Marcus Mumford on how advice from Neil Young influenced his debut solo album

Jazz Tangcay Artisans Editor Billy Eichner didn’t just write, produce and star in “Bros” — he also sings in it. The rom-com, in theaters now, follows the courtship between Bobby (Eichner) and the hunky lawyer Aaron (Luke Macfarlane), who meet at a launch party for a new dating app called Zellweger. Yes, named after the actress. Award-winning composer Marc Shaiman was brought on board to thread together the film’s score as the two characters stumble towards love, and out of love, and into love again.   Shaiman credits Eichner with the song idea for the big ballad of “Love Is Not Love.”

New music from Neil Young is almost here.

Neil Young has announced ‘World Record’, a new album the singer created with his band Crazy Horse.The 10-song album will be released on November 18, and was produced by Rick Rubin at his Shangri-La studios in Malibu. The same studio was previously used by Young to record his 2016 album, ‘Peace Trail’.

Phil Collins and his Genesis bandmates have sold a portion of their songs’ assets to Concord Music Group, including the publishing rights and master recordings for much of Genesis’ music.According to the Wall Street Journal, the deal was valued at more than $300million and will also include master recordings of songs from throughout Collins’ solo career, such as ‘In the Air Tonight’, ‘You’ll Be In My Heart’ and ‘Against All Odds’, and his popular covers of Diane & Annita’s ‘A Groovy Kind Of Love’ and ‘You Can’t Hurry Love’ by the Supremes.Genesis recordings within the package will likely include hits such as ‘Invisible Touch’, ‘That’s All’, ‘Land Of Confusion’ and ‘Follow You, Follow Me’. The deal also includes material that Genesis guitarist Mike Rutherford released with his group, Mike & the Mechanics.Speaking to WSJ, Concord president Bob Valentine said they were aiming to bring Collins and Genesis’ back catalogue to a younger generation of listeners.

Chris Willman Senior Music Writer and Chief Music Critic Brandi Carlile’s IMAX livecast Wednesday evening couldn’t have been better timed in the calendar year, coming just a few days after the equinox. A nationwide live simulcast on IMAX screens pretty much demands a universal start time of 6 p.m. PT/9 ET,  a time frame that, in the last week of September, means a 90-minute show being shot outdoors on a ridge overlooking L.A. will start sunny and end with a dark sky and the basin at its twinkliest. Cinematographers everywhere couldn’t have asked the movie gods for a more compliant dusk than the one Carlile and her band and filmmaking team got. She’s having her own magic hour, of course … definitely not to be confused with a twilight, in her case. The Carlile album that came out just about a year ago, “In These Silent Days,” carried on its Grammy-winning predecessor’s success in further establishing her as America’s troubadour du jour in the classic singer-songwriter vein. Now she’s celebrating that anniversary with a deluxe edition that includes a separate, all-new rendering of the album, titled “In the Canyon Haze,” featuring re-arrangements meant to invoke the spirit of early ‘70s Laurel Canyon folk-rock just as blatantly as the altered title suggests. There’s something almost ironically contrary about marrying the new record’s intimacy to giant screens — Lookout Mountain meets “Attack of the 50-Foot Woman”? — but with a little bit of help, maybe, from the spirits of the hippie holler, it worked.

Shed Seven drummer Alan Leach has announced details of his debut solo album – listen to first single ‘Clouds Behind The Moon’ below.The album, titled ‘I Wish I Knew Now What I Thought I Knew Then’, will come out on November 4 and was engineered and mixed by Embrace keys player Mickey Dale.Discussing the album in a statement, Leach said: “Until I wasn’t in Shed Seven any more, I didn’t realise just how much I was ready for a break and up for trying something different.I’ve had a lot of these songs buzzing around my head for years, but band life can tie up a lot of your energies, so until now, I never got around to doing anything with them.“As this is my debut album, I felt like I had a completely blank canvas, so I just threw stuff at it and hoped for the best. Romantic storytelling seems to be where I’m at my most comfortable writing lyrics, but that hasn’t stopped me from attempting to put the world to rights on a couple of songs.”He added: “Singing has been the big challenge. I went into the studio aiming for the lush northern tones of Jarvis Cocker, Alex Turner, Ian Brown and Richard Hawley, conceding that if the finished product didn’t sound like Frank Sidebottom, then I’d have done ok.”Listen to ‘Clouds Behind The Moon’ and see the tracklist for ‘I Wish I Knew Now What I Thought I Knew Then’ below.1. ‘A Dozen Of Me’2. ‘Clouds Behind The Moon’3. ‘Erica’4. ‘Going For A Song’5. ‘The One Love Generation’6. ‘If This Comes Off’ (featuring Hayley Hutchinson)7. ‘Anthem For The Here And Now’8. ‘Things Like This’9. ‘Clouds Behind The Moon’ (orchestral version)On December 2 and 3, Leach will present the album at two gigs at York venue The Crescent.

Chris Willman Senior Music Writer and Chief Music Critic Neil Young may have effectively signed over some of the rights to use his music in advertising when he sold 50% of his publishing to Hipgnosis Songs in 2021. But that doesn’t mean he hasn’t reserved the right to weigh in — subtly — when his music is licensed for commercials going forward. Young seems to not be entirely approving of an NFL ad over the weekend that used Beck’s newly commissioned cover version of “Old Man” as its soundtrack. The veteran rocker did not weigh in on the Beck cover or its usage directly, and he could not be reached for comment. But Young seemed to say it all with an image that was posted to his official Instagram account Monday.

Neil Young has seemingly taken issue with Beck‘s cover of his song ‘Old Man’ being featured in a National Football League (NFL) advert.On Sunday (September 25) Beck’s version of Young’s 1972 track was teased in an NBC Sports advert during the Tampa Bay Buccaneers vs. Kansas City Chiefs NFL game and was later released on streaming services.Now, Young has apparently aired his disappointment with the commercial placement by sharing a still from his anti-sponsorship video for his 1988 song ‘This Note’s For You’.In the image, which Young posted on Instagram, the singer-songwriter holds a bottle labelled “SPONSORED BY NOBODY”.A post shared by Neil Young Archives (@neilyoungarchives)Some of the lyrics to the song go: “Ain’t singing for Pepsi/ Ain’t singing for Coke/ I don’t sing for nobody/ Makes me look like a joke.” The track features on Young’s 16th solo album of the same name, released in 1988.As Pitchfork notes, Young may have lost the right to veto sponsorship deals for songs including ‘Old Man’ when he sold half of his catalogue to Hipgnosis in 2021.

Beck has shared a new cover of Neil Young‘s ‘Old Man’ – check out the version below.The new version of the 1972 track was teased on Sunday night (September 25) in an NBC Sports advert during the Tampa Bay Buccaneers vs. Kansas City Chiefs NFL game.Following the teaser, the full version has now been shared on streaming services, which you can listen to below.The latest in a number of takes on Neil Young songs, Beck’s solo version of ‘Old Man’ brings a haunting quality to the ‘Harvest’ track.Back in 2018, Beck teamed up with Jenny Lewis to cover Young’s iconic hit ‘Harvest Moon’ during a gig at at the Red Rocks Amphitheater in Denver, Colorado.Listen to his new version of ‘Old Man’ below.This week, Beck debuted a new collaboration with Gorillaz, with the singer and cartoon band giving new song ‘Possession Island’ its live debut at Gorillaz’ Los Angeles show this weekend (September 23).Gorillaz will release new album ‘Cracker Island’ on February 24, 2023 via Parlophone (pre-order here) and announced the record recently by sharing latest single ‘New Gold’, featuring Tame Impala and Bootie Brown.The new Beck collaboration will feature on the follow-up to 2020’s ‘Song Machine, Season One – Strange Timez’, and they performed it for the first time at the gig at Los Angeles’ Forum on Friday night, alongside their first collaboration, ‘Strange Timez’ track ‘The Valley Of The Pagans’.Last month, Dave Grohl joined Beck on stage during an LA charity show.

BLACKPINK have become the first-ever K-pop girl group to achieve a Number One album in the UK.The South Korean band hit the top spot today (September 23) with their second full length record, ‘Born Pink’, which was released last Friday (September 16).BLACKPINK previously peaked at Number Two in the United Kingdom with their debut album, 2020’s ‘The Album’ (via the Official Charts Company).Martin Talbot, Chief Executive at the Official Charts Company, said: “Congratulations to BLACKPINK.“Being any kind of chart first is a record which can never be taken away, so for their new album ‘Born Pink’ to become the first UK Official Number One by a K-pop girl group is a fantastic achievement – and puts them in the record books forever!”Back in 2019, BTS became the first Korean act to hit Number One in the UK albums chart with ‘Map of The Soul: Persona’.

Neil Young has interrupted an interview between Jack White and Rick Rubin, during the most recent episode of Rubin’s Broken Record podcast.White and Rubin were well into their 1.5 hour-long interview when Young — who’d been recording new music in the same Malibu studio — gatecrashed the proceedings and joined in on the pair’s conversation. White commended Young’s ability to maintain a decades-long career in the music industry and likened the singer to The Rolling Stones.“I remember when I was 12 and The Rolling Stones were 40 and everyone was like, ‘Oh my god,’ and it’s so nice that you guys are able to sort of prove that,” White said.

BLACKPINK lead what looks set to be an all-new Official Albums Chart Top 5 this week, with BORN PINK tracking for the top spot.

Marcus Mumford released “Cannibal,” the lead-off song for his first solo album, he was very much declaring a different set of lyrical as well as musical intentions. But for most of the press and public, the focus immediately got put on peripheral matters. Like: Did the existence of a solo project mean Mumford and Sons were breaking up? Had tension over one of the band members leaving last year amid controversy forced a fissure in the group? And then, on the lighter side, hey, how about that Steven Spielberg clip for “Cannibal,” the first music video the filmmaker had ever done? All good, reasonable questions… and all of them burying the lead, as it were. But when Brandi Carlile, who co-wrote and sings on the new album’s final track, “How,” publicly praised him for his bravery and described the album — “Self-Titled” — as “a trust fall,” something more seemed to be afoot than the very modest amount of courage it might take for a star frontman to go solo. And then Mumford went public in confirming what fans who’d listened carefully to “Cannibal” had already figured out: that it was a song addressing someone who sexually abused him in his childhood. The rest of “Self-Titled,” which arrives this weekend, is not so strictly focused on that particular trauma as “Cannibal” and “How” are, but they all touch on points in a lifelong series of reconciliations that will strike deep chords in any listeners who may be on the same journey from horror to healing.

New Music Friday! It's every audiophile's favorite day of the week, and some of our favorite artists from all different genres have blessed us with new tunes.K-pop superstars BLACKPINK followed up their historic VMAs performance with their highly anticipated second studio album,  Marcus Mumford shared his debut solo album,, Kelsea Ballerini released a new track for her ride-or-dies, titled «IF YOU GO DOWN (I'M GOIN' DOWN TOO),»and Jack Harlow joined EST Gee on his new single, «Backstage Passes.»Plus, new music from Rina Sawayama, Charlie Puth, Becky G, Bazzi, Noah Kahan, THE DRIVER ERA and more!Also this week, stars like Hailee Steinfeld, Rachel Lindsay, Mike Johnson, JoJo, Angus Cloud and more turned out to the Pair of Thieves event at the Kendrick Lamar concert at L.A.'s Crypto.Com Arena.

Marcus Mumford had a trauma specialist check his new album before making the songs public. The 35-year-old singer - who has two children with wife Carey Mulligan - has opened up about being sexually abused as a child when he was just six years old in his debut solo LP 'Self-Titled' but admitted he was wary of "triggering" people who have shared similar experiences. He said: "I didn’t just want to hang traumatic stuff out there and activate or trigger people.

Marcus Mumford has teamed up with Phoebe Bridgers on a new track called ‘Stonecatcher’ – you can listen to it below.The song appears on the Mumford & Sons frontman’s debut solo album ‘(self-titled)’, which came out today (September 16) via Island.Bridgers provided backing vocals on the delicate, stripped-back number. “Oh, my God, we’re here again/ It all slows down to lines in the sand,” the pair sing together in the understated chorus.During a recent interview with NME, Mumford explained that the ‘Punisher’ singer-songwriter has been his “friend for a long time”, adding: “We’ve had lots of conversations which have been really helpful to me over the years.”He continued: “I asked her whether she’d be down to come and hear something and whether she wanted to sing on it.

Marcus Mumford has said that he took on board advice from Neil Young while recording his debut solo album, properly considering the longevity of what he was creating.“Neil Young sat me down about ten years ago and told me the importance of recorded music, and that I should pay more attention to the way in which we record”, he tells the NME. ”I was always [like], ‘Ah, it’s just an advert for a live show’.

Public Enemy rapper Chuck D has sold a huge stake of his back catalogue to his longtime publisher.Reach Music has acquired 100 percent of the rapper’s writer royalties along with half of his copyright interest as a publisher.The sale doesn’t cover the entirety of Chuck D’s output, but it includes over 300 songs including Public Enemy’s most formative work released between 1987 and 2012.During that period, Chuck D and Public Enemy released several classic albums, including ‘It Takes A Nation Of Millions To Hold Us Back’, ‘Fear Of A Black Planet’ and ‘Apocalypse 91… The Enemy Strikes Back’.Chuck D co-wrote most of Public Enemy’s songs during this period, including the likes of ‘Bring The Noise’, ‘Fight The Power’, and ‘Welcome To The Terrordome’.“[D]oing this deal was the right timing for a forward and logical evolution of our business together in an ever changing industry,” Chuck D said in a statement via Rolling Stone.