‘The Delinquents’ Review: A Deliciously Bizarre Existential Heist Movie That Wants You To Steal Back Your Life

EXCLUSIVE: Veteran Actor Alfredo Castro (The Club, No, From Afar) is in the middle of what could be described as a mid-career boom, but he doesn’t think it’ll bring him many plaudits in his native country.

With the news that Lionel Messi has joined Inter Miami in the MLS, fans are now wondering if they can snap up a shirt with the iconic player's name on the back.

Holly Jones Successful Argentinean YouTube Channel, The Children’s Kingdom (El Reino Infantil), will team with kidoodle.tv, the safe streaming network, to bring their slate of inventive children’s programming to the U.S., Canada, U.K., Australia, New Zealand and Latin America. “The alliance with Kidoodle opens the path for us to continue to expand our brand globally and grow our content in the English-speaking market. We are very proud to be part of this platform with “Zenon the Farmer” and “Bichikids,” two of our main IPs,” said Agostina Sanzio, marketing and communications manager at Leader Entertainment. “We continue working so that The Children’s Kingdom is the home of reference content for parents and preferred by children,” she told Variety.

“Transformers: Rise of the Beasts” stormed into theatres worldwide this weekend, amassing a staggering $110 million at the international box office. 

Rebecca Rubin Film and Media Reporter “Transformers: Rise of the Beasts” kicked off at the international box office with $110 million from 68 markets, including a decent $40 million start in China. The seventh installment in Paramount’s action franchise also pulled in $60 million in its North American debut, bringing its worldwide tally to a solid $170 million. Overseas audiences will be key to the theatrical success of “Transformers,” which cost $200 million. Prior entries in the 16-year-old series have earned as much as 70% of overall box office returns outside of the U.S. and Canada. At the international box office, ticket sales for “Rise of the Beasts” are pacing 32% below “Bumblebee,” which is the most recent entry in the series. The newest chapter has managed to set franchise records in eight smaller markets, including Indonesia, Argentina and Peru. The Autobots will take the box office milestones where they can get them.

Film and television writers from around the world will be picketing and rallying Wednesday in support of the Writers Guild strike, which is now in its 39th day.

Passages, the “sexy and sad” romantic drama from writer-director Ira Sachs, and Sundance Grand Jury Prize-winning documentary Going to Mars: The Nikki Giovani Project, the festival aims to celebrate the community that’s been there for decades.Other highlights of this year’s festival include It’s Only Life After All, a newly-minted documentary about the Indigo Girls, the Argentinian drama Horseplay, and Nelly & Nadine, a poignant documentary about two women who, after their release from Ravensbrück concentration camp, forged a life of companionship and love.Cinema Art executive director Helen Chamberlin, a native Washingtonian who spent her summers as a youth in Rehoboth, has watched the area’s community evolve over the years. “I remember it was very prevalent that there was an LGBT — or LGB — community here in Rehoboth back in the mid-seventies,” she recalls.“When I looked at the original mini film festival that they did for this community — when I got here, it was called ‘LGBTQ Cine-brations’ — I thought to myself, ‘You know, Pride has become such a huge phenomenon globally…let’s get in the game here.”Getting in the game meant re-branding the festival, scheduling it during Pride Month, maintaining partnerships with organizations like festival co-presenter CAMP Rehoboth, and going after some of the most buzzed-about queer-themed titles to premiere this year at Sundance and Berlin.“When you rebrand something, you have to grow your audience,” says Chamberlin, who stepped into her role at the Cinema Art and the Rehoboth Beach Film Society a year ago.

Manori Ravindran Executive Editor of International Israeli crime drama “Your Honor,” which was adapted by Showtime as the Bryan Cranston-led thriller, has been revealed as the most successful new scripted format in the last three years by U.K. media intelligence consultancy K7 Media. The Yes Studios-produced scripted format has had seven adaptations since 2020, including the Showtime series, alongside versions in India, France, Russia, Germany, Italy and Turkey. Other top-performing scripted formats with five or six new adaptations since 2020 include ITV’s he said-she said thriller “Liar” out of Britain; Stan’s Australian police comedy “No Activity”; Argentinian parenting telenovela “Dear Daddies” from Telefe; and the French showbiz dramedy “Call My Agent!” from M6.

Midwest Concert Collection on YouTube). Swift was trying to introduce her new piano player, Karina DePiano, when the pesky insect somehow made its way into the pop star’s mouth. “I swallowed a bug,” she confessed as she turned back to the crowd after a long pause. “I’m so sorry.

Ice Spice. Although she began her career in 2021, music lovers immediately embraced her songs; and now she has become a familiar face in the game.Ice Spice was born Isis Naija Gaston on January 1, 2000, making her not only a New Year’s baby but also a new millennium baby.

Taylor Swift is touring the U.S. with the Eras Tour and in her latest stop in Chicago delivered a speech in support of the LGBTQ+ community.

Manchester United striker Wout Weghorst is reportedly a target for another Premier League club.

Guy Lodge Film Critic By the brazenly esoteric standards of Argentine director Lisandro Alonso, his last feature “Jauja” was virtually a concession to the mainstream. A lushly shot 19th-century historical drama led by Viggo Mortensen, it was — until a typically disorienting coda — close to linear in its colonialist-quest narrative, even as it moved in slow, ever-widening circles, and duly became Alonso’s most widely released film to date. Nine years later (the longest gap yet in a career taken at his own pace), Alonso’s follow-up “Eureka” playfully appears to mock whatever tentative gestures “Jauja” made toward accessibility: A glisteningly opaque meditation on Indigenous living that refracts viewers’ interpretations as it repeatedly switches gear, focus, locus and story, it’s a film built to frustrate those who don’t succumb to its oneiric spell, not that it especially imparts its secrets to those who do.

Swifties worldwide are letting out a sigh of relief as Taylor Swift announced the first leg of international tour dates for The Eras Tour.

Cristiano Ronaldo fans reckon Lionel Messi is about to join the Manchester United favourite in Saudi Arabia next season after his Paris Saint-Germain departure was formalised.

Whether it’s the flat white lighting and washed-out color grading that gives The Delinquents the look of a ‘70s TV serial, or the fact that much of it is set in a mountain swimming beach where people claim to see apparitions, there is an undercurrent of genuine oddity running beneath this long, complex film. Screening at Cannes in the Un Certain Regard section for innovative or personal cinema, Rodrigo Moreno’s story begins with a bank robbery. The very ease with which this crime is committed is odd in itself: Moran (Daniel Elias) simply walks into the bank vault, puts a pile of American dollars in his gym bag and goes home. Not what you expect in a heist film, but here is the point. Over the next three hours, Moreno will deconstruct the genre with the calm focus of a safecracker taking apart a lock.

EXCLUSIVE: Bridesmaids co-writer Annie Mumolo has signed on to co-create animated kids series Lulu and the Help You Crew.

Marta Balaga Debuting Chilean director Felipe Gálvez doesn’t shy away from controversy. On the contrary: he actually welcomes it. “I love to be controversial,” he tells Variety in Cannes, where he is introducing blood-soaked Western “The Settlers,” posing some uncomfortable questions about his country’s colonial past.   “If something is controversial, it’s a good sign. It means it’s interesting. I am trying to provoke with my film, because this conversation is far from over.” Set in 1901, “The Settlers” sees three men (Benjamin Westfall, Mark Stanley and Camilo Arancibia) hired by a rich Spanish landowner (Alfredo Castro) to mark out his immense property. One is American, one Scottish, one of Indigenous descent. But what is really expected of them is to get rid of the Indigenous tribes.

Christopher Vourlias A host of emerging talents gathered at Cannes’ Plage des Palmes on May 22 for the latest edition of Focus COPRO’, an event launched in 2018 by the Cannes Court Métrage Rendez-vous Industry program to give a boost to first-time feature directors. Seven up-and-coming filmmakers whose previous shorts have bowed at the Cannes Film Festival and other prestigious fests including Berlin, New Directors New Films and Clermont-Ferrand, gathered under sunny skies on the French Riviera for an informal lunch with a host of industry decision-makers. The event offered a casual setting for the directors to chat about their upcoming feature debuts, seated alongside veteran producers and sales agents, as well as reps from leading co-production markets, labs, residencies, workshops and institutions focused on identifying and nurturing emerging talent.

Most movies about England’s King Henry VIII like to focus on the mercurial monarch’s failed marriages. His six wives have been collectively described as divorced, died, beheaded, divorced, beheaded, survived. That last one, the little talked-about Katherine Parr, had the distinction of outlasting Henry — their marriage was about four years as he started to succumb to the result of hard living. She was there during that time, but also a wife who if she weren’t so connected to the King easily could have qualified as a feminist. She not only was the first English woman to have a book published, was privately a radical Protestant in an England that had been staunchly Catholic, but also a sharply intelligent woman who had a head on her shoulders and was determined to keep it there.