The Broadway revival of Sweeney Todd is officially open!
07.03.2023 - 22:25 / deadline.com
The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances.
The Stephen Sondheim-Hugh Wheeler musical filled every seat at the Lunt-Fontanne Theatre, with a solid average ticket price of $169.81, a slight slip from the previous week. Opening night is March 26.
Sweeney‘s weekly take was a healthy contribution to Broadway’s overall box office for the week, with the 24 shows grossing a total $25,163,054, holding fairly steady from the previous week. Same for the total attendance of 202,944.
Some other recent arrivals on the Broadway stage also fared well, some more than others:
Funny Girl was back to full strength with a $1,807,392 gross, up $873,665 from the previous week when star Lea Michele was on a pre-planned vacation. The Phantom of the Opera was SRO as usual, grossing $2,542,427 as that April 16 closing date draws ever nearer.
Season to date, Broadway has grossed $1,212,850,921, with total attendance of 9,365,914 holding steady at 88% of capacity.
All figures courtesy of The Broadway League. For the complete box office listings, visit the League’s website.
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The Broadway revival of Sweeney Todd is officially open!
In a Broadway season that might be remembered for a lovely, pared-down minimalism – the intriguing starkness of A Doll’s House with Jessica Chastain, the less-is-more near-concert-style presentations of Into the Woods and Parade – director Thomas Kail’s Sweeney Todd: The Demon Barber of Fleet Street will stand out for, among many other attributes, its full-on, unabashed ambition. A prodigious theatrical event that aims for greatness and achieves it, this revival of the Stephen Sondheim-Hugh Wheeler masterpiece is not to be missed.
Stephen Sondheim’s horror-musical in which throats are gruesomely slashed and cannibalism is positively hilarious. 2 hours and 45 minutes with one intermission. At the Lunt-Fontanne Theatre, 205 W.
Naveen Kumar The cannibalist startup in “Sweeney Todd” kills two birds: For Sweeney, the ruined barber who holds a grudge as steadily as he does a blade, it means turning enemies into actual mincemeat. For Mrs. Lovett, who laments that alley cats were too quick and meager to carve up anyway — well, it’s a living, innit love? Slitting throats and baking bodies into pies is a wild and wicked business. But in the stately and star-filled revival of Stephen Sondheim and Hugh Wheeler’s macabre 1979 musical that opened on Broadway Sunday night, the people-to-pastries pipeline quickly assumes a grim air of mundanity. For its stars Josh Groban and Annaleigh Ashford, this lushly orchestrated and opera-scale production, from “Hamilton” director Thomas Kail, proves a magnificent showcase for their respective, jaw-dropping talents. Groban’s weighted-blanket baritone makes the prospect of reclining in his company and never waking up again seem like a great way to go. And Ashford’s fleet, agile instinct for comedy, which earned her a Tony Award for “You Can’t Take It With You,” is like a dippy bird for dopamine. But only one of them is a genuine thrill.
was taken to the hospital due to a “scary health issue.”In a video posted to her Instagram story on Saturday, the 36-year-old announced that she’s back starring as Fanny Brice in “Funny Girl” on Broadway, and shared an update on her son. “It’s been a really long week, and we’re still not out of the woods completely with our son,” she said in the video.
Jenelle Riley Deputy Awards and Features Editor Pictured: Casting directors Katja Zarolinski and Geoff Josselson of JZ Casting. This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Casting director Geoff Josselson just checked off a major bucket list item. When he was asked what show he dreamed of casting, he would say “Into the Woods.” And just last year, working with Telsey Casting, Josselson was part of the team that assembled the heralded Broadway revival starring Sara Bareilles, Brian D’Arcy James and Joshua Henry. Josselson is on a bit of a Stephen Sondheim spree — with Telsey he also helped cast the new production of “Sweeney Todd,” starring Josh Groban and Annaleigh Ashford. And he and his partner at JZ Casting, Katja Zarolinski, just collaborated for the first time with the Pasadena Playhouse to cast “A Little Night Music,” playing at the theater April 25-May 1.
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Lea Michele will be back as Fanny Brice in Broadway’s Funny Girl this weekend after missing shows this week due as unspecified health issue that that required the hospitalization of her two-year-old son.
Glee actress Lea Michele has asked fans to send “love and strength” to her after her son was hospitalised. The 36-year-old announced she would be taking a break from her Broadway show, Funny Girl, to be with two-year-old Ever as he battles a “scary health issue”. Michele welcomed her son with husband Zandy Reich and occasionally shares snaps of him with fans on social media.
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Rebecca Rubin Film and Media Reporter Stephen Sondheim’s final musical “Here We Are” is hitting the stage in the fall. The legendary musical theater figure, who composed “Sunday in the Park with George,” “Follies,” “Sweeney Todd” and countless other Broadway classics, died in 2021 at the age of 91. The musical, formerly known as “Square One,” was in the works prior to his death and took inspiration from two Luis Buñuel films, “The Discreet Charm of the Bourgeoisie” and “The Exterminating Angel.” Joe Mantello, whose credits include Sondheim’s “Assassins,” as well as “Wicked” and “Take Me Out,” is directing “Here We Are.” The strictly limited engagement will begin September 2023 in The Shed’s Griffin Theater, an Off-Broadway venue near Manhattan’s Hudson Yards neighborhood. Casting will be announced soon.
A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771.
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