A pregnant mum died alongside her baby at a Spanish clinic. Kelsey Brown, 34, began suffering "horrendous pain" and lost consciousness shortly after going into labour at Hospital Ceram in Marbella.
16.02.2024 - 15:09 / variety.com
Callum McLennan Going into Berlin’s European Film Market, Spain’s biggest sales agents are under no illusion just how tough international markets have become. “Paradoxically, in one of the best moments for Spanish productions, we are finding that some of our top dramas are getting hard to sell unless selected in Cannes, Venice or Berlin,” says Latido Films CEO Antonio Saura. Also, “If American productions dominate at least 80% of markets, and local productions claim about half what remains.
You’re left with just 10% of markets for many wonderful films to try to find audience opportunities. Competition is fiercer than ever,” he says. “Many newer platforms are insisting on revenue shares.
This rarely works for us,” observes Feel Sales’ Yennifer Fasciani. Yet companies are fighting back. “Either a film works very well or not at all.
Our strategy is increasingly focusing on major titles, leaving no middle ground,” states Film Factory Entertainment’s Vicente Canales, who has acquired a major title, Icíar Bollain’s true events-inspired “I’m Nevenka,” one of five movies on the first movie slate from Movistar Plus+. Ivan Díaz of Filmax agrees: “Everybody is trying to avoid risk. The main market trend is clients’ focussing more and more on the most popular genres.” “Comedies sell well in Spain, but do not travel.
Genre travels better,” adds Saura. As platforms prioritize content that appeals to broader audiences, Latido continues to diversify, acquiring “Aire,” a Dominican Republic sci-fi thriller and Ventana Sur buzz title. It is also hunting beyond Spanish-speaking fare.
A pregnant mum died alongside her baby at a Spanish clinic. Kelsey Brown, 34, began suffering "horrendous pain" and lost consciousness shortly after going into labour at Hospital Ceram in Marbella.
The SNP is set to heap pressure on Keir Starmer by challenging Labour MPs to vote for a ban on arms sales to Israel.
John Hopewell Chief International Correspondent In a milestone move, Sony Pictures Television has unveiled “La Academia,” its first Spanish-language scripted series filmed in Spain for Prime Video and 3Cat. “La Academia” is produced for Sony by Brutal Media, commissioned out of Sony Pictures Television’s international production group.
A fire has engulfed two residential buildings in the eastern Spanish city of Valencia, injuring at least 13 people and sending fleeing residents onto balconies to be rescued.
Leo Barraclough International Features Editor Polish public broadcaster Telewizja Polska (TVP) has added feature film “Shattered Games” to its international sales slate alongside rom-com film “The Love Buzz” and historical series “The Bay of Spies.” “Shattered Games” explores Poland’s rich history and influence in the game of chess. The Polish national chess squad, known as the “Golden Team” in Poland, won the world chess championship in Hamburg in 1930, and was renamed by the German press as the “Bombenmannschaft” or “Bomber Crew.” “The matches the team played are still to this day described in chess textbooks as examples of masterful moves and games,” TVP said in a statement.
Nick Vivarelli International Correspondent Italian singer-songwriter Margherita Vicario’s directorial debut “Gloria!” has scored a slew international sales ahead of its world premiere in the Berlin Film Festival competition. RAI Cinema International Distribution has sealed deals to nine territories on Vicario’s vibrant musical comedy set in a late 18th century Venetian female orphanage where a young rebel named Teresa leads a group of performers to challenge classical canons and invent a precursor to pop music.
EXCLUSIVE: Buenos Aires-based Filmsharks has sold a series of its EFM titles, including Spanish horror pic The Boogeyman: The Origin of the Myth (El Hombre Del Saco) and a new 4K remastered version of the cult Argentinian thriller Nine Queens, to multiple international territories.
John Hopewell Chief International Correspondent This year, Spain has more titles at the Berlinale’s two TV showcases, Co-Pro Series and Berlinale Market Selects, than any other country in the world— a total of four shows, beating the U.S. with one, and even Germany, which has three. On top of that, running Feb.
John Hopewell Chief International Correspondent Series from Atresmedia TV, RTVE, Movistar Plus+, Javier Calvo and Javier Ambrossi (“La Mesías”), Zeta Studios (“Elite”) and director Carlota Pereda and Morena Films (behind Sundance hit “Piggy”) will unspool or be unveiled at the Berlinale. They underscore the breadth and depth of Spanish TV output: “Death to Love,” (“Que muera el amor,” Morena Films, Buendía Estudios) Carlota Pereda dazzled at Sundance with first feature, “Piggy.” Now, Pereda’s at the Berlinale Co-Pro Series on Feb.
Leo Barraclough International Features Editor International sales company Iuvit Media Sales has closed multiple deals at the European Film Market in Berlin for the suspense horror slasher “Goldilocks and the Three Bears: Death and Porridge.” Buyers include Gussi Films for Latin America, Pioneer for the Philippines and Front Row for the Middle East. Directed by Craig Rees (“Annabellum,” “Whispers”) and starring Olga Solo, Abigail Huxley, Rees and Julian Amos, “Goldilocks and the Three Bears: Death and Porridge” is an “intelligent” horror slasher, in the vein of Wes Craven horrors, and with comparables such as “The Strangers” and “The Purge.” In this adaptation of the fairy tale, Goldilocks and the three bears live together in an isolated house in the woods.
CinemaChile announced in January. One month later, CinemaChile, the national promotion board, is turning 15 at Berlin. The consequence of longterm uninterrupted promotion of an industry must not be underestimated.
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Callum McLennan It may not match last year’s sheer quantity in competition strands, but Spain still boasts a high quality presence at the Berlinale. Following, highlights the festival and EFM: “Every You Every Me,” (Michael Fetter Nathansky) A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.
John Hopewell Chief International Correspondent A new film industry superclass is emerging in Spain: movies powered or co-backed by its streaming giants. Perhaps the biggest example, Netflix Spain’s Andes flight disaster “Society of the Snow,” scored two Academy Award nominations last month. Now, in the run-up to Berlin, London-based Film Constellation has acquired most world sales rights to “The Captive,” from Oscar winner Alejandro Amenábar (“The Sea Inside”) and Mod Producciones, a $15 million period adventure epic on the literary makings of “Quixote”author Miguel de Cervantes, held to ransom in a Moorish corsair jail.
Christopher Vourlias MetFilm Sales has secured international rights to “The Battle for Laikipia,” Daphne Matziaraki and Peter Murimi’s multi-layered portrait of the conflict between Indigenous pastoralists and white landowners in Kenya. The film had its world premiere as part of the World Cinema Documentary section at the Sundance Film Festival. Submarine Entertainment Sales negotiated the deal with MetFilm on behalf of the filmmakers and is handling North American sales.
Christopher Vourlias K5 Intl., the international sales arm of K5 Media Group, has acquired world sales rights excluding North America to “Stay Online,” a tense Ukraine war drama that was entirely shot in the Eastern European country after the Russian invasion, the company announced at the European Film Market. The film, which debuted last year at Montreal’s Fantasia Film Festival, recently sold to Dark Star Pictures for North American distribution in a deal brokered by XYZ Films. A U.S.
Nick Vivarelli International Correspondent U.S. specialty distributor Shadow Distribution has taken North American rights to Italian director Giorgio Diritti’s ethnic cleansing drama “Lubo,” toplining Franz Rogowski, from Italy’s True Colours.
Super Bowl LVIII broke viewership records across the board last Sunday, including in one small-but-growing segment: Spanish-language audiences.
Brian Steinberg Senior TV Editor Trey Gargano has been named executive vice president of ad sales, taking the reins of the outlet’s efforts to drive millions of dollars in advertising revenue at a time when Madison Avenue has seemed more ambivalent about news content. Additionally, Ryan Roelle has been promoted to senior vice president of national sales, and will focus on endemic and national advertising in addition to leading linear and digital sales across the country.
Nick Vivarelli International Correspondent Italy’s Fandango Sales has taken global distribution rights outside Italy to Carlo Sironi’s coming-of-age drama “My Summer With Irène,” which will premiere in the Berlin Film Festival‘s Generation section. Sironi, whose first feature “Sole” made a splash on the international fest circuit, is back with this relationship drama starring rising French indie star Noée Abita (“Slalom”) and Maria Camilla Barandenburg (“Slam Italia”) playing two 17-year-olds named Clara and Irène who both have health issues.