‘The Five Devils’ Review: Strange French Thriller Imagines the Nose as the Window to the Soul

Elsa Keslassy International Correspondent French actor Gerard Depardieu, who’s already indicted on rape and sexual assault charges in connection to a 2018 case, is now being accused of sexual misconduct by 13 women in an investigative report published by Mediapart. The accusations were made by female actors, make-up artists and production staff, some of whom spoke on the basis of anonymity, and allegedly occurred during the filming of 11 films released between 2004 and 2022. Mediapart said “one actress has just given her account to the French justice system.” None of these 13 women have taken legal action against Depardieu, according to a statement provided to Variety by the Paris prosecutor’s office.

Netflix has announced a remake of the 1950s French classic The Wages of Fear (Le Salaire de la Peur), in a production reuniting the platform with action-thriller maestro Julien Leclercq.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. It’s basically a national holiday when Le Creuset cookware goes on sale. So, start celebrating because the brand’s famous Dutch Ovens are 38% off on Nordstrom’s website — and they’re likely to sell out fast.

Catherine Bray The various elements of writer-director-star Louis Garrel’s low-key comic crime caper don’t sound that original at first glance. The audience-friendly plot involves a troubled thirtysomething, Abel (Garrel), lured by family connections into assisting with a heist in order to protect those he loves. In addition to this conscience-plagued hero, the cast of characters include Abel’s free-spirited mother (Anouk Grinberg), a reformed — or is he? — ex-con (Roschdy Zem), a manic-pixie dream girl-esque female lead (Noémie Merlant) and various shady underworld sorts mostly restricted to hiding in the shadows. But this film is a slightly slipperier customer than a topline summary would suggest, with tonal shifts that shouldn’t work, but somehow do. Fans of the likes of Maren Ade’s 2016 comedy-drama Toni Erdmann or Alex van Warmerdam’s 2013 psychological thriller Borgman may recognize a kindred sensibility.

Peter Debruge Chief Film Critic Though his life and accomplishments were largely erased under Napoleon, the extraordinary figure at the center of Stephen Williams’ “Chevalier” really did exist. Born on the Caribbean island of Guadeloupe, the son of a white plantation owner and his Black slave, Joseph Bologne went on to excel in spheres rarely accessible to people of color in 18th-century French society. Here was a champion swordsman and celebrated musician invited to play his violin at Versailles, where Marie Antoinette reportedly accompanied him on the harpsichord. So why has it taken so long for his story to be told? The time certainly seems right to rediscover the Chevalier — an honorary title that reveals how high Bologne rose under France’s overtly racist Code Noir, as well as a fitting name for the film. A compelling example of Black excellence dating back even before the French Revolution, the English-language “Chevalier” doesn’t feel nearly as fusty as its powdered wigs and period setting might suggest. Like “Chocolat” (not the Johnny Depp confection, but the 2016 Omar Sy vehicle about the circus clown who broke barriers on the Paris stage), this modern-minded if occasionally under-nuanced costume drama fills a historic gap, starting with its fanciful opening scene: a violin showdown between Bologne (Kelvin Harrison Jr.) and Wolfgang Amadeus Mozart (Joseph Prowen) choreographed like a rap battle.

Playboy, and the timing hasn’t gone down well with some of her fellow politicians. Marlene Schiappa, who is the current minister for the social economy and French associations, took part in a shoot for the magazine and gave an interview highlighting women’s rights and LGBTQ+ issues. Schiappa has been vocal in campaigning for gender equality during her time in politics and led the way on a French law banning cat-calling and the harassment of women.

One of pop's greatest recent mysteries - the sudden and very surprising split of Daft Punk two years - has now been solved. Kind of.

PARIS (Reuters) - French junior social affairs minister Marlene Schiappa is facing criticism from her own party for posing in a white dress for the cover of Playboy, with French media reporting Prime Minister Elisabeth Borne called Schiappa to express her displeasure. The furor comes at a time of social unrest in the country as the government is facing a big backlash over pension reforms.

UPDATE, 8:55 am: Paramount+ has released the official trailer for Fatal Attraction, its series reimagining of the classic 1980s psychosexual thriller film.

Marlene Schiappa will be on the cover of the French edition of the magazine fully clothed and has given an interview to the publication on women’s rights and LGBTQ+ issues. Ms Shiappa, who is the current minister for the social economy and French associations, has long campaigned for gender equality and spearheaded a French law banning cat-calling and the harassment of women. Her decision has prompted criticism from politicians in France as the country is rocked by widespread unrest at president Emmanual Macron’s reforms to raise the retirement age from 62 to 64.

A French government minister will appear on the front cover of Playboy magazine. Marlene Schiappa, who is minister for social economy and associations in Emmanuel Macron's government, will feature fully clothed alongside a 12-page interview in the French edition of the magazine. Her decision to appear on the cover has been criticised by fellow politicians who are currently facing a huge backlash over Mr Macron's pension reforms.

Yousef Srour If “Call Me If You Get Lost” was Tyler, the Creator’s Tour de France, then “The Estate Sale” must be his victory lap. Deluxe albums have become commonplace within hip-hop since Lil Uzi Vert’s release of “Eternal Atake (Deluxe) – LUV vs. The World 2”in 2020. Many artists have followed suit, tacking a few B-sides onto the beginning of the album so that you unintentionally listen to the whole project. “The Estate Sale,” on the other hand, uses its eight new tracks to to complement the existing themes on Tyler Baudelaire’s last project as he journeys across the globe with his ivory Golf le Fleur* travel trunk. Picking up right where the original album left off,“The Estate Sale” begins with a short interlude from DJ Drama and Tyler, the Creator reflecting on the successes of “CMIYGL,” from the sold-out tour to his second Grammy award for best rap album. Accompanied by the same palette of bells and orchestral swells that brushed “CMIYGL’s” outro, “Safari,” Tyler thanks his fans for their unwavering support on “Everything Must Go” before abruptly sounding the alarms that launch the deluxe into motion.

The only reason Murder Mystery 2 or even its predecesor exists is as a star vehicle in the most literal sense of the word. The recipe is simple: Sign Adam Sandler and Jennifer Aniston, put them in glamorous locations with lots of action and schtick, and then set it loose on a global platform – Netflix – that can easily sell these kinds of recognizable shenanigans in all points of the world. It worked in 2019, and it works again now, only this time with the action and stunts so ramped up they almost overtake the plot, such as it is. The template and characters were firmly established in the original which had our stars caught up in a murder in which they were suspects, but eventually save the day before the entire cast of characters wind up dead in the process.

Paramount will give Martin Scorsese’s Killers Of The Flower Moon a theatrical release in France from October 18, Deadline has confirmed, in a move that will make the film subject to the country’s strict windowing rules.

Joe Otterson TV Reporter “Star Trek: Strange New Worlds” has been renewed for Season 3 while “Star Trek: Lower Decks” has been renewed for Season 5 at Paramount+. The new seasons of both shows will consist of 10 episodes. In addition, Season 2 of “Strange New Worlds” and Season 4 of “Lower Decks” will both debut this summer. “Strange New Worlds” Season 2 will premiere on June 15 on Paramount+ in the U.S., the U.K., Australia, Latin America, Brazil, France, Italy, Germany, Switzerland, and Austria. New episodes will then drop weekly thereafter. “Lower Decks” will return in late summer, but an exact date has yet to be announced. Finally, Season 2 of the Nickelodeon animated series “Star Trek: Prodigy” is set to air this coming winter. Season 1 of that show originally launched in late 2021, with the second half of the season airing in late 2022.

Prime Video’s Rachel Weisz-starrer “Dead Ringers,” Paramount+’s “Fatal Attraction, with Lizzy Caplan, and Joshua Jackson, and Netflix’s awaited French bio “Tapie” pack out a 6th Canneseries which boasts its biggest U.S. presence yet, with titles from nearly all the major global streamers. They join Apple TV+’s already-announced “Silo,” another world premiere. Paramount+ will also be represented by Korean smash hit “Bargain.” The main Competition features seven world premieres, Lewi said at a Paris lineup presentation on Tuesday. 

In “The Five Devils,” her beguiling and exquisitely crafted latest, French director Léa Mysius furthers the ideas of adolescent self-discovery and extraordinary perception that drove her riveting début film, “Ava,” even as she introduces new elements of supernatural intrigue and intergenerational trauma to her cinema.  Whereas “Ava” set a coming-of-age story across one ephemeral summer, as experienced by a teenager soon expected to go blind, “The Five Devils” (now in theaters, streaming on Mubi May 12) finds Mysius and co-writer Paul Guilhaume, also the film’s director of photography, casting their gaze back through time to tell a story about the painful family secrets guarded by a young mother (Adèle Exarchopoulos, “Blue is the Warmest Color”) and the magical ability that empowers her child (Sally Dramé) to uncover them.  Continue reading ‘The Five Devils’: Léa Mysius On The Material Magic Of 35mm Film & More [Interview] at The Playlist.

Rodolphe Belmer has made the case for TF1 Group as “the free entertainment reference for French citizens on TV and in streaming.”

France Télévisions boss Delphine Ernotte Cunci is looking to “debunk” and tackle major societal issues such as sexual violence via the public broadcaster’s shows.

One of the world’s most popular international comedies is being remade in Spanish, courtesy of Eva Longoria.