CANNES: Docudramas are inherently difficult to master. You’re attempting to meld real-life footage or people with actors and, often, fictionalized accounts that may substantially differ from the truth.
11.05.2023 - 15:59 / deadline.com
EXCLUSIVE: As all of the Cannes packages start to trickle through ahead of the big event on the Croisette next week, an early frontrunner in the hot package game is Michael Fassbender, Domhnall Gleeson and Ruth Negga starrer Night Boat to Tangier. Oscar-winning director James Marsh is directing the project, based on the novel of the same name from Kevin Barry’s New York Times Top 10 Book of the Year.
The story follows Maurice (Fassbender) and Charlie (Gleeson), a colorful pair of gangsters from Ireland who are drug smugglers and partners with a long history of violence and intertwined personal lives. They’re back in southern Spain revisiting old haunts, old flames and dangerous local criminals all the while searching for Maurice’s estranged daughter Dilly.
Ashok Amritraj’s Hyde Park Entertainment is shopping the package to buyers next week and in advance of that, Deadline spoke with Fassbender (who is also an exec producer on the project), Marsh and producers Andrew Eaton and Conor McCaughan to get a first-hand account of why they’re so passionate about the project. The quartet talk about how they’re positioning the $18M indie film in Cannes next week and why the story is not just about Irish gangsters but rather a more layered exploration of modern masculinity driven by strong female characters.
DEADLINE: So, what drew each of you to this project?
MICHAEL FASSBENDER: Kevin’s [Barry] incredible writing was the starting point. He is just one of the finest writers we have and his characters are so textured and compelling. It was irresistible.
ANDREW EATON: I’ve always been a big fan of Kevin Barry’s works and when I read Night Boat to Tangier I just fell in love with it. It was a real joy to read and it seemed very
CANNES: Docudramas are inherently difficult to master. You’re attempting to meld real-life footage or people with actors and, often, fictionalized accounts that may substantially differ from the truth.
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