Samuel L. Jackson and Uma Thurman have ‘Pulp Fiction’ reunion on Broadway

Covid isn’t done with New York’s theater scene just yet. At least four Broadway and major Off Broadway productions have either canceled or postponed performances or temporarily replaced principal cast members in the last week due to the virus.

Pete Davidson exited “Saturday Night Live” at the end of last season, but he’ll next be seen in a new comedy series streaming on Peacock.

Broadway box office held steady at $28,621,480 last week as a slate of new productions began or continued previews (Almost Famous and Kimberly Akimbo filled more than 90% of their seats), MJ and Leopoldstadt set house records and The Phantom of the Opera was once again standing room only as the long-running Andrew Lloyd Webber musical heads toward its Feb. 18 closing.

Trai Byers and Grace Gealey are expecting!

Danielle Brooks celebrated the opening night of her Broadway show The Piano Lesson just days ago and she sadly has to take a break from performing as she just tested positive for COVID-19.

Michael Appler When Tony and Emmy-nominee Danielle Brooks was 17 years old, at home in Greenville, S.C., she picked up a copy of August Wilson’s “Century Cycle,” a canon of 10 plays spanning the 20th century which chronicled African American life in its most vivid, lyrical and intimate settings yet written for the stage. Sifting through the collection, she picked out “The Piano Lesson” and read it, thumbing across the names of African American actors and actresses whom she didn’t yet know. “Today is about preservation,” she told Variety on Thursday at the opening night of the first Broadway revival of “The Piano Lesson,” in which Brooks stars as Berniece alongside Samuel L. Jackson and John David Washington.

opened Thursday night on Broadway, is mostly in tune.  The August Wilson play’s greatest asset is its young leads John David Washington and Danielle Brooks, both of whom are already widely admired, but display an altogether new and enticing range of skills. 2 hours and 45 minutes, with one intermission. At the Ethel Barrymore Theatre, 243 W.

There’s abundant magic still in The Piano Lesson, August Wilson’s grand, 1987 Pulitzer Prize winning tale of a Black family torn between legacy and ambition, the past and the future, and, it’s not an overstatement to note, between life and death.

Brent Lang Executive Editor Samuel L. Jackson had his marching orders. So when actor John David Washington approached him for tips about playing Boy Willie, a role Jackson originated in the 1987 production of August Wilson’s “The Piano Lesson,” he clammed up. “I was specifically told by the director not to give him advice,” Jackson says. “John David asked several times, but when he realized that I was not allowed to help him, he stopped asking.” The director, in this case, is LaTanya Richardson Jackson, who also happens to be Jackson’s wife, as well as the first woman to oversee a production of Wilson’s work on Broadway. The two are teaming up on the hotly anticipated revival of the classic drama, only this time Sam is playing Boy Willie’s uncle, Doaker Charles. It marks his first time on Broadway since 2011’s “The Mountaintop,” in which he played Dr. Martin Luther King Jr., and LaTanya’s  first time directing after a run of acclaimed stage performances, including the 2014 revival of “A Raisin in the Sun” and 2018’s “To Kill a Mockingbird.”

Gordon Cox Theater Editor Each year, Variety compiles a list of Broadway stars on the rise. This year, Variety fill fete this round-up of stage actors, directors and writers at its Business of Broadway Breakfast presented by City National Bank will take place on Oct.

William Earl “Death of a Salesman” actor Wendell Pierce, “The Piano Lesson” director LaTanya Richardson Jackson and “Till” star John Douglas Thompson are among the honorees set for the inaugural Salute to Broadway presented by the African American Film Critics Association. The event is set for Oct. 17 at The Lambs Club in the heart of Midtown’s theater district. “It’s no secret that some of our greatest actors have come from the stage or have tested their chops on it,” said Gil Robertson, co-founder of AAFCA. “Sidney Poitier, Ruby Dee and Ossie Davis are just a handful of our beloved icons for which this was true, with Tony winners Denzel Washington, Viola Davis, Audra McDonald, Adrienne Warren and Myles Frost among those continuing that legacy. As a reliable pipeline for outstanding Black talent in front of the camera as well as behind it, Hollywood has benefited greatly from this esteemed training ground and AAFCA Salutes Broadway celebrates that rich heritage.”

Jazz Tangcay Artisans Editor Samuel L. Jackson, Laurence Fishburne, Whoopi Goldberg and Zendaya are just some of the stars who appear in Elvis Mitchell’s “Is That Black Enough for You?” Netflix documentary. Mitchell’s doc bows this weekend at the New York Film Festival. Mitchell, a film critic who has written for LA Weekly and The New York Times takes on the role of writer, director and narrator as he traces the history of Black representation in cinema. The documentary examines Black cultural achievement in the 1960s and ’70s and debunks the notion that Black cinema in that period only meant Blaxploitation films.

“Amsterdam,” David O. Russell‘s first movie in seven years, hits theaters on Friday, and it’s his third team-up with Christian Bale.

William Earl Variety has announced the lineup for its annual Business of Broadway breakfast presented by City National Bank in New York on Oct. 17. Samuel L. Jackson and LaTanya Richardson Jackson will join the event for a keynote conversation about their collaboration on the revival of August Wilson’s “The Piano Lesson,” currently playing on Broadway. The programming will also include a Broadway producers panel moderated by Erik Piecuch, senior vice president and entertainment banking leader of City National Bank. The panel will feature Lee Daniels (“Ain’t No Mo’”), Cindy Tolan (“Death of a Salesman”), LaChanze (“Kimberly Akimbo” and “Topdog/Underdog”) and Ken Davenport (“A Beautiful Noise”). The producers will speak about their experiences premiering new productions on Broadway this season and how the business has changed since Broadway’s return.