Taiwan’s Tsai Ming-liang Talks Creative Freedom, TikTok and Box Office Disasters: ‘In Future, None of My Films Will Have a Script’

FRIDAY UPDATE: Dune: Part Two added 42 international box office markets on Thursday, taking the offshore cume on the Denis Villeneuve-directed sequel to $20.8M in a total 55. This includes two full-days of play and previews in those markets.

UPDATED FRIDAY AM, POST EXCLUSIVE: Legendary/Warner Bros Dune Part Two has now grown to $12M+ per Warners. That’s from 4,500 locations, and Imax alone delivered $4.5M of that number or 38%. Of that preview figure, $2M came from an Imax fan screening on Feb. 25. Audience reactions have hit Rotten Tomatoes and they’re at 95%, which is great. Denis Villeneuve’s first Dune saw 83% certified fresh from RT critics and 90% from RT audiences.

Patrick Frater Asia Bureau Chief New Zealand-set detective Series “A Remarkable Place to Die” is being launched by Banijay Rights at the London Screenings. The 4 x 90’ murder mystery was created by Screentime New Zealand and is co-produced with Real Film Berlin (Berlin, Berlin,” Netflix’s “Unorthodox”) in association with Banijay Rights. Smart and savvy detective Anais Mallory (portrayed by Chelsie Preston-Crayford) returns to her hometown, Queenstown, in South Island, New Zealand and is met with a series of startlingly different homicides.

Patrick Frater Asia Bureau Chief Janet Yang, the Los Angeles-based producer and president of the Academy of Motion Pictures Arts and Sciences, has been appointed as an independent non-executive director to the board of Imax China, a subsidiary of premium large format cinema company Imax that has its own share listing on the Hong Kong Stock Exchange. The company, Wednesday, reported a return to net profits of $27.5 million for the 2023 calendar year. That compared with net profit of $10.8 million in 2022.

The box office may still be doing its best to return to its pre-pandemic heights, but there continue to be encouraging signs all around. The latest is Yorgos Lanthimos’ “Poor Things” crossing $100 million at the global box office.

Naman Ramachandran Paramount’s “Bob Marley: One Love” topped the U.K. and Ireland box office for the second consecutive weekend with £2.3 million ($3 million), according to numbers from Comscore. The biopic now has a total of £11.3 million after its second weekend on release.

Patrick Frater Asia Bureau Chief The Berlin Film Festival said Monday that it has filed criminal charges following the hacking of its Panorama section’s Instagram social media site, which was used to post anti-Semitic messages. After a politically charged edition, festival organizers also attempted to distance the Berlinale management from the stances taken by some of the awards winners at Saturday’s closing ceremony. The organizers said that on Sunday, the day after the festival concluded, “The Instagram channel of the Berlinale Panorama section was briefly hacked and anti-Semitic image-text posts about the Middle East war with the Berlinale logo were posted on the channel.

Patrick Frater Asia Bureau Chief Occult drama-thriller “Exhuma,” dominated the South Korea box office in its opening weekend with a scarily good debut approaching $17 million. The film, about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, grabbed $14.5 million between Friday and Sunday, representing a 77% share of the overall box office market. Including the earnings since its Wednesday debut, the film earned $16.8 million in its full opening session, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

With no new bust-out limited releases, repertory continues to do its part for the specialty box office, the latest a 4k restoration of Nostalghia. Kino Lorber said the Andrei Tarkovsky’s 1983 film, which opened Wednesday, will gross an estimated $22.87k at Film Forum in NYC for the five days.

Patrick Frater Asia Bureau Chief In Berlin with “The Roundup: Punishment,” part four of the action movie series that he created and stars in, the larger-than-life Korean American Don Lee finds himself simultaneously in multiple timely and lucrative businesses. These include the Marvel superhero business, the Korea-to-Hollywood remake business, “The Roundup” franchise and its multiple spinoff possibilities. Lee may even be in the business of saving Korean cinema, which is currently having one of its periodic wobbles.

For a time, it seemed like an auteur war was about to break out over Adam Sandler, with some of America’s most revered directors vying to find the right role for the comedian. It was rumored, but never confirmed, that Quentin Tarantino imagined him a key role while writing Inglourious Basterds, although this might have been wishful thinking from critics who saw the talented Sandler heading in the same direction as John Travolta until Pulp Fiction saved him from a lifetime of Look Who’s Talking movies. In the end, Paul Thomas Anderson got there first, with Punch Drunk Love (2002), although the glow of a bona fide arthouse hit didn’t last long, and Jack and Jill still happened less than ten years later.

Patrick Frater Asia Bureau Chief Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham.

Naman Ramachandran Paramount’s “Bob Marley: One Love” debuted atop the U.K. and Ireland box office with £6.9 million ($8.7 million), according to numbers from Comscore. Universal’s animation “Migration” dropped a spot to second place with £2.7 million in its third weekend and now has a total of £13.5 million.

Patrick Frater Asia Bureau Chief Four Chinese films dominated the mainland China and global box office charts over the latest weekend. “YOLO,” a comedy drama about weight loss and self-discovery, was crowned as the top earning film worldwide for a second weekend running. “YOLO” took $86.5 million (RMB614 million) between Friday and Sunday, giving it a 9-day cumulative total of $402 million (RMB2.85 million), according to data from consultancy firm Artisan Gateway. The second film by Jia Ling, who previously directed 2021 Lunar New Year smash hit “Hi, Mom”, “YOLO” released on Saturday, Feb.

Patrick Frater Asia Bureau Chief Production firm Movierock and rights sales outfit Hive Filmworks are in advanced production on “Hear Me: Our Summer,” a Korean remake of hit 2009 romance film “Hear Me” from Taiwan. The story involves a motorbike delivery man who falls in love with a hearing-impaired younger woman. Comparing themselves with water birds and trees the pair slowly try to break through the barriers in their relationship, pursue their dreams and take things to the next level. The retread stars Hong Kyung, who has a recent string of appearances including Netflix’s “D.P,” “TV’s Revenant” and “Hero,” and the upcoming “Troll Factory.” Co-star Roh Yoon-seo has credits in “Crash Course in Romance” and “Our Blues” and is currently one of the most ubiquitous faces in Korea thanks to her position as the face of the Paris Baguette bakery and café chain. Stylistically, the adaptation aims for the feel of Iwai Shunji’s pan-Asian hit “Love Letter,” and is directed by Jo Seon-ho, who previously made “A Day.” Movierock previously produced a 2018 Korean remake of 2004 Japanese hit “Be With You.” The film is already being pre-sold to multiple territories in Asia.

Michaela Zee Paramount’s “Mean Girls” musical made fetch happen after surpassing $100 million at the global box office. The oh-so pink movie musical has generated $101.2 million worldwide after six weeks of release, including $71.2 million in North America and $30 million from 31 international territories. Based on the Broadway adaptation of the 2004 comedy classic, “Mean Girls” was originally commissioned with plans to make a streaming debut directly on Paramount+, but executives opted for a theatrical release after enthusiastic test screenings.

When real-life couple Justine Triet and Arthur Harari set out to write Anatomy of a Fall, about a woman on trial for the murder of her husband, they built the story on relationships first and foremost.

Patrick Frater Asia Bureau Chief In January, when Netflix unveiled its slate of Chinese-language original productions for 2024, all of them turned out to be Taiwanese. Not Chinese. And not from Hong Kong, a territory that once produced over 300 movies a year in multiple Chinese dialects.

Patrick Frater Asia Bureau Chief Culturally pluralistic and gender-diverse Taiwan is the backdrop for “The Chronicles of Libidoists,” a new film by Gilles Yang, a director whose three previous films have also explored the erotic. The story is inspired by “The Little Mermaid,” the traditional fairy tale in which a mermaid princess falls in love with a human prince. But in Yang’s hands there is a twist in that the mermaid turns out to be a boy.

Patrick Frater Asia Bureau Chief Asia Argento (“xXx,” “Land of the Dead”) and Melvil Poupaud (“Speed Racer,” “Laurence Anyways”) will star in French crime thriller “Stronger Than the Devil.” The project will be pitched for the first time at the European Film Market, attached to the Berlin Film Festival, by All Rights Entertainment, the Hong Kong, Paris and Los Angeles-based film sales agency which has picked up the rights. The picture, which heads into production later this month, is written and directed by Graham Guit (“Les Kidnappeurs,” “Hello, Goodbye”). The finished film is expected to be completed by the autumn.