‘Miraculous: Ladybug & Cat Noir,’ Animated Girl-Power Musical, Conquers French Box Office

according to IMDB’s Box Office Mojo.This week, it surpassed the $500 million mark, making its director Greta Gerwig the highest earning female director ever at the domestic box office, beating the record held by “Frozen II‘s” Jennifer Lee.The movie is so popular that searches for the baby name “Barbie” have increased by a staggering 603% since April, when its trailer was released.“Oppenheimer,” which was in fourth place last week, moved back up to the No. 2 spot with $5.1 million in sales.This week, the Christopher Nolan filmbecame the highest grossing ever at Hollywood’s TCL Chinese Theatre in the location’s 97-year history, according to Deadline.

Parade, winner of this year’s Tony Award for Best Musical Revival, ended its Broadway run on a very high note Sunday, grossing a big $1,814,013 and selling out its special nine-performance week. That’s a house record for the Jacobs Theatre.

After less than two weeks in theaters, the horror movie Talk to Me is getting a sequel!

Naman Ramachandran “Barbie” and “Oppenheimer” ruled the U.K. and Ireland box office for the third consecutive weekend with a combined £13.4 million ($17 million), per numbers from Comscore. Warner Bros.’ “Barbie” topped the charts again with £7.9 million and now has a total of £67.5 million.

Top exhibitor AMC Entertainment rode the box office revival in the second quarter, beating Wall Street forecasts and returning to profitability.

CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami to recede as bit as these unusual blockbusters vacuum up the arthouse/adult audiences.

Naman Ramachandran The U.K. and Ireland box office soared to £160.7 million ($205.1 million) in July thanks to “Barbie” and “Oppenheimer,” according to numbers released by Comscore. The July box office was 78% higher than June and 27% higher than July 2022.

according to IMDB’s Box Office Mojo.The Greta Gerwig-directed flick, which opened on July 21, made more than $200 million at the domestic box office in its first five days in theaters, according to Forbes. The film The Post called “lousy” beat out “Oppenheimer,” which debuted on the same day, for the second week in a row.

Elsa Keslassy International Correspondent An edgy new voice within the world of French genre, Adrien Beau worked as a designer and scenographer for the likes of Dior, John Galliano and Agnes B before making his feature debut with the offbeat vampire movie “Vourdalak.” Produced by Judith-Lou Levy at Les Films du Bal, “Vourdalak” will world premiere at Venice Critics’ Week and will likely be one of its boldest entries. At a time when horror has become a mainstream genre overloaded with special effects, “Vourdalak” couldn’t be more radical.

After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through yesterday is $226.3M, bringing the global Kenergy to $414.4M.

“Barbie” continues to heat up the box office after a blockbuster opening weekend that soared far beyond initial predictions.

When it comes to the road of blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell.

Rebecca Rubin Film and Media Reporter The battle of the bomb versus the bombshell has gone global. Over the weekend, Greta Gerwig’s very pink fantasy-comedy “Barbie” collected a stunning $182 million at the international box office, bringing its worldwide total to $337 million. Meanwhile, Christopher Nolan’s R-rated historical drama “Oppenheimer” held its own, igniting to $93.7 million from 78 markets for a huge global tally of $174 million. The two seemingly different blockbusters, which were jokingly pitted against each other, crushed already-stratospheric expectations thanks to the cultural phenomenon known as “Barbenheimer.” Hundreds of thousands of moviegoers booked a double feature for the ages, attending same-day viewings of “Barbie” and “Oppenheimer.”

panned as a “self-absorbed and overwrought disappointment,” brought in $22.2 million in preview ticket sales on Thursday, followed by another $48.2 million with its Friday premiere on more than 4,200 screens, according to IMDB’s Box Office Mojo.Director Christopher Nolan’s biopic “Oppenheimer,” which delves into the life of the developer of the atom bomb, exploded into the number two spot, raking in $33 million in opening day sales, including $10.5 million from Thursday previews.  The historical drama, starring Cillian Murphy as scientist J.

Elsa Keslassy International Correspondent The double SAG-AFTRA and WGA strikes are worrying exhibitors in France, where the box office is driven by Hollywood blockbusters. In an interview with French news channel BFM Business, Richard Patry, who presides over the National Federation of Cinemas, predicts “the strike might go on for a long time” because it’s aimed at streaming services. “Many U.S. films have already started to be delayed, and it worries us a lot for 2024,” Patry said. The dearth of U.S. releases during the pandemic hurt the French box office, which was down by about 30% in 2022. Even if French movies have a large market share domestically, U.S. blockbusters typically drive an upward trend. Case in point: the French B.O. finally recovered this year and has been up 33%, bolstered by a spike in anticipated American movies, which skyrocketed from 29 in 2022 to 51 in the first five months of 2023, according to Comscore France. 

Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total 78 markets through Friday, across over 9,600 locations, 13,000 screens, and more than 320 IMAX screens.

Elsa Keslassy International Correspondent French film guilds representing authors, directors and producers have released a joint letter pledging their “full solidarity” with the SAG-AFTRA and WGA double strike. “This battle that’s shaping tomorrow’s industry crosses borders. It’s also ours,” reads the letter, which was signed by the ARP (authors, directors, producers) and SRF (society of French directors), the governing body of Cannes’ Directors’ Fortnight. The letter says the double strike “signals a turning point where the questions of sharing of wealth and integration of new models and AI are central.”

Elsa Keslassy International Correspondent French actor-director Nicolas Bedos, who is facing trial in February 2024 for an alleged sexual assault under the influence of alcohol dating from June 1, is now being investigated on rape and sexual assault charges after three complaints were filed with the Paris prosecutor. News of the preliminary investigation was first reported in a bombshell investigative report published by French outlet Mediapart. The investigation cites four women, two of whom addressed a letter to the public prosecutor. The prosecutor’s spokesperson confirmed to Variety that a preliminary investigation was opened on July 5 on charges of alleged sexual assault and rape “after receiving three distinct complaints against Nicolas Bedos.”

At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined $260M+ global start.

Doja Cat has been teasing a change to her sound for some time now, and in a new interview has elaborated on her declaration earlier this year that there will be “no more pop” in her output.“I do not consider myself a rock star”, she tells V Magazine, when asked if she was becoming more rock n roll based on the outfit worn for the article’s photoshoot. “I have made pop music.