishment of a film fund, K2P Film Fund I, that will invest in live action and animations productions.

Patrick Frater Asia Bureau Chief Korean sales firm Finecut has inked multiple deals for horror thriller “Noise” and for “A Traveler’s Needs,” the recent Berlin prize-winner directed by Hong Sangsoo.“Noise” is a “multi-sensory and realistic horror” film that intertwines societal motifs of “floor noise” with suspenseful elements. Directed by Kim Soo-jin, the film centers around a woman with a hearing aid haunted by inexplicable sounds linked to her sister’s disappearance in her own apartment and attracting a malevolent presence.

Patrick Frater Asia Bureau Chief The Jeonju International Film Festival, South Korea’s second most important generalist film festival, on Tuesday announced “The Major Tones” and “Time to Be Strong” as the Grand Prix winners of its two competition sections. The festival continues until Friday. Directed by Argentina’s Ingrid Pokropek, “The Major Tones” is a mystery film about a youngster with a metal plate in her arm which begins to receive peculiar messages in Morse Code. It premiered at the Mar del Plata festival and also played in Berlin’s Generation KPlus section.

Patrick Frater Asia Bureau Chief Concert documentary, “Ryuichi Sakamoto | Opus,” directed by Neo Sora, will open in mainland Chinese cinemas on May 31. The film had its world premiere in official selection at the Venice festival last year. That was followed by an acclaimed run at the New York, London and Camerimage festivals. Japanese composer Sakamoto, who was awarded an Oscar, a BAFTA, a Grammy and two Golden Globes, had a four-decade career that stretched from techno-pop to Oscar winning scores on films including “Merry Christmas, Mr.

Patrick Frater Asia Bureau Chief The video-on-demand streaming sector in Southeast Asia delivered record subscription numbers and subscription revenues in the first quarter of the year, according to a new study. Those trends represent recovery after a tough 2023. Data from consultancy firm Media Partners Asia and its AMPD research affiliate showed VOD usage at a barely changed 96.3 minutes in the five Southeast Asian countries studied (Singapore, Thailand, The Philippines, Indonesia and Malaysia). Total paying subscriptions reached 48.5 million, representing net additions of 652,000 quarter-on-quarter and 1.6 million year-on-year.

Patrick Frater Asia Bureau Chief China- and Netherlands-based sales firm Fortissimo Films has picked up the international rights to new Chinese sports feature film “Wild Punch.” It will launch the film in territories outside mainland China next week at the Cannes Market. Co-directed by well-established director Yu Lik-wai and Wang Jing (“The Best Is Yet to Come”), “Wild Punch is a sports and action drama about a top mixed martial arts athlete who has passed the peak of his career and faces competition from his young and gifted trainee. Both with something to prove, the two will have to face each other in the ring. Yu has directed four feature films, including Cannes competition title “Love Will Tear Us Apart” and Venice title “Plastic City.” He is also well-established as a cinematographer who has worked on films including “Still Life,” “A Touch of Sin,” and “Mountains May Depart” by Jia Zhangke, Lou Ye’s “Love and Bruises” and Ann Hui’s “A Simple Life.” “Wild Punch” is produced by Momo Pictures, the subsidiary of the NASDAQ-listed Zhiwen Group, which is best-known for its Momo instant messaging mobile application.

Patrick Frater Asia Bureau Chief “The Last Frenzy,” a comedy film about a dying man’s last hurrah, took the top spot in mainland Chinese cinemas ahead of chasing pack of new releases. It earned $30.7 million (RMB218 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway. Over its full five-day opening session, it accumulated $55.2 million. In second place was patriotic action thriller “Formed Police Unit” which focused on Chinese peacekeeping forces.

At the Far East Film Festival (FEFF) in Udine, Italy, Mitsuhiro Mihara’s Takano Tofu clinched the Golden Mulberry prize, the top honor at the festival’s audience awards.

Patrick Frater Asia Bureau Chief Chinese filmmaker Zhang Yimou this week made his first-ever trip to the Far East Film Festival in Italy’s Udine, and appeared to fall in love with the theatrical and festival experience all over again. At a masterclass on Thursday morning, Zhang spoke of his filmmaking techniques and priorities, his enduring quest for the human touch and why not all films need to be masterpieces.

Patrick Frater Asia Bureau Chief Vietnamese French director and screenwriter Tran Anh Hung has been named as president of the jury for the upcoming Shanghai International Film Festival. The festival, which runs June 14 to 23, said that his works “blend the expressions of Eastern and Western cultures, with sensitivity, delicacy, and a romantic style.” His films include: 1992’s “Scent of the Green Papaya”; 1995’s “Cyclo,” starring Tony Leung Chiu-wai; 2009 English-language thriller “I Come With the Rain,” starring Josh Hartnett; and “The Taste of Things,” which earned him the best director prize at Cannes last year. The jury president role marks a return and a promotion for the director. He was previously on the Shanghai festival’s jury in 2011, when he also screened his “Norwegian Wood.” SM Cinema, the largest exhibitor in the Philippines, is to open giant screen Imax cinemas in three new venues.

Patrick Frater Asia Bureau Chief “Twilight of the Warriors: Walled In,” a Hong Kong-produced action thriller, took the top spot at the mainland China box office over the latest weekend. But it was a quiet session and came ahead of a welter of new releases targeting the May Day public holiday. The film, which is among those that have a Wednesday (May 1) official release date, earned $5.5 million (RMB38.9 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway. The nationwide weekend total was a slender $18.7 million.