Teresa Cavina Appointed Artistic Director of Malta’s Mediterrane Film Festival

Nick Vivarelli International Correspondent Toronto-based sales agent Syndicado Film Sales has acquired international rights to German director Caroline von der Tann’s Naples-set doc “The Gospel According to Ciretta” ahead of its world premiere at the Thessaloniki Intl. Documentary Film Festival.

Leo Barraclough International Features Editor Following its world premiere in the competition section of the Berlin Film Festival, Beta Cinema has revealed first sales across Europe and to Australia and New Zealand for Andreas Dresen’s “From Hilde, With Love.” The drama about anti-Nazi activists in Berlin, which is led by “Babylon Berlin’s” Liv Lisa Fries and introduces Johannes Hegemann in his first big screen appearance, will be released in France by Haut et Court, in Italy by Teodora and throughout Scandinavia by Angel Films. Beta Cinema also closed deals for Benelux (September Film), Portugal (Outsider), former Yugoslavia (Discovery), Hungary (Cirko) and Czech Republic (Film Europe). Palace Film picked up the film for Australia and New Zealand.

Nick Vivarelli International Correspondent Italian director Paolo Taviani, who with his late brother Vittorio formed the revered filmmaking duo that in 1977 won the Cannes Palme d’Or for “Padre Padrone,” has died at 92. Taviani died on Thursday in a Rome clinic after suffering from a short illness, according to Italian media reports. “Paolo Taviani, a great maestro of Italian cinema, leaves us,” Rome Mayor Roberto Gualtieri said on X, formerly known as Twitter.

This year’s Hong Kong International Film Festival will feature a masterclass and career retrospective of UK-Irish writer and director Martin McDonagh.

Caroline Brew editor GKIDS is bringing the hand-painted animated film “Chicken for Linda!” to select theaters nationwide. It will be released April 5 in New York City at the Angelika Film Center and April 12 in Los Angeles at the Laemmle Royal.

Israeli filmmaker Yuval Abraham, who last week picked up the best documentary award at the Berlin Film Festival, has said he has received death threats and had to cancel his flight home after German officials and Israeli media described his acceptance speech as “anti-Semitic”.

John Hopewell Chief International Correspondent European giant Beta Film, known for ambitious titles such as “Babylon Berlin” and “The Swarm,” has shared with Variety in exclusivity a first-look picture of 1o-part series “Rise of the Raven,” which it hails as “one of the most epic European TV productions of all time.” “Rise of the Raven” weighs in as a passion project of Hungarian-born and Canada-based producer Robert Lantos, behind “Sunshine,” “The Sweet Hereafter,” “Barney’s Version,” “Eastern Promises” and “Crimes of the Future.” A highlight at Beta Film’s showcase this Tuesday at the London TV Screenings, “Rise of the Raven” turns on the extraordinary feat of Hungarian army commander Janos Hunyadi, played by discovery Gellért L. Kádár, who in 1456 won a bloody, brutal Battle of Belgrade against a vast Ottoman force twice the size of his troops who were often farm labourers armed with just slings and patriotic fervor. Hunyadi largely halted a full Ottoman expansion in Europe for the next 70 years, allowing its Renaissance to lift off in Italy.

It’s very easy to misread the title of Victor Kossakovsky’s latest documentary as “Architection,” since it is, in some ways, a detective story about the world we live in, albeit one in which it is very easy to figure out whodunit (spoiler: we did it to ourselves). The actual title, Architecton, is a Greek word that means “master builder,” and the film plays with the irony of what that may mean — pitting the “master builders” of yesteryear against the “master builders“ of today — from the very beginning, using a cryptic line from “L’aquilone,” a rumination on bygone times by Italian poet Giovanni Pascoli (1855-1912). “There is something new within the sun today, or rather ancient,” he writes. This fascinating, engrossing film interrogates the subtext of this seemingly paradoxical statement.

It’s not often that a doc about the transformative power of cinema will deliberately use bad clips of the movies it’s talking about, but that’s part of the point of this insightful, sprawling film, corralled by director David Hinton. Though the masterpieces made by Michael Powell and Emeric Pressburger at the height of their big-screen, Technicolor powers were visually impeccable, their subversive emotional power could still pack a punch through a 16-inch TV screen, even from the most scratched, butchered, and washed-out black-and-white prints.

Ellise Shafer Martin Scorsese was lauded with the Berlin Film Festival‘s honorary Golden Bear on Tuesday night, celebrating a lifetime of achievement in cinema. As he accepted the award, Scorsese — whose most recent film, “Killers of the Flower Moon,” is currently up for 10 Oscars — reflected on his career thus far and even teased a return to the festival “in a couple years.” Scorsese was introduced by German director Wim Wenders, who is also Oscar-nominated for his latest feature, “Perfect Days.” Wenders told a hilarious story, complete with a photo slideshow, about one of his earliest interactions with Scorsese at the Telluride Film Festival in 1978, where he came upon the director and his then-girlfriend Isabella Rossellini on the side of the road with a flat tire.

Leo Barraclough International Features Editor The Berlin Film Festival hosted the 10 young European actors selected for the Shooting Stars program, run by European Film Promotion, at a gala event Monday. The presentation of the Shooting Stars took place prior to the screening of Claire Burger’s “Langue Étrangère,” which plays in competition.

Anna Marie de la Fuente Spanish indie film studio Filmax has sold sleeper hit “The Teacher who Promised the Sea” to Italy’s Officine Ubu following sales to Nachshon Films in Israel, Angel Films Scandinavia, India’s BookMyShow and airline rights to Encore Inflight. “The Teacher…” is based on the real story of Antoni Benaiges, an instructor from Catalonia who, back in 1935, was assigned to teach at a little village school in the province of Burgos.

Nick Vivarelli International Correspondent Over the past few years Italian cinema has been making strides in the global arena and 2024 looks likely to bolster its international standing. New works by top auteurs Paolo Sorrentino and Luca Guadagnino will be launching from the festival circuit just as a fresh crop of directors comes to fore, starting with Margherita Vicario, whose first film “Gloria!” scored a Berlin competition slot.

Nick Vivarelli International Correspondent Gael García Bernal and Renate Reinsve (“The Worst Person in the World”) star as lovers caught in an unusual bind in Italian director Piero Messina’s unconventional sci-fi film “Another End,” which is competing in Berlin. Set in a near-future when a new technology exists that can put the consciousness of a dead person back into a living body in an attempt to ease the grief of separation, the English-language film sees Bernal play Sal, a man who loses his wife. Reinsve plays Zoe, the woman who rents her body for the implantation of Bernal’s wife’s consciousness.

Callum McLennan Filmax has taken global distribution rights for “My Friend Eva,” the latest from Spanish director Cesc Gay whose ‘Truman’ proved a notable hit overseas, scoring substantial theatrical returns in several territories. Set against the backdrops of Barcelona and Rome, this romantic comedy boasts Nora Navas (“Libertad”) Juan Diego Botto (“The Suicide Squad”) and Rodrigo de la Serna (“Money Heist”). The film marks the ninth collaboration between Gay and producer Marta Esteban of Imposible Films, dating back to Gay’s breakout “Nico and Dani” and taking in “Truman.” The new film turns on Eva, 50, a married woman on the quest for passion whose life takes a dramatic turn after a serendipitous encounter in Rome.

Nick Vivarelli International Correspondent Italy — which is the Country of Focus at this year’s European Film Market in Berlin — is flourishing in terms of production activity just as its box office grosses start to pick up. Yet there’s room for improvement in terms of the number of titles that are able to break out internationally. The Cinema Italiano output currently stands at over 350 movies a year, including co-productions, which is up compared with pre-pandemic levels.

John Hopewell Chief International Correspondent FilmSharks has taken world sales rights outside Spain to “The Bus of Life,” next up from Arcadia Motion Pictures, producer of Rodrigo Sorogoyen’s Cesar and Goya winner “The Beasts” and Neon U.S. pick-up “Robot Dreams,” nominated last month for a best animated feature Academy Award.

Nick Vivarelli International Correspondent U.S. specialty distributor Shadow Distribution has taken North American rights to Italian director Giorgio Diritti’s ethnic cleansing drama “Lubo,” toplining Franz Rogowski, from Italy’s True Colours.

Elsa Keslassy International Correspondent Pulsar Content has closed major deals on “Niki,” a biopic of French-American artist Niki de Saint-Phalle. “Niki” marks the feature debut of popular French actor Céline Sallette and stars Charlotte Le Bon (“The Walk” “Saint-Laurent”) as de Saint-Phalle. Pulsar closed deals with Neue Visionen (Germany), Movies Inspired (Italy), Paradiso (Benelux), Praessens (Switzerland), Vercine (Spain), Magic Films (CIS), Best Films (Baltics), Shaw (Singapour), Sky Digi (Taiwan) and Immovision (Brazil).

Right from the start, there is no doubt where we are. Narrow, gray streets in the dim daylight of winter, peat hills between cramped villages, a crow sitting on a church spire: this is western Ireland in the ’80s, when the Celtic Tiger was yet to roar and jobs were scarce, divorce was illegal, condoms available only on prescription and central heating unknown.