‘Parasite’ Producer Barunson E&A To Launch Sales On Kim Jee-woon’s ‘Cobweb’, Starring Song Kang-Ho, In Berlin

Angelique Jackson Following a buzzy world premiere at the Berlin Film Festival, HBO Films has acquired the U.S. rights to the docudrama “Reality,” starring Sydney Sweeney. In the film, directed by Tina Satter, Sweeney portrays Reality Winner, a woman convicted of leaking a confidential report on Russian election interference to the media. The film contains verbatim dialogue from the unedited transcript of a FBI audio recording, capturing a tense 90 minutes as the FBI interrogates Winner at her home in 2017. The whistleblower — a former U.S. Air Force member and National Security Agency translator — was sentenced to five years in prison. Satter makes her feature directorial debut with the film, based on her 2019 stage play “Is This a Room.” She also executive produced the project and co-wrote the screenplay with James Paul Dallas.

Good afternoon Insider team, Max Goldbart here. It has been a wild ride of a week with Berlin drawing to a close. Read below for a good ol’ recap.

Naman Ramachandran Berlin’s just concluded European Film Market (EFM), which had a physical edition this year after two online editions in 2021 and 2022 due to the pandemic, has reported “record results” according to the organizers. There were 230 stands and 612 companies from 78 countries and more than 11,500 market participants from 132 countries. Some 773 films were shown in 1,533 screenings, including 647 online screenings and 599 market premieres. The total number of buyers also rose to 1,302. 629 film projects were presented on the new Producers & Project Pages. “After the past two irregular years, we’re pleased to return to the physical in full force, and with a vibrant, bustling and strong market. The exhibition areas at Gropius Bau and the Marriott Hotel were sold out, and the exhibitors reported strong sales and good business. The decision to group all the market happenings together with the Berlinale Series Market and the market screenings at Potsdamer Platz, and to provide the industry with an efficient infrastructure, was extremely well-received by our market participants,” said EFM director Dennis Ruh.

Marta Balaga If you want to attract a younger audience, you have to watch what they watch. Not what you think they are watching, says producer Dean Devlin, best known for “Independence Day” and “Stargate.” But he never designs his shows for one market. “It’s no longer all about gender or age demographic. If you go to a sci-fi convention, they are not just kids, they are not just older people. It’s everybody!” At Berlinale Series Market Selects, which runs as part of the European Film Market in Berlin, with his latest show, sci-fi series “The Ark,” Devlin continues to pay homage to the kind of stories he loved as a child, from Douglas Trumbull’s “Silent Running” to “The Omega Man.”

The King has held an audience with the president of the German parliament. Charles, who is expected to become the first British monarch to address the Bundestag during a state visit to Germany later this month, welcomed Barbel Bas to Buckingham Palace on Wednesday afternoon.

Dame Helen Mirren ditched her signature bob for ageless platinum waves as she attended the Berlin premiere of Golda.The actress, who last year admitted to still loving her former boyfriend, Liam Neeson, stunned as she attended the 73rd Berlin International Film Festival in Germany on Monday and was pictured with long flowing hair extensions. Helen, 77, sported an off-the-shoulder floor-length black dress that featured a low-cut ruffled neckline, which she paired with gold chandelier earrings as she walked the red carpet.

Ed Meza @edmezavar Spanish producers taking part in a Spanish content showcase at the Berlinale Series Market on Monday debated what was jokingly referred to as the “devil’s bargain” offered by major streaming platforms that are propelling Spanish shows around the globe often at the cost of IP ownership.    Álex de la Iglesia of Madrid-based production powerhouse Pokeepsie Films said the company for years retained the IP of films that played in local cinemas. “We assumed there was no other model. Now, maybe we lose our IP, but suddenly our movies are in the houses of the whole planet. Maybe you have to sell your soul to these ‘diabolical’ platforms,” he joked. “But I can only say that working with the devil is worth it.,” he added.

Elsa Keslassy International Correspondent Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer. Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of ISIS . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”

John Hopewell Chief International Correspondent The latest series from Alex de la Iglesia and “Veneno” creators Javier Ambrossi and Javier Calvo feature at a first-look Next from Spain Showcase which marks a massive step-up in the country’s presence at the Berlinale Series Market. Running Feb. 20-22, the showcase also unveils “Rapa” Season 2, with its first season proving Movistar+’s biggest 2022 bow, and “This Is Not Sweden,” a pioneering Spanish co-production with Scandinavia and Germany.  The Showcase titles are joined by Isaki Lacuesta’s “The Chauffeur’s Son,” a Co-Pro Series project from “Elite’s” Zeta Studios, and “Selftape,” a Filmin Original from Filmax and a Series Market Screening.

Israeli film producer Yoav Roeh spoke passionately at the Berlin Film Festival on Sunday about the threat to freedom of speech in Israel under a proposed overhaul of the country’s judiciary by Benjamin Netanyahu’s hard-right government.

Most big Korean action movies are backloaded, wrapping up with three to five endings, but Byun Sung-hyun’s Kill Boksoon, which premiered as a Berlinale Special, has everything going on up front. So much so that it initially seems too much, to the extent that it sometimes feels as though there’s actually a mini-series in there bursting to get out. Surprisingly, that’s not such a crazy idea, since, once you get past the far-fetched premise—an underground network of professional contract killers, presided over the glossy conglomerate MK Ent—there’s a lot of rich character work to supplement the superbly choregraphed violence that we’ve come to expect from the region.

EXCLUSIVE: Pig and Manodrome producer Ben Giladi is formally launching his production banner Liminal Content at this year’s Berlin Film Festival where Manodrome debuted in Competition.

Shayeza Walid Acclaimed New York-based theater director Tina Satter has worked on productions on and off Broadway for more than a decade. Now, in her first ever venture into film, Satter makes her directorial debut with “Reality,” starring Sydney Sweeney, based on Satter’s play “Is This a Room.” The film premiered Saturday at the Berlin Film Festival with Variety critic Jessica Kiang calling it a “clever, gripping docudrama.” For Satter, who co-wrote the screenplay with James Paul Dallas, making this movie was always in the books. The film, based on the real-life FBI interrogation transcript of whistleblower Reality Winner, is one Satter could envision the first time she came across the documents of the conversation between Winner and the Federal Bureau.

Naman Ramachandran Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia. Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.

Jessica Kiang It is not unprecedented to have a Sundance-premiering film play in the Berlinale competition. Yet director Celine Song’s journey with “Past Lives,” which received raves in Park City and makes its international bow in Berlin, feels like a fresh phenomenon. She’s a first-time filmmaker. Her movie has no big names. And it is unapologetically personal. Breakthrough status suits Song, who told Variety, “Everything I do, I have to believe it is the first time I’m doing that kind of thing.” Her recent resumé bears that out: Since her Off Broadway play “Endlings” closed early due to the pandemic, she has written for Amazon’s “The Wheel of Time” and mounted a production of Chekhov’s “The Seagull” entirely within the Sims 4 universe on Twitch. 

Naman Ramachandran U.K.-based MetFilm Sales has acquired worldwide sales rights, excluding the U.S., Germany and France, to Thomas von Steinaecker’s feature documentary “Werner Herzog: Radical Dreamer” and is representing the project at Berlin’s European Film Market. With exclusive behind-the-scenes access into the legendary German film director’s everyday life, rare archive material and in-depth interviews with Herzog and his collaborators — including Christian Bale, Nicole Kidman and his wife Lena Herzog — the film provides a glimpse into his work process and his personal life.  The documentary is presented by Emmy-winning film studio Wavelength, produced by Spring Films and 3B-Produktion in association with Hot Docs Partners. It is produced by Andre Singer, Bernhard Von Hulsen and Maria Willer. Executive producers include Jenifer Westphal and Joe Plummer for Wavelength, Figs Jackman and Chris Smith for Spring Films and Vijay Vaidyanathan.

Naman Ramachandran India’s Platoon One Films, co-producers of Berlin Film Festival Panorama strand title “Ghaath” (“Ambush”), has seven films in the works. Four films are in advanced development. Police procedural “Bayan” by Bikas Mishra (“Chauranga”) was developed at Film Independent’s Global Media Makers program in Los Angeles and the film is supported by the International Film Festival Rotterdam’s Hubert Bals Fund. Drama “Kadminche,” the feature directorial debut of Tushar Paranjape, writer of Berlin Crystal Bear winner “Killa,” has Rinku Rajguru (“Sairat”) attached to star. Action fantasy film “Don’t Sleep” will mark the Hindi-language debut of Arun Bose (Malayalam-language “Luca”). And Agrim Joshi and Debojit Das Purkayastha, creators of series “Candy” for Viacom18 streamer Voot Select, will make their feature directorial debut with psychological thriller “Influenzaa.”

Chances are high that, if you are reading this on the go, you are doing so on your iPhone. Apple, which first introduced the phone in 2007, now holds a whopping 24% share of the smartphone market, meaning that out of every four phones sold today, one is an iPhone.

Who knew a Canadian biopic of an infamous smartphone could be this entertaining, even poignant and moving? I am here to tell you today’s World Premiere Berlin Film Festival competition entry, BlackBerry is all that and more.

Elsa Keslassy International Correspondent LevelK has unveiled the trailer for “Dancing Queen,” Aurora Gossé’s coming-of-age film world premiering in the Generation section at the Berlin Film Festival. Penned by Silje Holtet, the dance-filled movie is produced by Thomas Robsahm, whose credits include the Oscar-nominated Norwegian romantic comedy “The Worst Person in the World.” Newcomer Liv Elvira Kippersund Larsson stars as Mina, a slightly overweight underdog who falls head over heels in love and sets off to become at hip hop dancer to win his heart. The movie also stars Anders Baasmo (“In Order of Disappearance”) and Andrea Bræin Hovig (“An Affair), among others.