The Arriagas’ ‘A Cielo Abierto’ Lights Up Venice Orizzonti

Debby Friday is the winner of the 2023 Polaris Music Prize. The Nigerian-born, Toronto-based electronic artist's latest project Good Luck, which featured the Song You Need-playlisted "So Hard To Tell," was selected by a panel of Canadian journalists and industry professionals as the country's best album of the year.

Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far.

Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.

according to IMDB’s Box Office Mojo.The supernatural mystery, which The Post called a “surefooted film with strong performances and a luxurious-yet-frightful tone,” is based on a 1969 Agatha Christie novel.“The Nun II,” which was in first place last week, moved down a notch to the No. 2 spot, with earnings of $4.4 million.

In the world of Agatha Christie adaptations, there’s always a delicate balance to strike between remaining faithful to the source and modernizing the narrative for contemporary audiences. A Haunting in Venice is Kenneth Branagh’s third venture in this territory and may have finally found his rhythm with these films. In addition to Branagh, the film stars Michelle Yeoh, Kelly Reilly, Jamie Dornan, Camille Cottin, and many others.

It’s interesting how the Venice Film Festival has gone from one of the festivals of the fall festival season to arguably the best film festival in the world now, even overshadowing Cannes in recent years thanks to the fact that Netflix now avoids the Croisette for the most part because of France’s theatrical laws and save their Oscar contenders for the Lido. Venice has had an amazing run, arguably since 2017 when Guillermo del Toro’s “The Shape Of Water” won the top prize and then went on to win the Oscar for Best Picture, which has happened one more time since with “Nomadland” and several key Oscar contenders since).

Ben Croll Industry delegates sent a clear message to the filmmakers behind “Nothing But the Truth about Extraterrestrials”: We want to believe. A non-fiction dive into the latest science behind little green men, the multilingual doc proved quite a hot item at this year’s Venice Production Bridge gap-financing market, fielding three bids for distribution, another three co-production offers, and an invitation to screen as a work-in-progress from a leading international festival, “Extraterrestrials” co-director Eric Ruel told Variety.

EXCLUSIVE: The Veterans is launching international sales on upcoming UK period comedy Fackham Hall at Toronto and has unveiled first members of the ensemble cast.

It surprised no one earlier this year when Trent Reznor & Atticus Ross officially came on board to score David Fincher‘s “The Killer.” After all, the pair have scored all of Fincher’s films since 2010’s “The Social Network.” But it surprised audiences at the movie’s world premiere in Venice last weekend when Reznor & Ross’ work didn’t feature prominently in “The Killer” at all.

EXCLUSIVE: Here’s your first trailer for Liam Neeson crime-thriller In The Land Of Saints And Sinners, which debuts tomorrow at the Venice Film Festival.

With 12 reviews so far, Roman Polanski’s latest film, “The Palace,” currently sits at a horrendous 0% on Rotten Tomatoes. Polanski hasn’t really had a hit film in a very long time and has also been at the center of controversy for decades, but a 0% is still really rough, with some reviews calling it the worst movie of the year.

As is the case every year, September remains a notable film month mainly because so many overlapping and concurrent film festivals are taking place. As Venice, Telluride, and the Toronto International Film Festival begin and come to a close, with others such as Fantastic Fest and the New York Film Festival upcoming, there’s plenty on the horizon for exciting films even if they won’t be playing theatrically, for a few months.

William Friedkin’s last film The Caine Mutiny Court-Martial will make its U.S. premiere on October 6 on Paramount+ with Showtime.

Richard Linklater’s Hit Man debuts out of competition in Venice this evening, and while the story follows a professional killer, the filmmaker told the press corps today, “I’m pretty sure movies invented hitmen, they aren’t real.”

David Fincher’s latest feature, The Killer, earned 6 minutes and 45 seconds of applause Sunday evening after the lights went up on the film’s world premiere screening at the Venice Film Festival.

A quote by William Friedkin himself opens “The Caine Mutiny Court-Martial,” describing the film, as well as all the filmmaker’s other works, as being about “the thin line between good and evil.” This line is all the thinner here, in the American director’s final feature, for it is entirely a matter of opinion. We are not given to see the facts of this story as they unfolded; we cannot watch and make up our own minds as to whether the people involved were right or wrong to act the way they did.

The question of whether or not technology has killed the classic crime thriller has popped in and out of the discourse as the years saw pocket watches morph into sci-fi-looking gadgets capable of getting one both dinner and a first-class ticket to Dubai in the space of a couple of minutes.

You didn’t expect French filmmaker Bertrand Bonello to make a conventional sci-fi, did you? Good, because “The Beast” is far from it. It all starts in 2044 with beautiful actress Gabrielle (Léa Seydoux) in desperate need of a job.

Roman Polanski’s Venice Film Festival feature The Palace received a 3 minute ovation tonight at its world premiere screening.

Ellise Shafer To Diane von Furstenberg, the city of Venice is a woman. “I’ve never wanted to be any other woman than me, right?” the iconic fashion designer and humanitarian told Variety before the 14th annual DVF Awards. “But I would love to be Venice.” Von Furstenberg estimates that she has been to the group of Italian islands every year for most of her life, a love affair that began when she first started her fashion brand in the ‘70s.