‘Megalopolis’: After Wild Speculation, What Exactly Is So ‘Bats—’ About Francis Ford Coppola’s Opus?
10.04.2024 - 21:37
/ variety.com
Matt Donnelly Senior Film Writer Warning: Minor spoilers ahead for “Megalopolis“ Francis Ford Coppola has made quite the return to directing. Industry chatter about his new film “Megalopolis,” a passion project more than 20 years in the making, has been churning since a late March screening for prospective buyers.
This week, reports said Coppola was struggling to find a splashy distribution deal for his 135-minute epic, about a dystopia in the throes of an energy revolution. As a response — call it cosmic or intentional — Coppola rebounded by booking a spot in competition at the forthcoming Cannes Film Festival, where the movie is looking to reset the narrative.
It’s not dissimilar to the skepticism that greeted another Coppola passion project, “Apocalypse Now,” which was derided by many as a vanity project before it screened at Cannes as a work in progress, going on to capture the Palme d’Or. What fate awaits “Megalopolis” and how will Hollywood contend with a movie that’s already elicited so many hot takes? Some were clearly put off and baffled, calling the film “batshit” and faulting it for being unconcerned with conventional storytelling.
Others were euphoric, sometimes eye-rollingly so, or made earnest attempts to reconcile the buzz with Coppola’s larger body of work. For the most part, these impressions were vague as to why the buyers screening was so shocking.
Coppola’s long-gestating script is armed with ambiguous moral codes, sex, drugs, violence and reflections on the uncertain future of America, multiple sources who have seen the film told Variety. These themes are explored with a starry cast that includes Adam Driver, Aubrey Plaza, Nathalie Emmanuel, Shia LaBeouf, Jon Voight, Dustin Hoffman, Giancarlo
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