‘Scream VI’ Crosses $100 Million, First in Franchise to Hit Box Office Milestone in 26 Years

Illumination/Nintendo/Universal’s The Super Mario Bros Movie has notched yet another milestone, crossing the $900M mark globally with Tuesday’s grosses included. 

Following last month’s theatrical release of “Scream VI”, the fan-favourite horror will be available to stream and own on digital.

Patrick Frater Asia Bureau Chief The highly-anticipated Japanese animated feature film “The First Slam Dunk” dominated the mainland China cinema box office in its opening weekend. It broke multiple records as it did so. The film scored $38.5 million (RMB266 million) over the Friday to Sunday weekend, according to data from consultancy Artisan Gateway. However, it opened on Thursday, a day earlier than is the norm in China, and has accumulated $55.2 million over the opening four-day frame. The film is based on IP that is well-known to a generation of comic book fans and TV audiences in China (early middle-aged men were reported to have been particularly interested) and has already proved a hit in other parts of Asia. (Comscore estimates that the film has grossed $211 million worldwide.)

Patrick Frater Asia Bureau Chief Global cinema box office recovered strongly in the first three months of the year, driven by the performance of “The Super Mario Bros. Movie” in many territories and a bumper Chinese New Year season in mainland China. The upbeat news was delivered on the eve of CinemaCon Las Vegas by specialist research firm Gower Street Analytics, which has now increased its forecast of the cinema industry’s full year. The firm now projects that 2023 gross revenues will reach $32 billion, a 10% increase on its earlier estimate of $29 billion. “A $32 billion global box office in 2023 would represent an approximate +23% improvement on 2022. It remains 20% behind an average of the last three pre-pandemic years (2017-2019), but it shows how post-pandemic recovery of our business continues to improve,” said Gower Street.

according to IMDB’s Box Office Mojo.Since its opening on April 5, it has earned over $400 million nationwide, the second-fastest animated film to reach those numbers after “The Incredibles 2,” according to Deadline. The supernatural horror movie “Evil Dead Rise,” the fifth installment of the “Evil Dead” series, came in second, with a $10.3-million take on its opening day.The Post called the film “gory-as-hell” and said it is “as campy and fun as any chapter in producer Sam Raimi’s four-decade-old horror series.”“The Covenant,” the story of an army sergeant in Afghanistan, played by Jake Gyllenhaal, and an Afghani interpreter, played by Danish actor Dar Salim, landed in third, with $2.25 million in sales.

Adam Moskowitz — the attorney in charge of a class action lawsuit brought against FTX promoters including Shaquille O’Neal, Tom Brady, and Larry David — says Taylor Swift was one of only several celebrities who did their due diligence before agreeing to promote the disgraced cryptocurrency exchange. On a new episode of The Scoop, a podcast from the crypto-focused online publication The Block, Moskowitz recalls his surprise at how many hugely popular figures hadn’t checked in with their own lawyers before signing massive contracts with the shady firm.

Patrick Frater Asia Bureau Chief Japanese animated film “The First Slam Dunk” has taken a strong early lead at the mainland China box office, picking up $13.8 million on its Thursday opening day. Films mostly release in China on Fridays, but the Japanese hit was given previews on Wednesday and a full court release on Thursday, starting with widespread midnight screenings. Data from local firm Ent Group reveals that the film earned $3.16 million from some 14,000 preview screenings on Wednesday, followed by $13.8 million on Thursday from 184,000 screening sessions. That gives it a $17 million cumulative and positions it at the top of the box office chart even before the conventional Friday to Sunday weekend begins.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So we’re going to do the hard work for you.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” soared higher than expected in its second weekend of release. The animated adventure, from Universal and Illumination, collected $92 million over the weekend, above Sunday’s already huge estimate of $87 million. Those returns rank as the highest-grossing second weekend for an animated film, as well as the seventh-highest grossing second weekend for any film at the domestic box office, according to Universal. Thanks to huge demand from family audiences and plenty of nostalgia, ticket sales for “Mario” declined only 37% from its mighty $146 million three-day start and currently stand at $353 million. That’s especially impressive because big-budget blockbusters — even well-received ones — generally plummet by 50% or more after scoring huge opening weekends. 

The box office for “The Super Mario Bros. Movie” just keeps on growing.

first week, according to IMDB’s Box Office Mojo.The film, which The Post found “lousy,” has now earned $500 million globally, making it the top-grossing video game adaptation in cinematic history, Variety reported. The horror-thriller “The Pope’s Exorcist,” which tells the petrifying tale of the Vatican’s top exorcist’s investigation into a child’s possession, landed second with $4.3 million after debuting on Tuesday.

according to IMDB’s Box Office Mojo. The film, which The Post called “lousy,” opened on Wednesday, ahead of the holiday weekend.

The Scream franchise has grossed over $500 million at the domestic box office and we’re taking a look at which films have made the most money.

“Scream VI,” the first instalment of the adored slasher series, is unquestionably on course to set box office records for the series.

th Century Studios’ “Free Guy” and “Prey,” along with Disney+ hit series including “The Mandalorian,” “WandaVision,” “Obi-Wan Kenobi” and “Loki,” among many others. In all, Ayaz has led the campaigns for the most watched films on Disney+ and Hulu, and 13 of the top 15 box office debuts of all time, including six opening weekends over $200 million, as well as the biggest worldwide debut of all time for “Avengers: Endgame,” which earned over $1.2 billion in five days. An award-winning marketing leader, Ayaz has been the recipient of multiple industry honors, including Variety’s Marketing Visionaries Award and The Clio Marketing Mastermind Award.

Effective immediately, Walt Disney Studios President of Marketing and 18-year studio vet, Asad Ayaz, has been named the first-ever Chief Brand Officer of The Walt Disney Company.

Rebecca Rubin Film and Media Reporter “Dungeons & Dragons: Honor Among Thieves” rolled the dice at the weekend box office, taking out “John Wick: Chapter 4” with its $38.5 million debut. But Paramount and eOne’s adaptation of the popular role-playing game needs to hold up against “Super Mario Bros.” to be successful in its theatrical campaign. So far, “Dungeons & Dragons” has generated $71 million globally — including $33 million at the international box office. Those numbers aren’t bad, but the film cost a hefty $150 million to produce and tens of millions more to market, so it’s not yet a clear theatrical winner. The fantasy action-comedy needs to stick around in North American and overseas theaters through the spring to justify its price tag and potentially ignite a new franchise.

Todd Spangler NY Digital Editor Endeavor is bringing together two of the world’s biggest combat-sports franchises — UFC and WWE — in a blockbuster merger announced Monday. It’s a deal in which “one plus one equals three,” said Endeavor president and COO Mark Shapiro, who will serve in the same role for the merged UFC-WWE. The pact, valuing the combined company at roughly $21.4 billion, is anticipated to close in the second half of 2023. The deal will result in an estimated $50 million to $100 million in annualized run-rate cost synergies, according to Endeavor, including by moving WWE to Endeavor’s back-office infrastructure. Shapiro said Endeavor, when it acquired UFC, realized $70 million in cost savings.

according to IMDB’s Box Office Mojo.The film, which stars Chris Pine, Michelle Rodriguez and Hugh Grant, is expected to enjoy a $40 million-dollar opening weekend, according to Deadline.It managed to dethrone last week’s top earner “John Wick: Chapter 4,” which earned $7.87 million. Due to the success of the fourth installment of the hitman thriller series, which was supposed to be the franchise’s last, the possibility of a fifth is being considered.

Jem Aswad Senior Music Editor Universal Music Group announced on Wednesday that its Board of Directors has extended the contract of Lucian Grainge, the company’s chairman and CEO, until May 1, 2028. According to the announcement, the “extended and amended” agreement transitions Grainge from an all-cash compensation package to one that is a combination of equity and cash and includes an equity compensation program with “a broad set of performance-based objectives aligned with shareholders’ interest and corresponding to the company’s long-term growth strategy. To assure the compensation program is aligned with shareholders’ interest, the majority of the compensation package’s economic value will be paid in UMG equity and UMG performance-based stock options.” Grainge’s annual salary under the new agreement will be reduced by more than two-thirds from his current salary, to $5 million, the announcement continues. Subject to the achievement of performance criteria, he will be eligible for an annual bonus with a target of $10 million. The EBITA bonus from his prior employment agreement has been eliminated and Grainge will only be entitled to the contingent bonus under his prior employment agreement on a pro rata basis until March 31, 2023. The equity components of the program include annual grants of $20 million, comprised of as much as 50% Performance Share Units (PSUs) — with annual PSU goals set by the Board of Directors — and the remainder comprised of Restricted Share Units (RSUs).