Netflix will splash the cash in the APAC region this year, boosting content investment by 15% as revenues grow by 12%, according to a report from Media Partners Asia (MPA).
14.02.2023 - 20:33 / manchestereveningnews.co.uk
Almost a decade ago, a passenger plane went missing mid-flight with more than 200 people on board. Malaysia Airlines Flight 370 suddenly disappeared from radar around 40 minutes after takeoff on March 8, 2014, while flying from Kuala Lumpur International Airport in Malaysia to Beijing Capital International Airport in China.
The flight, presumed crashed, sparked a huge search that became the most expensive in aviation history. It focused initially on the South China Sea and Andaman Sea – in the northeastern Indian Ocean – before analysis of the plane’s automated communications indicated a potential crash site somewhere in the southern Indian Ocean.
Despite a costly and lengthy search involving government agencies and private contractors, MH370 was never found, and its whereabouts remain a mystery to this day. Now, Netflix is set to release a documentary recalling the tragedy, titled MH370: The Plane That Disappeared.
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Here, we break down everything you need to know about MH370: The Plane That Disappeared.
Netflix’s new docuseries will explore the many questions and theories around what happened in the “great modern mystery” of Flight MH370. Following the plane’s disappearance from Air Traffic Control radar, it was tracked by military radar heading off its planned course, until it left the range of the military radar while over the Andaman Sea.
Several pieces of debris have washed up on the coast of Africa and on Indian Ocean islands off the coast of Africa since 2015, and have all been confirmed as pieces of Flight MH370. The bulk of the aircraft has never been found, prompting many theories about what really
Netflix will splash the cash in the APAC region this year, boosting content investment by 15% as revenues grow by 12%, according to a report from Media Partners Asia (MPA).
EXCLUSIVE: Karan Anshuman and Suparn Varma, two of the first writers, directors and showrunners to move into India’s web series space, have co-directed Rana Naidu, Netflix’s Indian remake of Ray Donovan, produced by Sunder Aaron’s Locomotive Global. The Hindi-language show starts streaming worldwide from this Friday (March 10).
Patrick Frater Asia Bureau Chief Global streaming operation Netflix is forecast to spend $1.9 billion on local content in the Asia-Pacific region this year as group revenue from the region accelerates to 12%, according to a new report. The content investment spending figure represents a 15% hike. Netflix will grow revenues this year by 12% year-on-year to exceed $4 billion compared with 9% growth in 2022, says a new report published on Monday by Media Partners Asia.
enjoy actual exotic dancing, check out the 2015 sequel “Magic Mike XXL” starring Channing Tatum and fellow eye/guy candy Matt Bomer, Kevin Nash, Joe Manganiello and Adam Rodriguez. The movie makes its way to Netflix on March. 1.
Florida Man,” which premieres April 13. With creator, showrunner and executive producer Donald Todd (“This is Us”), the show depicts an ex-cop (Edgar Ramírez) who has to come home to Florida and find a runaway girlfriend. The quick gig turns into a long journey that uncovers family secrets. In addition to Ramírez, the show stars Anthony LaPaglia, Abbey Lee, Otmara Marrero, Lex Scott Davis, Emory Cohen, Clark Gregg, Isaiah Johnson, Paul Schneider and Lauren Buglioli. Jason Bateman and Michael Costigan executive produced the series for Aggregate.
Naman Ramachandran “The Elephant Whisperers,” the Indian film nominated in the Oscars’ documentary short film category, has received an outpouring of love globally with young fans sending their fan art and appreciation in hundreds of emails to the filmmakers. The film follows a couple, Bomman and Bellie, who devote their lives to caring for an orphaned baby elephant named Raghu. Director Kartiki Gonsalves and producer Guneet Monga, along with the film’s team in India and the U.S., have been receiving fan art depicting their love for the orphaned babies and the caring couple from the film. They have also received testimonials from many parents and some fans who sent video clips of their own animal companions watching the film at home.
“Naatu Naatu” is coming to the Oscars.
The Oscar-nominated song “Naatu Naatu” from S.S. Rajamouli’s RRR (Rise! Roar! Revolt!) will be performed at the 95th Academy Awards by singers Rahul Sipligunj and Kaala Bhairava in their Oscar debut.
The “Super Mario Bros. Movie” is set to launch in China two days before the U.S. and Canada release date on April 7.
Shalini Dore Features News Editor Before there was “RRR,” director S.S. Rajamouli had box-office smashes like the two-part “Baahubali,” which proved how adept he is at making hits. But among Indian audiences, there is a deep divide between those who applaud that the rest of the world is waking up to his brilliance and those who are horrified that a “dubba” — or hollow film — is being lauded. I’ve heard it from my own Indian friends and relatives who have been reaching out to ask: what are they missing? Reports of viewers dancing at Hollywood’s iconic Chinese Theater to the Oscar-nominated song “Naatu Naatu” horrify these purists. But if you embrace what Rajamouli is doing, “Naatu Naatu” — which is not really the best song in Indian or Telegu films, or even in “RRR” — has somehow captured the zeitgeist, just as the film itself has.
Clayton Davis Senior Awards Editor The Daniels are on top of the world. There was a running joke between Daniel Kwan and Daniel Scheinert during the first week of shooting “Everything Everywhere All at Once.” After a successful first read-through, and perfect shots and framework, the two would turn to each other and whisper, “this is nonstop entertainment.” And even though they weren’t successful in getting a cameo of their “Swiss Army Man” leading men Daniel Radcliffe and Paul Dano into the film, the joke is God’s honest truth. On this episode of the award-winning Variety Awards Circuit Podcast, we sit down with “Everything Everywhere All at Once” directors Daniel Kwan and Daniel Scheinert. The dynamic duo talks about the origins of their collaboration which began in film school, assembling their outstanding cast and artisans ensemble and what’s next for them in the film and television space.
Todd Spangler NY Digital Editor Netflix, facing more competition globally in the streaming wars, has cut pricing in more than 100 markets worldwide — in some cases, chopping the price of monthly plans in half — to boost subscriber acquisition and retention. The streamer has reduced prices in countries and territories across Asia, Latin America, Europe, the Middle East and Africa. Netflix is not reducing prices in North America or Western Europe, its most mature markets. All told, the price reductions span more than 100 markets, according to research firm Ampere Analysis (see list, below). Those include Malaysia, Indonesia, Thailand, the Philippines, Venezuela, Nicaragua, Ecuador, Kenya, Iran, Croatia, Bosnia and Herzegovina, Serbia, Albania, North Macedonia, Slovakia, Yemen, Jordan, Libya, Slovenia and Bulgaria.
Australian actor Pallavi Sharda has signed with ColorCreative and WME for representation in all areas.
Jon Burlingame It’s anybody’s game: this is a rare year when any of the five original-score nominees could win the Oscar. Two of the nominees are previous winners, two more are past nominees; only one is a newcomer, and it’s a three-man ensemble. Four films are period pieces: an admired German-language war film, a character study set against the Irish civil war, an epic of late 1920s Hollywood, and a coming-of-age story for a young filmmaker in the ‘50s and ‘60s; the fifth is a wild, anarchic tale of a Chinese American family that saves the universe. And the nominees are:
Netflix is cutting prices in dozens of countries by as much as half.“We’re always exploring ways to improve our members’ experience,” a Netflix spokesperson said in a statement. “We can confirm that we are updating the pricing of our plans in certain countries.”The streamer in recent months cut prices in a host of countries in the Middle East, Latin America, sub-Saharan Africa, Eastern Europe and parts of Asia.
Stephanie Hsu is really busy — the “Everything Everywhere All at Once” Oscar nominee has been commuting from California to Australia for the past few weeks while filming “The Fall Guy” with Ryan Gosling and attending various events and ceremonies to promote “Everything Everywhere,” directed by Daniel Kwan and Daniel Scheinert, which earned 11 Academy Award nominations. She beams with pride when discussing this moment in her life. The daughter of a Chinese immigrant who was a single mother, Hsu has been talking with her family and friends about the road that’s led her to this moment — including her best friend Alan, who told her she did it without having to be “born into this industry,” or a family friend emailing her mother to recall the time she brought a young Hsu to the friend’s house intending to convince her to study business. “Aren’t you glad she didn’t?” the friend wrote.
EXCLUSIVE: JoJo Siwa has signed on to star opposite Jade Pettyjohn (Little Fires Everywhere) in the horror-thriller All My Friends Are Dead from Saw 3D writer Marcus Dunstan.
Naman Ramachandran Netflix co-CEO Ted Sarandos revealed a continued investment push in the Indian market on Saturday. In a freewheeling chat with Indian filmmaker Sanjay Leela Bhansali in Mumbai to promote the latter’s upcoming Netflix series “Heeramandi,” Sarandos was bullish about India, repeating what he said on Friday to local media about the market’s growth. “India is the fastest growing Netflix market in the world this year and because of that, we’re able to continue to invest in great storytelling. And I think when you see ‘Heeramandi,’ you’re gonna see why it has been such the honor of a lifetime to work with Sanjay and to be able to bring this to screen. And you ain’t seen nothing yet,” Sarandos said.
Netflix’s Co-CEO Ted Sarandos has told an audience of Indian filmmakers that they “ain’t seen nothing yet” in terms of the streamer’s ambitions in the country.
A.D. Amorosi With Son Lux – the composing trio behind “Everything Everywhere All at Once” – nominated for Best Original Score and Best Original Song (“This is a Life” with Mitski and David Byrne) at the 95th Academy Awards, analyzing the stunning complexities of their emotional score is key. To go with Daniels’ (the single name used for director-writers Kwan and Scheinert) mosaic-like vision of familial bonding, Son Lux’s Ryan Lott, Rafiq Bhatia and Ian Chang dissected over 100 musical cues, rearranged into 49 detailed tracks. “Nothing’s binary in ‘EEAaO’, each character is not one character,” said Lott. “The inherent challenge was to create themes that support the disconnect… but make the movie feel as one.”