‘Everything Everywhere All at Once’ Composer Son Lux Breaks Down the Film’s Most Memorable Cues, From the Fanny Pack Scene to the Bagel Vortex

almost is key – because one film with enormous support throughout the Academy’s branches, the German-language “All Quiet on the Western Front,” wasn’t nominated for SAG, DGA, PGA or WGA awards. (It didn’t qualify for the last of those, at which a few major contenders are almost always ineligible.) It seems counterintuitive that a movie not even nominated for those top awards could beat a movie that has won them.

Zack Sharf Digital News Director Ke Huy Quan is the frontrunner to win the Oscar for best supporting actor thanks to his performance in “Everything Everywhere All at Once,” which has already nabbed him prizes from the Golden Globes, Critics’ Choice Awards and Screen Actors Guild Awards. The upcoming Academy Awards will cap a three-year journey Quan has taken with “Everything Everywhere All at Once.” The A24 multiverse drama shot in January 2020, but its theatrical release was held for two years until March 2022 because of the COVID pandemic. During a recent interview on “The Late Late Show,” Quan said he spent the pandemic “at home trying to stay safe like everybody.” But he was also “so nervous” because no other acting offers were coming in since his comeback role in “Everything Everywhere” was being held for release for so long.

Following his long break from Hollywood, Ke Huy Quan relied on Michelle Yeoh to guide him on the “Everything Everywhere All at Once” set.

Son Lux is the first band ever to be nominated for best original score at the Oscars with Everything Everywhere All at Once, and this year they’re the only composer to own noms in original score and original song the latter for their collaboration with Mitski and Oscar winner/former Talking Heads frontman David Byrne with “This is a Life”, the end credits song of the A24 movie.

Organizers of the annual ReFrame Report said Wednesday that 29 of the 100 most popular films of 2022 met the criteria to be awarded a ReFrame Stamp for gender-balanced productions, a list that includes Oscar Best Picture nominees like Sarah Polley’s Women Talking and The Daniels’ Everything Everywhere All at Once, as well as Gina Prince-Bythewood’s The Woman King and Disney/Marvel’s Black Panther: Wakanda Forever.

Jennifer Coolidge demands attention on the final cover of Volume 2 of W Magazine‘s Directors Issue. 

Jennifer Coolidge is springing into action!

“Everything Everywhere All at Once” actress Stephanie Hsu feels a lot of different things about her role in increasing representation, especially as she steps further into the spotlight.“It’s hard enough to be an artist and it’s very hard to be an artist who’s marginalized in any way,” Hsu told TheWrap in our new interview series The Impact Report, focused on marginalized artists who are making an impact in their craft. Hsu skyrocketed to fame in the past year thanks to her performance playing daughter to Michelle Yeoh and Ke Huy Quan in “Everything Everywhere All at Once,” and she says it was in this film that her mother finally saw the impact that Hsu’s acting had on other people.“I remember seeing ‘Crazy Rich Asians,’ I was kind of late to seeing it and everyone was going, ‘You have to see it, you have to see it,'” Hsu said.

Jazz Tangcay Artisans Editor “Elvis” and “Everything Everywhere All At Once” were the film winners at the 2023 Costume Designers Guild Awards. Shirley Kurata’s win comes as “Everything Everywhere All At Once” has garnered momentum heading into the final phase of Oscar voting which begins on March 2. Kurata bested titans in the field going up against Deborah L. Scott (“Avatar: The Way of Water”), history-making Ruth E. Carter (“Black Panther) and Mayes C. Rubeo (“Thor: Love and Thunder”). Catherine Martin won for her work on Baz Luhrmann’s “Elvis.” Building over 90 looks alone for Austin Butler, Martin, a triple-nominee for production design and best picture remains a favorite.

Rihanna will perform her Original Song nominee “Lift Me Up,” from “Black Panther: Wakanda Forever.” Diane Warren and Sofia Carson will also be there to give a live rendition of the Warren-penned nominated song, “Applause,” from “Tell It Like a Woman.” The Academy has not announced whether all the Best Original Song nominees will perform during the telecast, but a person with knowledge of the plans recently told TheWrap that it was likely all the songs would be performed on the show. The producers will be announcing more performers in the weeks ahead.

Thirty-five years after winning the Oscar for original score for Bernardo Bertolucci’s The Last Emperor, David Byrne is back at the 95th edition of the awards ceremony performing the Oscar-nominated song “This is A Life” from Everything Everywhere All at Once with the pic’s composers and song writer Son Lux and the pic’s Oscar nominated supporting actress Stephanie Hsu. Japanese sing Mitski sings the end credits song in the movie with Byrne.

Meredith Woerner Deputy Editor, Variety.com A24 just swept the Screen Actors Guild Awards. Thanks to “Everything Everywhere All At Once’s” massive showing throughout the night (the multiverse movie took home four wins at the 2023 SAG Awards ceremony) and Brendan Fraser’s victory for “The Whale.” Thus making this the first time in history that a studio has captured every major film prize (minus the stunts award that went to “Top Gun: Maverick”). This colossal night for A24 feature “Everything Everywhere All at Once,” directed by Daniel Kwan and Daniel Scheinert, started early with Jamie Lee Curtis (who won for actress in a supporting role). Next up was Ke Huy Quan taking home the trophy for outstanding performance by a male actor in a supporting role. That was followed by Michelle Yeoh, who won for actress in a leading role, and then the show closed with a win for bestperformance by a cast in a motion picture. These four wins for “Everything Everywhere All at Once” broke the SAG record for most wins by a single film at the show.

came out on top by winning the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. The ensemble featuring Michelle Yeoh, Ke Huy Quan, Jamie Lee Curtis and Stephanie Hsu beat out,, and . Curtis spoke first, accepting the award «on behalf of my crew of weirdos,» before Hsu, Quan and Yeoh all spoke in turn, paying tribute to co-star James Hong.«He's been acting since there were only 49 states, and he just turned 94,» Yeoh shared.

Clayton Davis Senior Awards Editor “Everything Everywhere All at Once” star Michelle Yeoh has made history with her win for best performance by a female actor in a leading role at the Screen Actors Guild Awards, becoming the first Asian woman to win a leading film acting award. “I think if I speak my heart will explode,” an emotional Yeoh said on stage while accepting her award. “SAG- AFTRA, to get this from you who understand what it is to get here… everyone of you know the journey, the roller coaster ride, the ups and downs. But most importantly we never give up. I thank you… This is not just for me, this is for every little girl who looks like me.” The actress then paused, turning away from the podium to compose herself but eventually relenting with an excited litany of curses screaming “shit” and “fuck” to an elated crowd. “Thank you for giving me seat at the table and tonight you’ve shown us that it is possible,” she said. “I’m grateful and my mom will be eternally grateful to all of you.”

Clayton Davis Senior Awards Editor Ke Huy Quan, the comeback star of “Everything Everywhere All at Once,” has been the feel-good story of the awards season — and he just made history at the Screen Actors Guild Awards with his win for best performance by a male actor in a supporting role. Quan is the first Asian male to win a film acting award at the annual guild ceremony since its inception in 1994. He’s also only the second Asian actor to win any individual SAG prize in either film or television, one year after “Squid Game’s” Lee Jung-jae won for male actor in a drama series. Quan’s performance as Waywond Wang, the meek and goofy husband who sets out on a quest with his wife Evelyn (Michelle Yeoh) to save the multiverse, is the undisputed frontrunner for the Oscar after garnering multiple industry accolades including the Golden Globe and Critics Choice awards.

Jazz Tangcay Artisans Editor The Latino Entertainment Journalists Association (LEJA) has handed out its awards for the year, with “Everything Everywhere All at Once” scooping up 10 wins including best picture, director for the Daniels and actress for Michelle Yeoh. The sci-fi comedy led the nominations with 16, the most in the history of the organization. Paramount’s “Top Gun: Maverick” scored the second-most wins with three for best cinematography going to Claudio Miranda, sound and stunt design. “I am incredibly excited by the selections of our distinguished group of Latino critics, journalists and writers from all over the country,” said Clayton Davis, LEJA founder and president. “I applaud our tiny but mighty organization for selecting a respectable group of films from artists we all love and admire.”

Braving the rain and cold, many of Los Angeles’ biggest names headed to the Beverly Hilton for the 2023 PGA Awards. One of the few guild honors this season where a potential strike wasn’t the biggest topic of conversation.

Clayton Davis Senior Awards Editor The Daniels are on top of the world. There was a running joke between Daniel Kwan and Daniel Scheinert during the first week of shooting “Everything Everywhere All at Once.” After a successful first read-through, and perfect shots and framework, the two would turn to each other and whisper, “this is nonstop entertainment.” And even though they weren’t successful in getting a cameo of their “Swiss Army Man” leading men Daniel Radcliffe and Paul Dano into the film, the joke is God’s honest truth. On this episode of the award-winning Variety Awards Circuit Podcast, we sit down with “Everything Everywhere All at Once” directors Daniel Kwan and Daniel Scheinert. The dynamic duo talks about the origins of their collaboration which began in film school, assembling their outstanding cast and artisans ensemble and what’s next for them in the film and television space.

Jon Burlingame It’s anybody’s game: this is a rare year when any of the five original-score nominees could win the Oscar. Two of the nominees are previous winners, two more are past nominees; only one is a newcomer, and it’s a three-man ensemble. Four films are period pieces: an admired German-language war film, a character study set against the Irish civil war, an epic of late 1920s Hollywood, and a coming-of-age story for a young filmmaker in the ‘50s and ‘60s; the fifth is a wild, anarchic tale of a Chinese American family that saves the universe. And the nominees are:

Film of the YearEverything Everywhere All at Once (A24)LGBTQ Film of the YearEverything Everywhere All at Once (A24)Director of the YearDaniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (A24)Screenplay of the YearDaniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (A24)Non-English Language Film of the YearRRR (DVV Entertainment, Variance Films)Unsung Film of the Year (To an exceptional movie worthy of greater attention)Aftersun (A24)Film Performance of the YearMichelle Yeoh, Everything Everywhere All at Once (A24)Supporting Film Performance of the YearKe Huy Quan, Everything Everywhere All at Once (A24)Documentary of the YearAll the Beauty and the Bloodshed (Neon)LGBTQ Documentary of the Year All the Beauty and the Bloodshed (Neon)Animated Film of the YearMarcel the Shell with Shoes On (A24)Film Music of the YearTár – score and curation by Hildur Guðnadóttir (Focus Features)Visually Striking Film of the YearEverything Everywhere All at Once (A24)Campiest Flick of the YearPearl (A24)Rising Star AwardStephanie HsuWilde Artist Award (To a truly groundbreaking force in film, theater and/or television)Michelle Yeoh GALECA LGBTQIA+ Film Trailblazer AwardJanelle Monáe