Girl time! Christine Brown and daughter Truely had the time of their lives in San Francisco and got into some — pretend — trouble to kick off the summer.
25.05.2023 - 13:07 / theplaylist.net
CANNES: Docudramas are inherently difficult to master. You’re attempting to meld real-life footage or people with actors and, often, fictionalized accounts that may substantially differ from the truth.
In the case of “Four Daughters,” director and screenwriter Kaouther Ben Hania has succeeded in mastering the genre but, notably, by the slimmest of margins. It helps that her subject and source material are compelling enough to overcome the movie’s flaws.
READ MORE: “The Zone of Interest” Review: Jonathan Glazer’s often brilliant examination of human complicity [Cannes] The follow-up to Ben Hania’s Oscar-nominated 2020 narrative film, “The Man Who Sold His Skin,” her latest endeavor begins with Olfa Hamrouni and her two twentysomething daughters, Eya Chikahoui and Tayssir Chikhaoui, waiting in a production office or maybe a makeup studio or, possibly, just a room (it’s never really clarified) somewhere in Tunis, Tunisia. Continue reading ‘Four Daughters’ Cannes Review: A Tunisian Mother Loses Her Daughters To Wolves at The Playlist.
.Girl time! Christine Brown and daughter Truely had the time of their lives in San Francisco and got into some — pretend — trouble to kick off the summer.
Princess of Wales at Maidenhead Rugby Club this afternoon. Mother-of-three Sarah Renton's 17-year-old daughter Issy Phipps sadly died just weeks ago after struggling with depression. Today Mrs Renton met another mother-of-three, Kate, during her visit to the rugby club as part of her Shaping Us campaign, and gifted her a pair of earrings made by her cousin in Issy's memory.
Mama June is trying to win back the love of her kids the only way she knows how — by showing up unannounced at a public event and ambushing them in front of fans.In ET's exclusive clip from the upcoming episode of , Mama June's daughters -- Jessica Shannon, Lauryn Efird and Alana Thompson — are hosting a fan meet-and-greet, alongside Alana's boyfriend, Dralin Carswell, June's sister Doe Doe, and Lauryn's girlfriend, Shyann.The event seems to be going well, and in a private interview, Lauryn expresses her excitement over having the chance to take her partner to an event together.«This the first time me and Shyann have been out together in public for fans to see us, and I really enjoyed it because everybody there have been so supportive, and she's doing pretty well, the fans are great, we haven't had no crazy fans,» Lauryn shared. «She's really enjoying getting to know everybody.»However, that sense of peace and calm may have been short-lived.
Despite mourning the recent loss of her dog, Dump Truck, Kaley Cuoco is still shining with love for her daughter Matilda.
Beyoncé's highly anticipated Renaissance tour is in full swing, and fans and fellow celebs are dropping everything to catch Queen Bey in action. Kicking off in Stockholm on the 10th of May, the mega stadium show has now just hit London for a string of shows at the Tottenham Hotspur Stadium. Because it's Beyoncé, fans expect a lot, and thanks to footage of the show dominating the internet, it's clear to see that the 41-year-old is absolutely slaying it.
Lisa Rinna announced back in January that she was exiting The Real Housewives of Beverly Hills after eight seasons. The Days of our Lives alum is now revealing that getting “death threats” from some viewers also weighed on her to make the decision to leave the Bravo reality series.
Two films by Arab women directors are sharing the L’Oeil d’or (Golden Eye) prize for the best documentary in Cannes. Four Daughters (Les Filles d’Olfa) by Tunisian filmmaker Kaouther Ben Hania and The Mother of All Lies (La Mère de tous les mensonges) by Moroccan filmmaker Asmae El Moudir were announced as the winners at a joint ceremony this morning at the Palais in Cannes.
Sophia Scorziello editor Monica Barbaro is Hollywood’s Renaissance woman. She learned how to fly F-18 fighter jets to star alongside Tom Cruise in “Top Gun: Maverick.” In 2021, she played a mother in Ricky D’Ambrose’s autobiographical film “The Cathedral.” Currently, she’s taking vocal and guitar lessons to prepare for her role as Joan Baez alongside Timothée Chalamet in the upcoming Bob Dylan biopic, “A Complete Unknown.” And before she even began working as an actor, she was a ballerina studying dance at Tisch School of the Arts. Now, the 32-year-old is reflecting on her most recent endeavor, starring alongside terminating action-legend Arnold Schwarzenegger in their new Netflix series “Fubar,” in which she plays his hard-hitting CIA agent daughter Emma.
Chicago Med is down one more doctor following the season 8 finale of the popular NBC series.
Kaouther Ben Hania’s powerful drama “Four Daughters” which mixes documentary and fiction to tell the story of Tunisian mother whose two elder daughters joined ISIS is scoring a slew of sales following its well-received Cannes competition premiere. French company The Party Films Sales has sealed deals on “Four Daughters” for: Benelux (Cineart); Spain (Caramel Films); Italy (I Wonder); Switzerland (Trigon); Sweden (Triart); Denmark (Camera Film); Norway (Arthaus); Finland (Cinemanse); Poland (New Horizons); Greece (Ama Films); former Yougoslavia (Discovery) and Turkey (Bir Film). Rights to the film for multiple other territories are under negotiations, the company said.
Lise Pedersen Moving towards a more equitable and accountable curation in film programming and selection processes, ethical representation in storytelling and the challenges posed by the lack of awareness and accountability was at the heart of a panel discussion at Cannes Docs, the Cannes Film Market event dedicated to documentary film, on May 20. Panelists included Egyptian director and producer Nada Riyadh, British-Chinese writer and director Paul Sng, Brazilian producer Yolanda Maria Barroso and Swedish producer Malin Hüber; it was moderated by the BFI’s Race Equality Lead Rico Johnson-Sinclair. Opening on a positive note, Riyadh said that, “as an Arab woman,” she welcomed the presence in the official selection at Cannes this year of docs by Tunisian director Kaouther Ben Hania (“Four Daughters,” main competition) and Moroccan filmmaker Asmae El Moudir (“The Mother of All Lies,” Un Certain Regard), even though “in the real world I still get asked whether I do docs or real films,” she added with a smile.
An English lieutenant, an American cowboy, and a mixed-race Chilean sheepherder venture into the inhospitable limits of the Tierra de Fuego region at the southernmost tip of the South American continent—the ends of the Earth, some might call it. Under the orders of their employer, landowner José Menéndez (the always masterful Alfredo Castro), the trio’s mission is to savagely murder as many Indigenous people as they encounter in their path. READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch Set in 1901, “The Settlers” (Los Colonos), a scorching Western on Chile’s blood-soaked national myth, takes aspects from the official text-book history and probes at their conveniently sanitized interpretations of how they shaped the country’s future.
Leo Barraclough International Features Editor Kirsten Niehuus, CEO at Medienboard Berlin-Brandenburg, which funds films and TV series production in the Berlin region, and Simone Baumann, managing director of German Films, which promotes and supports the release of German films abroad, welcomed a wide array of guests to their garden party at the Cannes Film Festival on Saturday. Three Medienboard-funded films are in this year’s Competition: Tunisian director Kaouther Ben Hania’s “Four Daughters,” Austrian filmmaker Jessica Hausner’s “Club Zero,” and U.S. helmer Wes Anderson’s “Asteroid City.” Niehuus told Variety: “Those are three very different productions, but it shows the spectrum [of films] that Medienboard supports.” Tunisian films, like “Four Daughters,” need international co-production funding to get made, she said, and “we believe in world cinema, so were very happy [to back it].” Hausner is “one of the most impressive female filmmakers [in the world], and I think there should be more female filmmakers on the Croisette and every other ‘A’ festival,” she said. “Asteroid City” is “the best of American arthouse filmmaking; very stylish, with a great narrative – so we love it,” she said.
Elsa Keslassy International Correspondent Kaouther Ben Hania, the Oscar-nominated director of “The Man Who Sold His Skin” whose latest film “Four Daughters” is competing at this year’s Cannes Film Festival, will next direct “Mimesis,” an epic love story set in Tunisia. While the plot is under wraps, the story is set in two different periods, the 1990s and the 1940s, paying tribute to cinema and Arab-Muslim cultural heritage. It’s being produced by Nadim Cheikhrouha at Tanit Films, who produced Ben Hania’s “Four Daughters” and her previous film “The Man Who Sold His Skin” which world premiered at Venice where it won best actor for Yahya Mahayni and was nominated for best international film at the Oscars in 2021.
Owen Gleiberman Chief Film Critic In “Black Flies,” a movie that keeps working to get high on its own intensity, Sean Penn and Tye Sheridan play paramedics who spend their nights driving through hell (I mean, Brooklyn). There are countless shots of the two in their EMS van, riding along under the tracks of an overhead subway train — the exact kind of grungy Brooklyn boulevard that Popeye Doyle went smashing through in the famous “French Connection” car/subway chase. As Rut (Penn) and Cross (Sheridan) patrol the borough neighborhood of Brownsville, one of the poorest and most crime-ridden sections of New York City, those overheard tracks become part of the film’s meticulously oppressive visual design. The two have so little breathing room they can barely see the sky. After a while, though, you start to think: Don’t these guys everdrive down a side street? Like everything else in “Black Flies,” those subway tracks are stylish signifiers of doom that are a little too in-your-face.
CANNES – Is it possible for a movie about a woman suffering from excessive hair growth in the 19th century to be, well, predictably formulaic? Granted, there can be some reassurance in that. A story of someone different, perservering against ignorance can be uplifting to many.
Using actors to bring to life story elements within documentary film is becoming a more widespread practice, if one that’s still viewed with skepticism by some purists.
Jessica Kiang Late on in Kaouther Ben Hania’s compelling, ambitious hybrid “Four Daughters,” Olfa Hamrouni — the film’s focus, its fixation and its most charismatically contradictory character — strokes a purring, heavily pregnant ginger cat. Sometimes, she tells us, a cat will be so scared for her babies that she eats them. It’s Olfa’s covert acknowledgement that her own misguided protective urge, forged by her hard history with men and mother alike, might have contributed to her life’s great, rupturing tragedy: when, in 2015, the elder two of her four girls ran away to join ISIS. But it also recalls one of her earlier to-camera segments, when she described her daughters, as though shielding herself from the pain of the real with the language of fable, as having been “devoured by the wolf.” So which is it: Were Ghofran and Rahma, 16 and 15 at the time of their disappearance, eaten up by their cat-mother or consumed by the predatory wolves of religious fundamentalism, cultural indoctrination, ISIS itself?
Leo Barraclough International Features Editor Paris-based company Indie Sales has closed further sales on “Richard the Stork 2,” and expects to sell the last remaining territories during the Cannes Film Market. The film, also known as “Richard the Stork and the Mystery of the Great Jewel,” is a follow up to “Richard the Stork” (released in North America as “A Stork’s Journey”), which was widely distributed in 155 countries and grossed more than $20 million worldwide. Indie Sales, which sold Oscar nominee “My Life as a Zucchini” to more than 80 territories, is increasingly focusing on acquiring big budget animation.