Sony Music Publishing has signed a global deal with songwriter Ashley Gorley, in partnership with Domain Capital Group. The agreement encompasses Gorley’s complete catalog of songs, as well as future compositions.Gorley has written 59 Country No.
25.04.2022 - 07:01 / abcnews.go.com
NEW YORK -- When Broadway's revival of “Funny Girl” begins, star Beanie Feldstein sits in a Broadway dressing room, getting ready to go on. She wonders nervously to her assistant: "You ever feel like there’s someone watching from the shadows?"The line takes an extra jolt of meaning because Feldstein is stepping into hallowed ground.
She's playing Fanny Brice, a role so associated with Barbra Streisand in the '60s that no Broadway revival has been attempted until now — with a Sunday opening at the August Wilson Theatre that even coincides with Streisand’s 80th birthday.And yet Feldstein stays strong, letting the pressure drop like one of her fabulous coats slipping off her back onto the floor. Almost three hours after that scene, she's completely won the audience over.
No shadows are holding her down.Feldstein's Brice is earthy, saucy, physical — a lovable underdog. She may not posses Bab's vocal prowess, but she radiates the hunger, wry humor and fragility to be an unlikely heroine for a new generation.
Her opening line is a classic and she owns it: “Hello, gorgeous,” she says to the mirror.Set in New York City before and following World War I, “Funny Girl” is a semi-biographical musical account of the life of stage star Brice and her loving but ultimately toxic relationship with gambler-businessman Nicky Arnstein.If any show was tonally split into two, this is it. Act One is a comedy as it charts Brice’s rise from awkward Brooklyn-born Jewish hoofer to comic star of the Ziegfeld Follies.
Sony Music Publishing has signed a global deal with songwriter Ashley Gorley, in partnership with Domain Capital Group. The agreement encompasses Gorley’s complete catalog of songs, as well as future compositions.Gorley has written 59 Country No.
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Wilson Chapman editorThe bar at the August Wilson Theater, a lounge the theater’s owner Jordan Roth opened last year, was quiet after the curtain fell over Broadway’s first revival of “Funny Girl.”Save the chatter of interviews to the press and some small talk over sandwiches laid out for those who stayed behind, the atmosphere inside the theater in New York City on Sunday was hushed, subdued even, after the opening night of a historic musical: For the first time in 58 years, not since it first opened with an unknown Barbra Streisand in its leading role, “Funny Girl” is again on Broadway.Directed by Michael Mayer with a revised book by Harvey Fierstein, the revival stars Beanie Feldstein as Fanny Brice. In the lobby of the theater, leaning against the wall after a barrage of press and her opening night bows, Feldstein could use a second to breathe.“I’m a woman who needs to be distracted,” she said, thoughtful and sincere with her words.
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Beanie Feldstein, who was a smash as Monica Lewinsky in “American Crime Story: Impeachment” last year, takes on the Brooklyn comic legend who sings classic hits like “People” and “Don’t Rain On My Parade.” She is supposed to steal our hearts and sprain our funny bones. No dice.Ticket-buyers are walking in forgivingly, with an understanding that we don’t expect any Broadway performer to match up to one of the greatest American vocalists of all time. Feldstein, however, barely muddles through the beloved songs.
Frank Rizzo “You ever feel like there’s someone watching from the shadows?” asks Beanie Feldstein’s Fanny Brice, as haunting apparitions from the Ziegfeld star’s past waft in and out in a kind of “Fanny’s ‘Follies’.”The problem with this uninspired revival of “Funny Girl” — which opened at the August Wilson Theatre on Sunday, marking the show’s Broadway return after nearly 60 years — is not simply the singular ghost of she who shall not be named. (Alright: It’s Barbra Steisand.) Rather, the issue here is the production’s inability to live up to its star-making potential that would have made us once again forgive the simplistic, sentimental and sanitized original book credited to Isobel Lennart.
Smartly sidestepping the obvious comparison from the start – the line-reading of “Hello gorgeous” sounds more conversational, less sing-songy than the one etched in our brains for all these decades – Broadway’s new Funny Girl revival doesn’t so much make a grand play for replacement as a peaceful offering for coexistence: The show that made Barbra Streisand a musical theater icon likely won’t do the same for its latest star, but neither is it cause for grumbling how-dare-shes.
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party, Beanie Feldstein was asked what she wanted for its theme. The answer was obvious to her and anyone who knew her: “Funny Girl.”Even at that tender age, Feldstein was a super fan of the musical, blasting the cast album and watching the Barbra Streisand-led film about Ziegfeld Follies comedian Fanny Brice on repeat.“I thought you could just go to Party City and buy a Barbra Streisand-as-Fanny Brice balloon, like you could buy an Elmo one,” says Feldstein.