‘Barbie’ & ‘Oppenheimer’ To Rattle The Globe With Combined $260M+ Opening – Box Office Preview

Saltburn, the latest film from Promising Young Woman filmmaker Emerald Fennell, will open this year’s London Film Festival. 

Barbie has hit the $1billion dollar mark at the global box office, just two weeks after its release.Greta Gerwig‘s film is the 53rd movie of all time to hit the milestone, and the first ever to be solely directed by a woman.The dual release of Barbie and Oppenheimer on July 21 led to a sizeable uptick in UK box office numbers last month.On the films’ first weekend, Gerwig’s comedy brought in $110million (£86.6million) at the US box office, over twice the expected takings of Christopher Nolan’s biopic about the creator of the atomic bomb.Barbie is currently the third-highest grossing film of 2023, behind The Super Mario Bros. Movie and Guardians Of The Galaxy Vol.

Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all time, ahead of Dunkirk. The worldwide total through Friday is $499.3M, meaning that it has already topped the five-century mark today.

The Story of Barbie and the Woman Who Created Her,” from 2017. This charming picture book, with illustrations by Amy June Bates, reminds us that Barbie isn’t just about outrageous pink outfits, tacky Dream Houses, and Malibu beach parties. Barbie contains multitudes.

Ryan Gosling surprised Barbie director Greta Gerwig yesterday (August 4) with a flash mob to celebrate her 40th birthday.A video was posted of the flash mob to Barbie‘s official social media channels. Gerwig was in a pilates class when a group of dancers arrived and performed a routine set to Gosling’s song from the movie, ‘I’m Just Ken’.Gerwig is seen tearing up as the dancers perform before hugging them after the dance ends.“As Kens know…. Sometimes the only way to express your feelings is through song & dance,” was the accompanying caption on the video.

As she heads into the third weekend of release, Warner Bros’ Barbie has hit two new milestones, crossing both $500M at the international box office and the nine-century mark worldwide. The Greta Gerwig-directed phenomenon added $16.8M from 69 offshore markets on Thursday, bringing the overseas total to $509.7M through yesterday. Globally, the doll is standing tall with $916.1M as she looks to rollerblade past $1B this weekend. 

according to IMDB’s Box Office Mojo.The Greta Gerwig-directed flick, which opened on July 21, made more than $200 million at the domestic box office in its first five days in theaters, according to Forbes. The film The Post called “lousy” beat out “Oppenheimer,” which debuted on the same day, for the second week in a row.

EXCLUSIVE: The UK box office is booming thanks to Barbenheimer.

Margot Robbie perfectly embodies the beloved titular doll in Greta Gerwig's movie. But the actress and executive producer went one step further during the film's promotional tour this summer, dressing in a new, Barbie-inspired look for each red carpet event!Robbie and her stylist, Andrew Mukamal, collaborated on each iconic look, adding a thrilling new layer to the movie for lifelong fans of the legendary doll and her enviable fashions.There was this classic black custom Schiaparelli Haute Couture gown for 's Los Angeles premiere, which paid homage to «Solo in the Spotlight» Barbie from 1960 — even down to the red rose accent on the skirt, opera gloves and sheer handkerchief.For the European premiere in London, the pair paid tribute to iconic British designer Vivienne Westwood, with a couture gown modeled after 1990's «Enchanted Evening» Barbie.

Jazz Tangcay Artisans Editor For cinematographer Hoyte van Hoytema, the challenge with Christopher Nolan’s “Oppenheimer” was about capturing what was going on inside the head of J. Robert Oppenheimer, the father of the A-bomb — what he’s thinking and what we can read in his eyes. For costume designer Ellen Mirojnick, whether it was a two-piece suit or three-piece suit, it was his silhouette.

After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through yesterday is $226.3M, bringing the global Kenergy to $414.4M.

Naman Ramachandran Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million.

summer blockbuster “Oppenheimer” is surely not bombing at the box office, but there is one scene in the movie that isn’t hitting the right target.One moment in the three-hour film starring Cillian Murphy shows a historical error that viewers pointed out on Twitter.In the shot, the Irish actor, 47, stands in the middle of a crowd, who all clap and cheer for him while they wave American flags.The dramatic epic about the life of nuclear physicist J. Robert Oppenheimer takes place in the early 1940s, but the flags featured white stars that represent 50 states — despite the country only having 48 in 1945 when the scene took place.Hawaii and Alaska, the last two entities to be annexed to the United States, were not added until 1959.Eagle-eyed fan Andy Craig revealed the mistake on social media, sharing a snapshot of the scene, and his post quickly went viral.“It was good and all, but I’ll be that guy and complain they used 50-star flags in a scene set in 1945,” he tweeted.Other fans agreed with his discovery and even called out Nolan, 52, for the incorrect usage.“Totally ruined the film for me,” a person claimed.

Elsa Keslassy International Correspondent While Greta Gerwig’s girl-power blockbuster “Barbie” is ruling over the French box office, another much younger female-led franchise, “Miraculous: Ladybug & Cat Noir” has managed to pull approximately €8 million ($8.9 million) at the local B.O., from more than 1.1 million tickets, since bowing on July 5. Budgeted around $80 million and directed by Jeremy Zag, “Miraculous: Ladybug & Cat Noir” ranks as one of France’s most ambitious animated films to date. Featuring eight original songs, a queer storyline and a postcard-worthy Parisian backdrop, the musical film broke ground as the first female-powered superhero movie set in the French capital. Even as it faces stiff competition from “Barbie” and Christopher Nolan’s “Oppenheimer,” “Miraculous: Ladybug & Cat Noir” has enough legs to match or surpass recent non-U.S. animated hits such as “Ballerina,” which sold 1.8 million tickets in France. It garnered 318,144 admissions on its opening day in theaters, a record for a French animated film. In Germany, the movie sold 586,148 tickets in three weeks and is currently the leading family title at the box office.

Rebecca Rubin Film and Media Reporter The battle of the bomb versus the bombshell has gone global. Over the weekend, Greta Gerwig’s very pink fantasy-comedy “Barbie” collected a stunning $182 million at the international box office, bringing its worldwide total to $337 million. Meanwhile, Christopher Nolan’s R-rated historical drama “Oppenheimer” held its own, igniting to $93.7 million from 78 markets for a huge global tally of $174 million. The two seemingly different blockbusters, which were jokingly pitted against each other, crushed already-stratospheric expectations thanks to the cultural phenomenon known as “Barbenheimer.” Hundreds of thousands of moviegoers booked a double feature for the ages, attending same-day viewings of “Barbie” and “Oppenheimer.”

Elsa Keslassy International Correspondent The double SAG-AFTRA and WGA strikes are worrying exhibitors in France, where the box office is driven by Hollywood blockbusters. In an interview with French news channel BFM Business, Richard Patry, who presides over the National Federation of Cinemas, predicts “the strike might go on for a long time” because it’s aimed at streaming services. “Many U.S. films have already started to be delayed, and it worries us a lot for 2024,” Patry said. The dearth of U.S. releases during the pandemic hurt the French box office, which was down by about 30% in 2022. Even if French movies have a large market share domestically, U.S. blockbusters typically drive an upward trend. Case in point: the French B.O. finally recovered this year and has been up 33%, bolstered by a spike in anticipated American movies, which skyrocketed from 29 in 2022 to 51 in the first five months of 2023, according to Comscore France. 

One of the most anticipated films of 2023 has landed in UK cinemas as masses of fans head to theatres for front row tickets. ~Starring Margot Robbie and Ryan Gosling as Barbie and Ken, there's been a huge buzz around the Barbie movie ahead of its release.

While there’s been much debate over “Barbie” and “Oppenheimer”‘s box office film projections — given their shared release date — the two films happen to have something else in common, far more unexpected.

Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total 78 markets through Friday, across over 9,600 locations, 13,000 screens, and more than 320 IMAX screens.

Margot Robbie, the Spice Girls were no feminist wannabes.In fact, the two-time Oscar nominee attributes some of her own ideas about feminism — which she and director Greta Gerwig explore in the much-anticipated “Barbie” movie, out July 21 — to the 1990s British girl group.“The Spice Girls changed everything and dictated my version of second-wave feminism,” Robbie, 33, told Rolling Stone.“It’s like, ‘Oh my God, they wear little sparkly dresses and push-up bras and then have a girl gang? That’s what I want to be!’”Growing up in the ’90s, the Aussie-born Robbie also had a pink passion for the Aqua bop “Barbie Girl.” At the urging of the “Babylon” actress, the 1997 hit was included on the “Barbie” soundtrack — reworked as a “Barbie World” duet featuring rappers Nicki Minaj and Ice Spice.“I was like, ‘Greta, how are we going to incorporate this song? We can’t do a Barbie movie and not have a nod to Aqua’s ‘Barbie Girl.’ It has to be in there,’” Robbie told a reporter.