‘Bridesmaids’ Annie Mumolo And The Groundlings’ Ariane Price Team For ‘Lulu And The Help You Crew’

A four-platform, underground HS2 rail station at Piccadilly is 'the best solution for Manchester and the north', a committee of MPs was told.

In the realm of popular music, statistics can reveal the truth behind the glitz and glamour. USC Annenberg’s Inclusion in the Recording Studio study, provides an insightful examination into the lack of women present in the music industry across various sections including engineering, songwriting, producers, spanning from 2012 to 2019. Across 800 popular songs, the study shines a spotlight on an industry that has been predominantly white and male.

Chelsea Handler revealed the moment she knew it was time to end her relationship with Ted Harbert… and it involved another woman.

Sex and the City celebrated 25 years on Tuesday (I know, we can't quite believe it either) and took to Instagram to share a 50-second video each commemorating the occasion. The video, though, was missing one person in particular. And let's just say fans aren't happy.

Justin Theroux has no love for his former “Sex and the City” character, Jared.

Justin Theroux has no love for his former  character, Jared. In honor of the show's 25th anniversary, posed the question of «Who was the worst man on ?» via Instagram. The comments rolled in fast and furious, with several celebrities offering their opinions in the comments.

Max Bowden and Tony Clay spoke to Metro. co. uk about what’s coming up for their respective characters.

“Sunday Today” interview. “My dad didn’t — I didn’t prepare my dad at all,” Sweeney said, adding that her conversations with her dad don’t usually focus on work.As a result, Sweeney’s father decided to watch “Euphoria” without telling her — in the company of his parents, Sweeney’s grandparents.“My dad and my grandpa turned it off and walked out,” the “Reality” actress said of their first time watching the series, which includes nudity and sexual content surrounding Sweeney’s character, Cassie, who plays opposite Zendaya’s Rue, Alexa Demie’s Maddy, Hunter Schafer’s Jules and Jacob Elordi’s Nate.There was one family member who stuck around amid the mature content: Sweeney’s grandmother.“My grandma is a big supporter of mine, she’s a big fan of mine,” Sweeney said.

From Terminator to Governator! Arnold Schwarzenegger played many roles throughout his impressive career.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor Back in April, James Gunn told me what he was looking for in the new Man of Steel for “Superman: Legacy.” “The next Superman has to be someone who has all the humanity that Superman has, but he’s also an alien,” he said. “It’s gotta be somebody who has the kindness and the compassion that Superman has and be somebody who you want to give a hug.” He added, “We have some really great choices, which I’m excited about.” Could former “The Bold and the Beautiful” star Pierson Fodé be on Gunn’s list? I hear that the 31-year-old actor could be in the running for the coveted role. Sources tell me that Fodé sent in a self-tape, which included a montage of footage showing his very Clark Kent-like childhood on a farm in the small town of Moses Lake, Wash. I’m told Gunn liked what he saw.

EXCLUSIVE: Scandi podcasting outfit PodX has deepened its push into the UK market with the acquisition of a majority stake in Love Island: The Morning After and The Gemma Collins Podcast maker Listen.

on Facebook.“Man…you know this is a part of life…but that doesn’t make it any easier,” Mike W. Beasley wrote above a photo of him and his father.

Emily Longeretta Kinetic Content owns the reality space for relationship shows. From “Married at First Sight” and “Love Is Blind” to “The Ultimatum” and “Perfect Match,” the production company knows what viewers want. And now, they’re branching out. In early 2022, Kinetic EVP and co-head of development Karrie Wolfe read a story about how America’s love for “Yellowstone” was helping launch professional bull riding (PBR) as a team sport. Last year, the sport launched a team series, creating a whole new world for the sport — and for Wolfe. “You have these billionaires that were bringing together these amazing bull riders, and it was actually happening. There were eight new franchises being established, and they were going to be starting this format, these competitions in July — there was going to be a draft,” Wolfe says. “There was this perfect storm happening where there was this craving for Americana, the Western culture and I think a global audience really hungry for amazing storytelling. ‘Yellowstone’ was a colossal success. ‘Drive to Survive’ on Netflix showed that you can take a niche sport and bring in a global audience of men and women. All of these things combined, when I read the article, I thought, ‘There’s a show here.'”

. It’s ketchup versus mayo. A blue dress versus a gold one.

EXCLUSIVE: Real Housewives of Atlanta star Kandi Burruss and husband/entrepreneur Todd Tucker have joined the producing for the Broadway-bound revival of The Wiz, Deadline has learned.

It’s an exciting thing to get an autograph from your all time favorite celebrity., and many have turned getting autographs into a full time career.

So far in 2023 we’ve had the sixth installment of the Scream franchise and a fifth Evil Dead movie in Evil Dead Rise. Both did surprisingly well at the box office, given that the failure of the 13th iteration of Halloween suggested that horror fatigue might be setting in. But for genre crowds, the real story this year was a Canadian film, shot entirely in the director’s family home, that cost just $15,000 and freaked out audiences with close-ups of a creepy Fischer-Price toy telephone. Given a speciality theatrical release in January, Kyle Edward Ball’s Skinamarink brought in a worldwide gross of $2 million, even though it was set to appear on streaming service Shudder less than three weeks later.

The CW that audiences see when they tune in this fall won’t look like the CW of years past – but it also won’t look like the CW that new owner Nexstar actually intends to offer consumers moving forward.In a move similar to its broadcast competition, the CW released a fall schedule meant to be practically immune to the effects of the ongoing writers strike. It’s an acquisition-heavy lineup that’s a mix of comedies (Canadian sitcoms including “Children Ruin Everything” and “Run the Burbs”), dramas (former AMC series “61st Street”) and unscripted fare (the salvaged HBO Max hit “FBoy Island”). The only potential hiccup would be a strike-related production delay for “All American,” one of two CW shows that new network president Dennis Miller and entertainment president Brad Schwartz have decided to keep moving forward.As much as Schwartz doesn’t like the perception that there is anything wrong with an acquisition, he and Miller told Variety that isn’t the center of their scheduling strategy, but rather a path they had to take this first year because of production uncertainties.Here, Variety speaks with Schwartz and Miller about the network’s plans for adult dramas, programming to Black audiences following the success of “All American,” going hard on unscripted with “FBoy Island,” and the path to making the former Paramount/Warner Bros. Discovery-owned channel profitable for Nexstar.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

Owen Gleiberman Chief Film Critic “Indiana Jones and the Dial of Destiny” is a dutifully eager but ultimately rather joyless piece of nostalgic hokum. It’s the fifth installment in the “Indiana Jones” franchise, and though it has its quota of “relentless” action, it rarely tries to match (let alone top) the ingeniously staged kinetic bravura of “Raiders of the Lost Ark.” How could it? “Raiders,” whatever one thinks of it as a movie (I always found it a trace impersonal in its ’40s-action-serial-on-steroids excitement), is arguably the most influential blockbuster of the last 45 years, even more so than “Star Wars.” Back in 1977, George Lucas took us through the looking glass of what would become our all-fantasy-all-the-time movie culture. But it was Steven Spielberg, teaming up with Lucas in “Raiders,” who introduced the structural DNA of the one-thing-after-another, action-movie-as-endless-set-piece escapist machine. This means that “Indiana Jones and the Dial of Destiny” isn’t just coming after four previous “Indiana Jones” films. It’s coming after four decades of high-priced Hollywood action decadence, from the “Fast and Furious” series to the “Mission: Impossible” and “Terminator” and “Lara Croft” and “Transformers” and latter-day “Bond” films (not to mention the Marvel space operas), all of which owe a boundless debt to the aggro zap of the “Raiders” aesthetic.