John David Washington Latest Celebrity News & Gossip

After a deal couldn’t be made for David Leitch to direct, Universal Pictures and Amblin Entertainment have moved fast as the studio is in final negotiations for Rogue One director Gareth Edwards to helm a new Jurassic World movie. The studio recently dated the pic to bow on July 2, 2025 and moved fast to find a director with Edwards spending all of last week meeting with execs. After impressing producers Steven Spielberg and Frank Marshall, who helped launch the franchise in the 90s, an offer soon followed and pre-production is expected to ramp up once a deal is sealed.

Isn’t this interesting? Variety reports that Warner Bros. is giving Christopher Nolan‘s 2020 time-looping actioner “Tenet” a re-release in theaters, IMAX and 70mm next month as part of the build-up to “Dune: Part Two” on March 1. “Tenet” will run for one weekly only starting on February 23 in the US and select international markets with exclusive footage of Denis Villeneuve‘s sequel attached.

With a budget of $80 million—a pittance compared to the budgets of most modern blockbusters— Gareth Edwards has made his long-awaited return to science-fiction on the big screen with “The Creator,” a provocative sci-fi adventure set roughly 50 years in the future, where Western society is devastated by and at war with artificial intelligence (read our review). Whereas the East, having not undergone a similar tragedy, has embraced and fostered the technology.

A familiar mélange and pastiche of sci-fi-tropes you’ve seen and felt before, filmmaker Gareth Edwards’ science-fiction drama, “The Creator,” is recognizable but, nonetheless, largely compelling— skillfully understanding the crucial balance of blockbuster scale and grounding character intimacy. Its intriguing examination of what constitutes a sentient being—coupled with its aesthetic mix of lo-fi, gritty, and grimy tech blended with sleeker, cleaner, and austerely traditional visual references to the future— makes for an engaging experience clearly designed for the big screen.

Peter Debruge Chief Film Critic The creator of “The Creator,” Gareth Edwards, started his filmmaking career teaching himself VFX at home. He’s an innovator on that front, devising ways to generate creepy CG monsters for “Monsters” more than a dozen years ago, then overseeing deceptively massive blockbusters, like “Godzilla,” ever since (deceptive because much of that stunning scale comes from virtual detail added in post).

He’s captivated our imaginations with iconic monsters and futuristic space battles, using a symphony of light, scale, sound, and mastery over visual effects. Oh, and he really knows how to make Darth Vader scary.

Obviously, it takes years for feature films to get developed, written, filmed, and then released. And though artificial intelligence has been a topic of sci-fi films for years, it feels like there is no better time than now to release a film about rogue A.I.

Netflix is looking to put yet another high-profile project into production with a feature film adaptation of the popular stage play “The Piano Lesson” with director Malcolm Washington set to helm, the streamer announced today. The pic is based on the August Wilson (“Fences”) play of the same name with a script penned by Virgil Williams and Washington.

Netflix is looking to put yet another high-profile project into production with a feature film adaptation of the popular stage play “The Piano Lesson” with director Malcolm Washington set to helm, the streamer announced today. The pic is based on the August Wilson (“Fences”) play of the same name with a script penned by Virgil Williams and Washington.

Danielle Brooks celebrated the opening night of her Broadway show The Piano Lesson just days ago and she sadly has to take a break from performing as she just tested positive for COVID-19.

There’s abundant magic still in The Piano Lesson, August Wilson’s grand, 1987 Pulitzer Prize winning tale of a Black family torn between legacy and ambition, the past and the future, and, it’s not an overstatement to note, between life and death.

Brent Lang Executive Editor Samuel L. Jackson had his marching orders. So when actor John David Washington approached him for tips about playing Boy Willie, a role Jackson originated in the 1987 production of August Wilson’s “The Piano Lesson,” he clammed up. “I was specifically told by the director not to give him advice,” Jackson says. “John David asked several times, but when he realized that I was not allowed to help him, he stopped asking.” The director, in this case, is LaTanya Richardson Jackson, who also happens to be Jackson’s wife, as well as the first woman to oversee a production of Wilson’s work on Broadway. The two are teaming up on the hotly anticipated revival of the classic drama, only this time Sam is playing Boy Willie’s uncle, Doaker Charles. It marks his first time on Broadway since 2011’s “The Mountaintop,” in which he played Dr. Martin Luther King Jr., and LaTanya’s  first time directing after a run of acclaimed stage performances, including the 2014 revival of “A Raisin in the Sun” and 2018’s “To Kill a Mockingbird.”

“Amsterdam,” David O. Russell‘s first movie in seven years, hits theaters on Friday, and it’s his third team-up with Christian Bale.

Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Chris Rock, Anya Taylor-Joy . . .

Samuel L. Jackson and Uma Thurman have had a Pulp Fiction reunion backstage on Broadway.The actors, who played Jules Winnfield and Mia Wallace respectively in Quentin Tarantino’s 1994 film alongside John Travolta, met up last Saturday (October 1) at the Broadway revival of August Wilson’s The Piano Lesson.The play is currently being performed in previews at the Barrymore Theatre in New York.

Samuel L. Jackson and his wife, LaTanya Richardson Jackson, have an exciting project in the works! ET spoke with the powerhouse couple on the 75th annual Tony Awards red carpet, and the two shared details about their upcoming Broadway revival of August Wilson's .LaTanya is putting on her directing cap for the revival, which she told ET will be «an exciting time and a good time had by all.»She also gushed about the production's star-studded cast, including John David Washington, Danielle Brooks, Michael Potts, Ray Fisher and, of course, Samuel himself. «All very difficult people,» Samuel joked.

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No matter who you believe, whether it’s the National Association of Theater Owners (NATO) saying theaters are being destroyed by streaming or perhaps studios trying to explain how streaming and theatrical release models will benefit everyone involved, the truth is that the theatrical experience is changing in a big way. And some, like John David Washington, are concerned about the survival of the big screen experience.

For a film in which John David Washington lurches, staggers, stumbles, shambles, flounders, falters, wobbles, scrabbles and totters across an entire Greek province, getting shot, stabbed, cuffed (often in the very same already broken arm), punched, beaten, chased and stung by bees, is in two-car crashes but also gets hit by a car, escapes in the trunk of a car, gets in a taser fight in a car and eventually falls from a great height onto a car, “Beckett” sure is dull.

When Netflix announced its grand plans to release one original film a week back in January, well, let’s just say this writer was a little skeptical. Netflix has been true to their word so far, though, and with their recently announced slate of summer movies, it looks like the streaming service may pull the feat off.

Zendaya was the queen of the night at the 2021 Critics Choice Awards on Sunday.

Ever since the release of Netflix’s new awards-contending drama, “Malcolm & Marie,” the discussion around the film seems to stem from the writing/direction of Sam Levinson. Most people agree that Zendaya and John David Washington are doing well in their performances, but there are folks that are concerned about a white man (Levinson) as the writer-director of a film about a Black filmmaker and his relationship with a much younger Black woman.

With “Malcolm & Marie” finally available for everyone on Netflix, there is a large number of people watching the highly-anticipated awards contender. And with that, there are new people watching the film and having questions about the way the film came together and potentially problematic issues with the story.

first films that was made during the pandemic, so the one-location shoot and tiny cast make a lot of sense.) Anger and resentment quickly bubble to the surface, leaving you wondering how or why these two have stuck together as long as they have.

Zendaya swishes into in a lamé evening gown slit up to there, arriving home from her boyfriend's film premiere. She's pissed but trying to hide it as she angrily takes pulls from a lit cigarette.

After receiving backlash on her age gap with her Marie & Malcolm co-star John David Washington, Zendaya is addressing the issue. For the versed, while promoting the film, the 24-year-old Emmy winner had been the talk of the town because of the vast 12-year age gap between Zendaya and John David Washington, 36.  Now, in an interview with E! News Zendaya addressed the age gap between her and her talented co-star.

“No one fucking cares about that sh*t, Malcolm!” shouts an exasperated Marie (Zendaya). Malcolm (John David Washington) worships the classic filmmakers—a love externalized by way of the vintage title credits that open the film—espousing the genius of William Wyler and the brilliance of “The Best Years of Our Lives” and “Citizen Kane.” Within the confines of this luxe modernist home, nestled in the Hollywood hills, the ensuing quarrel between the couple is unlike any other.

In a relatively short time, John David Washington went from the newcomer starring in “BlacKkKlansman” to one of the biggest actors on the planet thanks to films like “Tenet” and the forthcoming “Malcolm & Marie,” which might land him an Oscar-nomination. So, you would have to imagine that the film world is opening up to Washington in a big, big way, and the actor knows the filmmakers he would love to collaborate with next.