‘Soundtrack To A Coup d’Etat’ Review: Experimental Documentary Deftly Explores The Connections Between Jazz & The Congo [Sundance]

How am I laughing so uncontrollably at a play about Mary Todd Lincoln?Yes, Abraham Lincoln’s wife is the subject of this riotous new comedy at the Lucille Lortel Theatre, written by and starring Cole Escola, that definitely does not aim to teach your anything or challenge your brain cells. Rather, the campy “Oh, Mary!” is too busy daring your lungs to stay full of air for more than a few seconds.

Wait, why is Matthew Vaughn on the MCU train? He’s got a Universal “Argylle” spy movie coming out soon and isn’t involved with Marvel or any of the old Marvel/Fox properties. Well, apparently, he knows a little bit about what’s in store, and on a recent episode of BroBible’s Post Credit Podcast, he evidently sang the movie’s praises, going as far as to claim it will “save” the MCU.

Kletnoy wrote Saturday on social media. “Everyone who knows me knows I love Nicki, Megan and so many other musicians.” “I joined a livestream from one of my fave artists and was excited to hear there’s a new song from her,” Kletnoy continued.

Twenty years ago, Ondi Timoner’s rock doc “Dig!” the wildly entertaining, sensationalistic portrait of the dysfunctional indie rock bands the Brian Jonestown Massacre and The Dandy Warhols and their strange love/hate relationship and rivalry, was a smash hit, at least critically, winning the Sundance Prize Grandy Jury Prize for Best Documentary and squarely landing the filmmaker on the map.

By now, it should be evident that each passing year brings with it advancements in technology, landing anywhere on an imaginary graph containing the likes of the latest smartphone to a car that can brew a mean cup of coffee. One area that’s been hovering over the whole of humanity for far longer than a need for a house that dictates a grocery list is that of the afterlife; pondering what happens after each and every one of us shuffle off this mortal coil remains, quite possibly, an everlastingly unanswerable question, but for those left behind in the wake of a loved one’s passing, a more pressing matter would be the manner in which one deals with said loss, and how best to move on.

Filmmakers have parsed the zombie genre from seemingly every angle possible. George A.

Megan Thee Stallion has released a new song titled "Hiss." The song is her second snake-themed single after "Cobra," which was released late last year. The new song opens with Megan stating, "I just wanna kick this shit off by sayin' fuck y'all.

It might come as a surprise to most that the skirmish between Russia and Ukraine has been active for nearly a decade. However, international headlines would raise awareness to new heights upon Russia’s invasion of its neighbor in February of 2022.

Filmmaker Asmae El Moudir, making her feature directorial drama, starts her non-fiction film “The Mother Of All Lies” as a modest family chronicle—an elevated home video of sorts. It is soon clear, though, that she has much more on her mind because the actual subject of her inquiry is the collective amnesia around a seminal event that changed Morocco forever, the 1981 Casablanca bread riots.

Some movies are Irish. “Kneecap” is Ireland.

PARK CITY – Movies that stick with you long after you watch them are nothing new. There are literally thousands of examples in the history of cinema.

“The Kingsman” franchise is an interesting one. The first film shocked a lot of people and became a bit of a hit for filmmaker Matthew Vaughn.

Leo Barraclough International Features Editor For more than 40 years, Aardman Animations has been producing classics like “Wallace & Gromit,” “Chicken Run” and “Shaun the Sheep.” Now, following in the footsteps of pioneers such as Peter Lord, David Sproxton and Nick Park, new recruits have come on board at the company’s headquarters on Spike Island in the port city of Bristol, in the West of England, replenishing its creative treasure chest. Variety steps along the gangplank to meet some of the more recent additions to the crew: Dan Ojari and Mikey Please, the creators of Oscar-nominated “Robin Robin” (see here); kids’ comedy series “Lloyd of the Flies” creator and director Matthew Walker, and co-director and voice director Jane Davies (see here); and Lucy Izzard, the creator, writer and director of “The Very Small Creatures,” a BAFTA nominated preschool series (see below).

Bravo fans, 2024 didn’t begin until the bracing Jan. 2 season finale of “The Real Housewives of Salt Lake City,” which shocked us all into the new year, and made us remember we’re alive.

Henry Cavill and Bryce Dallas Howard are promoting their new movie Argylle!

An exploration of the generational trauma surrounding the “stolen generations” of Aboriginal children by the Australian government, Jon Bell’s feature debut “The Moogai” fits all the criteria of what we would, perhaps pejoratively, describe as “elevated horror.” A fraught term, and one that would need more than the length of this review to dive into, it nevertheless seems apt for a film that so blatantly makes its subtext into text.

Todd Gilchrist editor Although it isn’t structured any differently from dozens of other cradle-to-grave documentaries about artistic luminaries, “Luther: Never Too Much” sheds light on much more than just the life and career of R&B singer Luther Vandross. Drawn largely from interview and performance footage of Vandross over his almost 40 years in entertainment, and bolstered and contextualized by retrospective talks will collaborators and confidantes, director Dawn Porter’s film exposes some uneasy truths about the music industry and the media we may now know, but whose seeming ubiquitousness at the time he was alive may be difficult to fully comprehend.

Rafa Sales Ross Guest Contributor Norwegian director Thea Hvistendahl’s zombie movie “Handling the Undead,” premiering at Sundance and to be released in the U.S. by Neon, sees the reunion of Renate Reinsve and Anders Danielsen Lie, the stars of Oscar-nominated “The Worst Person in the World,” in a poetic, visually-charged chronicling of a hot summer’s day in Oslo when the dead mysteriously come back to life.

The US Sun on Friday. “I would certainly show up,” the actress enthused about a possible reboot.

In the realm of zombie-themed films, a genre often filled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.