EXCLUSIVE: Leila George (Animal Kingdom) is set to star alongside Cate Blanchett and Kevin Kline in Disclaimer, a new psychological thriller series from Alfonso Cuarón for Apple TV+.
14.10.2022 - 17:29 / variety.com
Emily Longeretta Despite an ongoing pandemic, political unrest and frequent natural disasters due to global warming, viewers worldwide have not tired of true crime documentaries about horrific murders and inconceivable heists. True crime docus are enjoying unprecedented levels of global success. And while the marketplace may be saturated, the competition to find, produce and distribute the next story of a killer, fraudster or crypto criminal is intense. This year’s slate of true crime doc offerings at Mipcom is proof. Distribution company Abacus Media Rights (AMR) is taking 14 true crime titles, including “Murdered at First Sight,” “Love You to Death” and “Murder: Fight for the Truth,” to the Cannes television market.
“More and more channels and platforms are taking on true crime content,” says AMR managing director Jonathan Ford. “It’s content that supports a binge viewing model in two ways. One way is if it’s a serialized piece, viewers want to get to the end and know what happened or find out who was caught. Or [the genre] supports binge model viewing if it’s an episodic series where viewers love an episode and want to know what the next episode is about. What’s the next case about? Then they end up watching three or four in a row.” In September, AMR sold the four-part docuseries “Butchers of the Bayou” to Amazon Prime Video in the United Kingdom and Ireland. The series, about two serial killers in Baton Rouge, La., was licensed by A&E for the rest of the world. Despite having sold the docuseries, “Butchers of the Bayou” will be on the Croisette. “We are at Mipcom with ‘Butchers of the Bayou’ to say to channels, ‘This is what we’ve done with this series. Do you like it? Because we are making other things in this
EXCLUSIVE: Leila George (Animal Kingdom) is set to star alongside Cate Blanchett and Kevin Kline in Disclaimer, a new psychological thriller series from Alfonso Cuarón for Apple TV+.
Amanda Holden has paid a touching tribute to her son Theo, who was stillborn, as she lit a candle in his memory at the end of Baby Loss Awareness week. The 51 year old Britain's Got Talent judge's son Theo was heartbreakingly stillborn at 28 weeks in 2011. Amanda took to Instagram on Saturday to light a Wave of Light candle, which is a globally recognised event, in which people light candles in honour of baby loss.
Emma Corrin has a modern flapper moment in a sheer blue dress at the premiere of Lady Chatterley’s Lover during the 2022 BFI London Film Festival at the BFI Southbank on Friday (October 14) in London, England.
“The Crown” has, once again, changed heads.Netflix released photos of its new Season 5 cast of the British royal family TV series on Friday. This ensemble of actresses will continue through Season 6, the show’s last.Imelda Staunton becomes the third and final actress to play Queen Elizabeth II on the series — this time during the tumultuous 1990s, in which a fire ravaged Windsor Castle, Princess Diana and Prince Charles had a messy divorce and Diana died in a Paris car crash in 1997.One still shows Staunton, 66, as the queen, looking smaller and grayer than her predecessor Olivia Colman, who won an Emmy for playing the part, next to Jonathan Pryce, 75, as Prince Philip.Another sees a sunglasses-and-swimsuit-clad Diana — Australian actress Elizabeth Debicki, 32, takes over from Emma Corrin — on a boat with Charles (Dominic West, 52), and young princes William (Timothee Sambor) and Harry (Teddy Hawley). But her happiness will be revealed as a facade.
The long-awaited fifth season of “The Crown” is on the horizon, tackling what was arguably the most turbulent period in the reign of Queen Elizabeth II.
The looming writers strike in the U.S. could be an “interesting opportunity” for producers working outside the country in an era of globalized content, CAA’s head of Global TV Ted Miller told a panel at the MIA Market in Rome on Thursday.
Rebecca Rubin Film and Media Reporter “Ticket to Paradise,” a romantic comedy that reunites Julia Roberts and George Clooney, is (surprise, surprise) charming audiences at the international box office. The movie has generated $60 million overseas to date, a promising start given the current challenges facing theatrical rom-coms. Of course, it helps when the genre gets a boost from megawatt stars like Roberts and Clooney. According to Universal, which is backing the film, “Ticket to Paradise” is outpacing recent meet-cute stories like “The Lost City,” “Last Christmas” and “Crazy Rich Asians” at the same point in their respective big-screen rollouts. Over the weekend, “Ticket to Paradise” earned $10.5 million from 61 territories, including debuts in France ($1 million), Mexico ($1 million) and Italy ($800,000). In holdover markets, “Ticket to Paradise,” which features Clooney and Roberts as exes who try to stop their daughter from marrying a near stranger, has been popular in Australia ($8.5 million), the United Kingdom and Ireland ($7.4 million) and Germany ($7.4 million). It opens Oct. 21 in the U.S. and Canada.