Good afternoon Insiders, Max Goldbart here. It’s Oscar noms week, and we’d be rude not to bring you the latest headlines and analysis from the Academy and beyond. Read on.
10.01.2023 - 02:31 / deadline.com
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Ruben Östlund’s second Palme d’Or winner, Triangle of Sadness, inherits its name from a witty Swedish saying that describes the wrinkles that form between a person’s eyebrows when they are worried or stressed.
“You get it if you have had a lot of trouble in your life. But you can fix it with Botox in 15 minutes,” Östlund preciously told Deadline of the phrase.
“It’s a term that comes from cosmetic surgery — not plastic surgery, cosmetic surgery — and I thought it was comical. Like, a dark, comical comment about surface and beauty: our obsession with beauty, and our obsession with looks, and our belief that our inner problems will be solved if we construct a great shell around ourselves.”
The term is explained during the early moments of the film, which follows Carl (Harris Dickinson) and Yaya (the late Charlbi Dean), a celebrity model couple who are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson). What first appeared Instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting to stay alive.
As Östlund has described the plot: “We start in the fashion world, and then we are on a luxury yacht, and then we end up on a deserted island — basically, the film takes place in these three different environments.”
Released in the U.S. in October by Neon after its Cannes triumph and ahead of its Best Picture win at the European Film Awards, Triangle of Sadness also stars Dolly De Leon, Zlatko Burić, Henrik Dorsin and Vicki Berlin. Östlund directed the pic, his first English-language feature,
Good afternoon Insiders, Max Goldbart here. It’s Oscar noms week, and we’d be rude not to bring you the latest headlines and analysis from the Academy and beyond. Read on.
The awards keep on coming for Swedish writer-director Ruben Östlund. The two-time winner of the prestigious Palme d’Or at the Cannes Film Festival just spent Monday night celebrating a six-trophy sweep at Sweden’s esteemed Guldbagge awards that included a win for Best Director and Best Film.
Worldwide Production Agency Hires Literary Agent Liz OrrWorldwide Production Agency (WPA) has hired literary agent Liz Orr. Orr will expand WPA’s physical presence, establishing a new office in New York City. She joins from WPA after four years as a TV Literary and Packaging Agent at Buchwald where she worked with TV and film writers, directors, and producers. Her clients include Patrick Coker & Adam Wiesen (East New York), Gary Hardwick (The Perfect Match), and Markuann Smith (Godfather of Harlem). Speaking of Orr’s new role, WPA Managing Partners Steve Jacob and Frank Balkin said: “We’re extremely fortunate Liz has chosen to join our team – her passion for her clients and ‘artist-first’ philosophy makes her an outstanding fit with both our staff and our culture. She is a key component of our overall growth strategy to help our clients succeed.”
Editor’s note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
For the last three years, the winner of the International Oscar has pretty much been a given: First came Bong Joon-ho’s Parasite, then Thomas Vinterberg’s Another Round, and then Ryusuke Hamaguchi’s Drive My Car — all anointed by Cannes and eased to the finish line after prominent festival play in the usual cosmopolitan areas.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
After 30 years in TV film and theater, where she has performed in plays by Samuel Beckett, Harold Pinter and Shakespeare, Filipina actress Dolly De Leon made news stories all around the world during Cannes 2022 for playing a cleaner. But not just any cleaner; as the savvy Abigail, who turns the tables when a luxury cruise ship capsizes in Ruben Östlund’s Palme d’Or-winning social satire Triangle of Sadness, De Leon gives a masterclass in skewering lazy clichés and assumptions about her home country. Proving the power of De Leon’s performance is the response from countries all around the world, notably the U.K., where she made the Bafta longlist, and the U.S., where she is in the running for a Golden Globe.
Sweden’s Göteborg Film Festival unveiled its 2023 lineup today, featuring 250 feature films set to screen across 10 days, with highlights including Isabella Carbonell’s thriller Dogborn, starring Swedish rap star Silvana Imam, and Hlynur Pálmason’s well-received period piece Godland. Other stand-out titles include Marie Kreutzer’s Corsage, which pops up in the International Competition, and Mia Engberg’s latest Hypernoon in the Documentary Competition.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
EXCLUSIVE: Once again, working under the Guild’s restrictive rules for inclusion among nominees for the WGA Awards for Best Original and Adapted Screenplays, several leading Oscar contending screenplays are AWOL on the official WGA ballot sent to eligible voting members this morning.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.
Editor’s note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will be factors in this year’s movie awards race.