Rotterdam Tiger Winner Tiempo Libre Boards ‘Valves,’ From On the Rise Peruvian Filmmaker Andrea Hoyos (EXCLUSIVE)

SPOILER ALERT! This post contains details from the extended version of the series finale of Riverdale.

John Hopewell Chief International Correspondent Victor Erice, one of the greatest of Spanish filmmakers, will receive a prestigious Donostia Award, given for career achievement, granted by the San Sebastian Film Festival. The award will coincide with screening of Erice’s latest film, “Close Your Eyes” (Cerrar los Ojos), which world premiered at the Cannes Festival this May.

It has become an annual tradition for TV presenter Jeremy Clarkson to remind his online followers on A-levels results day every year that he did not achieve the exam results he had hoped for whilst at school.

Angelique Jackson Chilean filmmaker Felipe Gálvez, whose debut feature “The Settlers” premiered at this year’s Cannes Film Festival, has signed with CAA for representation. Set in 1901, “The Settlers” centers on Segundo, a mixed-race Chilean, who rides south on an expedition led by a former Boer War English captain and an American mercenary to fence off land granted to Spanish landowner José Menéndez. Their mission soon turns into a “civilizing” raid.

John Hopewell Chief International Correspondent Mexico’s El Relicario, whose “El rostro cubierto de besos” screened at Cannes Critics’ Week in its 2023 Morelia showcase, has boarded Ximena Valdivia’s Malaga Festival winner “4Eber,” a movie melding the modern teen dance scene in Cusco and ancient and contemporary fantasy and mythology. Written by Valdivia and Costa Rica’s Luisa Mora Fernández, a co-scribe on Mexican Kim Torres’ Cannes Festival-selected short “Luz Nocturna,” “4Eber” is now produced by Valdivia’s and El Relicario’s Mariano Rentería and Jorge Diez, in the first international feature co-production outing for the Morelia-based outfit.

John Hopewell Chief International Correspondent Alfredo Castro, an absolute lead or co-star in seven Pablo Larraín films and one of the highest-regarded of actors in Latin America, is set to head the choral cast of “Three Dark Nights” (“Tres noches negras”), the third feature from Spanish-Chilean Theo Court. “Three Dark Nights” follows up Court’s “White on White,” also starring Castro, an actor described by Variety as “reliably superb,” which won a best director and Fipresci Prize at 2019’s Venice Horizons.

John Hopewell Chief International Correspondent Argentina’s Tarea Fina, a producer on Cannes Camera d’Or winner “Las Acacias,” International Oscar entry “The Sleepwalkers” and Ventana Sur hit “Sublime,” has boarded “A Loose End,” the third feature as a director from Uruguay’s Daniel Hendler, a Berlin Silver Bear winner for Best Actor in Daniel Burman’s 2004 international breakout “The Lost Embrace.” Set up at Montevideo’s Cordon Films, founded in 2007 by producer-TV director Micaela Solé and Hendler, “A Loose End” (“Un cabo suelto”) is one of the highest-profile projects announced on Monday by the San Sebastián Festival as part of its Europe-Latin America Co-Production Forum, its industry centerpiece. Written by Hendler, his third directorial outing returns to a central theme in his first two features as a writer-director: Identity.

Described as "paradise" by one former resident, four high-rise tower-blocks that overlooked great swathes of south Manchester for nearly 50-years were brought crashing down.

Aaron Carter‘s twin sister is recalling her family’s troubling and difficult past, and the shocking and tragic death of her beloved brother. This week, Angel Carter

Kandi Burruss has always been outspoken, and that’s why she’s not joining Bethenny Frankel's call for a strike by reality TV stars.Burruss, who is busy promoting her cover for magazine, recently spoke to ET's Brice Sander about the recent remarks made by Frankel about the possibility of reality stars unionizing and striking to demand better contracts and to stand with the ongoing SAG-AFTRA and WGA strikes.«I feel like things that I feel or have felt that needed to be addressed, I actually reached out to the network, and we addressed them,» star said of Bravo.Last week, anonymous reality stars alleged in a legal letter sent to NBCUniversal and Bravo that they were subjected to «grotesque and depraved mistreatment.» Attorneys Bryan Friedman and Mark Geragos say they represent «a significant number of individuals» who have been «mentally, physically, and financially victimized by NBC,» and could «ruin» the network «should they decide to speak out about their mistreatment.»In response, a spokesperson for NBCUniversal told, «NBCUniversal is committed to maintaining a safe and respectful workplace for cast and crew on our reality shows. At the outset, we require our third-party production partners to have appropriate workplace policies and training in place.

Office Ladies podcast with Angela Kinsey, she opened up about specific episodes that had fans complaining about Pam’s behavior.Fischer remembered a Season 5 episode where Pam moved to New York for school, and made some new friends. “I just want to say that when Pam went to art school for only three months when she was not yet married and didn’t have children, people came down real hard on her because of Jim’s feelings,” the actress stated. “People were not happy with Pam when this episode aired, I remember,” Kinsey added.Several years later during The Office Season 9, Jenna Fischer says that Pam took heat from viewers yet again.

star Brynn Whitfield might be new to Bravo, but she's already in the DMs of another Bravolebrity. On the Sunday, August 6 episode of Whitfield, who is among the revitalized cast of the reboot (including ) that premiered last month, told host Andy Cohen that she has been flirting in DMs with Shep Rose from Southern Charm.Whitfield, who has been established as a big flirt on *RHONY—*her tagline is literally, “I love to laugh, but make me mad and I'll date your dad”—confessed to DMing with Rose on Instagram, noting that he messaged her first. “He’s very sweet,” she said.

John Hopewell Chief International Correspondent LOCARNO — Costa Rica’s Juli Films has boarded Nicaraguan Gloria Carrión’s “Pantasma,” building production partner backing for one of the most ambitious titles at a talent packed Locarno’s Open Doors Projects Hub. A stop motion doc-feature, the film will narrate how the Sandinista-Contra War of 1982-1989 in Nicaragua forced Félix, a 17-year-old revolutionary, to become an adult in the battlefield, “Pantasma” is now set up at Costa Rica’s Caja de Luz, Carrión’s label, and Juli Films, whose credits also take in documentaries “Songs from Bosawas” (2014) and “Patrol” (Mountainfilm Festival, 2023).

After a decade of making a name for themselves on YouTube as RackaRacka, Danny & Michael Philippou‘s entered the horror genre conversation after their feature debut “Talk To Me” hit theaters last weekend. The film had already won over critics at Sundance earlier this year, but horror aficionados took notice after A24 won the rights to distribute the movie stateside.

This is Day 94 of the WGA strike and Day 21 of the SAG-AFTRA strike

Succession actor Sarah Snook has spoken about one scene that was cut from the hit show’s finale. Spoilers below.In season four, episode 10 of the HBO drama, titled ‘With Open Eyes’, the show reaches a dramatic climax when the Roy siblings – Kendall (Jeremy Strong), Roman (Kieran Culkin) and Shiv – participate in a board vote which will determine the leadership and future of Waystar Royco.Moments before Snook’s character, Shiv, is about to vote for her brother Kendall as the new CEO and her late father’s successor, she gets cold feet and exits the room mid-meeting.An explosive argument with the siblings ensues, during which she tells her brother: “I love you, but I can’t fucking stomach you.” She also tells Kendall that she can’t vote for him because he’s killed someone, referring to the moment in the season one finale when he gets into a car accident with a waiter from Shiv’s wedding.Shiv leaves the confrontation and votes against her brother, which means that Lukas Matsson’s (Alexander Skarsgård) GoJo deal goes ahead and Shiv’s husband Tom Wambsgans (Matthew Macfadyen) becomes the new CEO.In a new interview with Variety, Snook revealed one extra scene was filmed twice that depicted her character returning to the conference room to cast her vote, rather than it lingering on the two brothers after the argument becomes physical.She explained: “The way that [director] Mark Mylod runs the scenes, he will let it run.

Kate Aurthur editor SPOILER ALERT: This interview contains spoilers from “With Open Eyes,” the series finale of HBO’s “Succession,” now streaming on Max — and if you haven’t watched it, for God’s sake, please go do that. Sarah Snook didn’t know that “Succession” was ending until she read the script for the Season 4 finale: She was on her way to the show’s last table read of the season when she figured it out. “I was quickly devouring it in the car on the way there,” Snook said during a pre-strike interview for the Aug.

Jess and Sammy have been crowned Love Island winners as Monday night's final saw the happy couple win the whopping £50,000 prize money. During the live instalment, hosted by Maya Jama, finalists Tyrique Hyde and Ella Thomas, Jess Harding and Samy Root, Zachariah Noble and Molly Marsh, and Whitney Adebayo and Lochan Nowacki, eagerly awaited to find out who would take home the crown.

Co-creators Max Borenstein and Jim Hecht’s “Winning Time: The Rise of the Lakers Dynasty” was a delight for basketball fans in Season 1, a rare look at a specific sports era that’s not part of a “30 for 30” ESPN documentary nor in a two-hour movie. And because the series was about as precious with historical details as it was keeping a consistent visual style—that is, not so much—we got to have fun imaging how legends like Kareem Abdul-Jabbar (Solomon Hughes) and Earvin “Magic” Johnson (Quincy Isaiah) would have butt heads in the locker room.

Nick Vivarelli International Correspondent Matteo Garrone, who is a two-time Cannes jury prizewinner with “Gomorrah” in 2008 and “Reality” in 2012, is set to be in competition in Venice for the first time with his immigration-themed drama “Io Capitano.” Shot over 13 weeks in Senegal, Italy and Morocco with a cast of non-professional actors, the Italian auteur’s new film – the title for which translates to “I Captain” – narrates the Homeric journey of two young African men, Seydou and Moussa, who decide to leave Dakar to reach Europe. It depicts their plight through the pitfalls of the desert, the horrors of detention centers in Libya and the dangers of the sea.