‘SNL': Funky Kong Explains Why ‘Super Mario Bros’ Movie Snubbed Him: ‘Funky Kong Is Too Real’ (Video)

Naman Ramachandran Universal’s “The Super Mario Bros. Movie” ruled the U.K. and Ireland box office collecting £3.06 million ($3.8 million) in its fourth weekend for a total of £45.7 million, per numbers from Comscore. In its second weekend, Studiocanal’s “Evil Dead Rise” earned £1.05 million in second place for a total of £3.3 million. There were a couple of strong debuts in the top five. eOne’s “The Unlikely Pilgrimage Of Harold Fry” bowed in third place with £784,698, while DG Tech’s Tamil-language magnum opus “Ponniyin Selvan: 2,” also released in the Telugu and Hindi languages, debuted in fourth position with £618,244. Rounding off the top five, in its fifth weekend, was eOne’s “Dungeons And Dragons: Honor Among Thieves” with £575,796.

The Super Mario Bros. Movie has surpassed the $1billion (£800m) mark at the global box office.It hit the ground running with its release last month, and had the biggest opening weekend ever for an animated film at the box office.Yesterday (April 30), it crossed $1billion and is now the 10th biggest animated film in history globally, beating out the $942.5million (£754million) that Minions: The Rise Of Gru grossed in 2019.It pulled in $487.5million (£389.8million) in North America alone and a further $533million (£426.6million) internationally.Only four other movies have achieved this post-pandemic including Spider-Man: No Way Home, Top Gun: Maverick, Jurassic World Dominion and Avatar: The Way Of Water.It comes after Shigeru Miyamoto – a creator of the Super Mario Bros.

Patrick Frater Asia Bureau Chief “The Super Mario Bros Movie” and a local sports movie “Dream” gave the South Korean box office some bounce on their first weekend on release. Opening in Korea on Wednesday, some three weeks after the beginning of its international and North American campaigns, “Super Mario” earned $4.67 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). The film has a cumulative of $5.76 million over its opening five days, plus previews. The film’s weekend numbers are the second highest opening tally recorded by any film this year in Korea. And its weekend score represented a comfortable 40% market share.

vids that go hard,” stayed online for at least seven hours before being taken down by Twitter moderators. Forbes reports that the video was watched at least 9 million times.

Owen Gleiberman Chief Film Critic I have a little ritual when it comes to animated films. I try to go into them not knowing who the cast members are. That’s not always possible, of course. For the most part, though, I do my best to ignore the publicity and let the voices I hear surprise me — because if you don’t know who the actors are, you respond, I think, in a less biased and more spontaneous way. “The Super Mario Bros. Movie” made my crusade easy, since the film has no opening credits. From the earliest moments, I had no idea who was voicing any of the characters. But I did know this: When the villain, a gigantic fire-breathing horned turtle named Bowser, showed up in his studded-leather arm bands, lowered his fire-red eyebrows into a gleaming, gap-toothed grin of the most insidious megalomania and began to push and order people around, all I could think was, “I like this dude.” 

As has been the case since the start of April, Universal/Illumination’s “The Super Mario Bros. Movie” has lapped the box office competition, becoming the first animated film of the 2020s to gross $1 billion worldwide while competitors search for vastly smaller opening weekends among niche audiences. \Another strong hold of just a 33% drop has given the film a fourth weekend total of $40 million domestic and $108 million worldwide, pushing the film’s overall totals to $490 million domestic and $1.02 billion global.

according to IMDB’s Box Office Mojo. The movie based on the popular Nintendo game has earned more than $458 million in the US since opening on April 5 — and is projected to hit the $1 billion global milestone on Sunday, according to the Hollywood Reporter.

J. Kim Murphy “The Super Mario Bros. Movie” has pounded out some serious coinage. The animated adventure from Universal Pictures, Illumination Entertainment and Nintendo is becoming the first release of 2023 to cross the $1 billion mark at the global box office. While “Mario Bros.” isn’t projected to cross the coveted threshold until Sunday, Universal is confident enough in the projections to declare the weekend a victory. If estimates hold, the video game adaptation will reach the $1 billion mark in 24 days. First debuting on April 5, “The Super Mario Bros. Movie” has been a dominant force in theaters for the entire month. It still ranks as the top release on domestic charts, now in its fourth weekend of release.

Super Mario Bros. franchise – has said he is grateful for the bad press that the recent Super Mario Bros.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” achieved the high score at the domestic box office, earning a massive $58.23 million in its third weekend of release. The animated family film easily fend off this weekend’s new releases, including a promising start for supernatural horror sequel “Evil Dead Rise” and tepid debuts for action-war thriller “Guy Ritchie’s the Covenant” and A24’s anxiety-inducer “Beau Is Afraid.” After three weeks on the big screen, “Mario” has grossed $434.33 million in North America and $871 million globally to stand even higher as the biggest movie of the year. Those ticket sales, down just 37% from the weekend prior, rank as the highest third weekend for any animated film domestically (surpassing 2018’s “Incredibles 2” with $46.4 million in its third weekend of release) and the seventh-biggest third weekend ever (overtaking 2021’s “Spider-Man: No Way Home” with $56 million in its third weekend of release).

Universal/Illumination’s “The Super Mario Bros. Movie” has broken yet another box office record for animation with an estimated $58 million in its third weekend. Just like last weekend, “Mario” has posted the highest total ever seen for an animated film in its third weekend and, at the moment, the seventh highest third weekend for any film.

Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to get audiences in seats? Or did the studios cut their losses and only pony up so much to promote them?

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.

After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M. 

J. Kim Murphy Mamma mia! “The Super Mario Bros. Movie” is staying on top at the domestic box office. The Universal release added a commanding $22.6 million on Friday from 4,371 theaters. After achieving the biggest opening weekend of the year, “Mario Bros.” actually added 28 more locations in its sophomore outing. The Universal, Illumination and Nintendo co-production is now projecting an $80 million gross for the three-day frame, which would mark an impressive 45% drop from its $146 million opening weekend. e. On Friday, “Super Mario Bros.” crossed the $500 million mark globally. The film is now the highest-grossing release of 2023 so far and the biggest video game adaptation in history.

The Super Mario Bros. Movie, claiming film critics are “disconnected from reality”.The animated children’s film, adapted from the iconic Nintendo video game franchise, was released in cinemas last week.Reviews have generally been negative, and the film currently holds “Rotten” critics’ score of 57 per cent on review aggregator site Rotten Tomatoes.However, the audience score – which is voted for by non professional critics – currently sits at 96 per cent positive, making it “Fresh”.On Twitter, Musk commented on the disparity between the critics and audience after an account called @BoredOfElonMusk shared an image of the Rotten Tomatoes scores.“Content review systems are broken.

a cartoon character being attractive, I got very strange looks from my colleagues. I still think Moana’s dad is something special, but I can see how the whole crushing on a cartoon character thing can feel a little wrong. And then came along the new Super Mario Bros movie.

The Super Mario Bros. Movie, and wants Pedro Pascal to play Wario.Black stars as Bowser in the new film, which was released this week and has proved an early hit at the box office.Talking to Game Spot, the star and Tenacious D singer looked ahead to a potential sequel, and the idea that Mario’s arch-rival, Wario, may be introduced.“It’s not a given that Bowser will return,” he said.

Chris Pratt had another box office success this weekend with the release of "The Super Mario Bros. Movie." Box office estimates released Sunday showed the Universal Pictures film grossed $146 million domestically across more than 4,300 theaters.

While streamers typically get by on thrifty marketing budgets, pushing content largely on their menus, most motion picture studios, like Universal, still have all the superpowers in the world to blast a movie out of a canon.