As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.
19.06.2023 - 12:05 / etcanada.com
DC and Warner Bros.’ long-in-the-works superhero movie “The Flash” opened to $55 million in its first three days in North American theatres, according to studio estimates on Sunday.
Though a fair amount of money by normal standards, a sizeable jump from DC’s last release, the “Shazam!” sequel, and enough for a first place start, it’s also muted by superhero standards where $100 million debut weekends are almost commonplace. The weekend also saw Pixar get its worst three-day opening ever with a $29.5 million bow by “Elemental.”
READ MORE: Ezra Miller Makes First Public Appearance In Nearly 2 Years At ‘The Flash’ Photo Call
It was a crowded weekend at the multiplex overall. In addition to “The Flash” and “Elemental,” the horror-comedy “The Blackening” also opened wide. The only big win was Wes Anderson’s starry “Asteroid City” which earned $720,000 from just six theatres and the distinction of having the highest per-theater average ($132,211) since the start of the pandemic.
“The Flash” faced more complications than marketplace conditions. In addition to “The Flash” and “Elemental,” the horror-comedy “The Blackening” also opened wide. It has been in the headlines often over the past year, not because of the movie itself but because of its star Ezra Miller’s off-screen troubles, including arrests, erratic behavior and accusations of misconduct. Miller has apologized and said they are seeking mental health treatment. They also bowed out of participating in the normal publicity circuit, except for the premiere.
The studio’s leadership remained bullish on releasing their $200 million movie, however, confident in its quality and importance to future DC Studios storylines. The movie introduces the multiverse, which allowed
As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.
Refresh for latest...: After two major studio movies bowed last weekend, this session was one of holdovers for Hollywood with mixed results.
Rebecca Rubin Film and Media Reporter In another universe, “The Flash,” once touted by its own studio as “one of the greatest superhero movies of all time,” would be towering over the box office with ease in its second weekend of release. But in this universe, audiences are flat-out rejecting the Warner Bros. movie, starring Ezra Miller as the eponymous, timeline-spanning speedster. Rather than taking a victory lap, the comic book adventure is cratering in third place with $15.3 million from 4,265 North American theaters, marking a brutal 73% decline from its unimpressive $55 million debut. That’s a far bigger drop than recent DC adaptations, including “Black Adam” (59%) and “Shazam: Fury of the Gods” (69%), which ended up as huge money losers for the studio.
Sony’s mission to return comedy to the big screen with the R-rated Jennifer Lawrence movie No Hard Feelings began Thursday, when the film grossed $2.15 million from showtimes that began at 4 p.m. at 2,745 locations. The pic hopes to do around $12M this weekend in what will be second session where Warner Bros’ misfire The Flash hopes not take a -70% tumble. At the low end that’s $16.5M. A good hold will be off 55% to north of $24M.
In June 1999, Dutch pop purveyors Vengaboys scored their first Number 1 on the Official Singles Chart with Boom, Boom, Boom, Boom!!
“The Flash” continues to do brisk business at the box office.
Chris Willman Senior Music Writer and Chief Music Critic Musical tag-teaming doesn’t have results much more fruitful than what came about when the showrunners of “A Small Light” picked Ariel Marx to compose the score for the limited series and Este Haim to serve as executive music producer. Neither Haim nor Marx was in a position to take anything about the job lightly, given that the eight-episode series for National Geographic and Disney+ tells the story of a Dutch woman, Miep Gies, who helped hide Anne Frank and her family from the Nazis. Yet, in their very separate roles, both found ways to bring musical light or even levity into a drama that inevitably skews toward tension. Este Haim took on the EMP job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,” she produced episode-ending covers of songs from the first half of the 20th century, performed by Angel Olsen, Moses Sumney, Kamasi Washington, Sharon Van Etten with Michael Imperioli, Remi Wolf, Weyes Blood, duet partners Orville Peck and King Princess, and her sister Danielle.
Rebecca Rubin Film and Media Reporter Can an R-rated comedy that draws big laughs still bring in outsized ticket sales at the box office? Jennifer Lawrence’s “No Hard Feelings” will put that question to the test as the raunchy funny film opens over the weekend in 3,000 North American theaters, where it’s expected to earn a tepid $12 million in its debut. That’s not a terrible result at a time in which theatrical comedies, especially of the R-rated variety, have become something of endangered species. But it also wouldn’t be a great start considering its star power, $45 million budget and prime June release date. Earlier this year, Universal’s wild R-rated “Cocaine Bear” opened to $23.2 million — and (with all due respect to the drugged-up grizzly) that film wasn’t headlined by one of the biggest names in Hollywood.
Warner Bros DC’s The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independent Day stretch. That weekend 2 slide for The Flash reps a 55% to 70% decline.
Naman Ramachandran Warner Bros.’ superhero film “The Flash” debuted atop the U.K. and Ireland box office with £4.2 million ($5.4 million), according to numbers released by Comscore. In second place, in its third weekend, Sony’s “Spider-Man: Across The Spider-Verse” swung to £2.6 million for a total of £20.3 million. In third position in its fourth weekend, Disney’s “The Little Mermaid” earned £1.3 million and now has a splashy £22 million total. Paramount’s “Transformers: Rise Of The Beasts” collected £1.1 million in fourth place in its second weekend for a total of £4.99 million. Elysian’s “Greatest Days” debuted in fifth position with £536,955.
The Inbetweeners star Joe Thomas has said he believes the US version of the series failed partly because they didn’t cast “weirdos”.The actor, who played Simon in the British sitcom, discussed the US remake with his former co-stars Simon Bird and Blake Harrison during a panel at Comic Con North East in Newcastle last month (May 27-28).When asked by a fan in the audience their views on the US version of the show, which was cancelled after its first season in 2012, Thomas said: “I think we can say it didn’t work. I think the reason it didn’t work is because… I think it’s a very British show.“It’s ironic because actually in a way we were bouncing off that American genre of teen comedy.
The adventures of “Queen of the Universe” season 2 are about to get bigger and better than ever before.
Japanese band CHAI have announced details of a new, self-titled album. CHAI will be released on September 22 via Sub Pop. Today’s announcement arrives alongside a new song from the record and details of a headlining North American tour.
The Flash showrunner Eric Wallace will be telling fellow American writers “we are not in this alone” when he returns home from London later.
The positive response to the Dutch reality series De Verraders has brought different versions of The Traitors to many countries, but executive producer Toni Ireland says the biggest challenge for her was to ensure that the U.S. production stood out in the crowd. Peacock’s The Traitors brings together a group of everyday people and reality TV stars in an elaborate murder-mystery competition hosted by Alan Cumming. Perhaps the biggest change in the U.S. series was in how the game ended, which led to a shocking finale where the group needed to unanimously decide to either trust their fellow finalists and split the money or call for another elimination vote if they believe a traitor is still among them.
Ezra Miller has appeared at their first red carpet event since being involved in a string of controversies in the US.
Golf lovers, it's time to par-tee because the 123rd U.S. Open Championship starts this week.From June 15-18 2023, 156 players will descend on the green at the Los Angeles Country Club's North Course for the Open, where the ultimate prize is 17.5 million—the biggest of the four major championships. For those with a cable package, parts of the U.S. Open Golf Championship will be aired on NBC and USA networks.
Things are about to get royally hot on Prime Video.
Seth Meyers’ upcoming tour.The “Late Night With Seth Meyers” host and former ‘Saturday Night Live’ Weekend Update anchor is leaving his trademark desk behind and traveling all over North America performing stand-up live at venues from June through August.Of course, there will be a handful of NYC gigs along the way for the NYC-based performer.Over, the course of the summer run, Meyers will stop in at New York City’s City Winery on June 20, July 18 and July 24.He’ll also host the launch of the new book “Boom Chicago Presents the 30 Most Important Years in Dutch History” along with Amber Ruffin, Tarik Davis and more at Le Poisson Rouge on June 21.Finally, he’ll conclude his brief trek with back-to-back co-headlining shows with John Oliver at the Beacon Theatre on Thursday, Aug. 17 and Friday, Aug.
Peter Caranicas Deputy Editor The Los Angeles Greek Film Festival, an annual showcase that brings films and filmmakers from Greece, Cyprus and other countries in the region to the United States, announced the winners of its 2023 Orpheus Awards at a ceremony on Sunday night at the Silver Screen Theatre in the Pacific Design Center. Toplining the honors: “Listen,” directed by Maria Douza, which won for best fiction feature film. “Iman,” helmed Corina Avramidou and Kyriakos Tofarides, took home the special jury award for best film, and Panos Koutras won the best director award for “Dodo.” Spiros Jacovides won an honorable mention for best director for “Black Stone,” and Efthalia Papacosta was awarded the best performance trophy for “Listen.” “Black Stone” also won the audience award for feature film, and an honorable mention for best performance went to Stephanie Atala for “Iman.”