‘Maestro’ Review: Bradley Cooper and Carey Mulligan Make Beautiful Music Together in Cooper’s Haunting Leonard Bernstein Biopic

Clayton Davis Senior Awards Editor Lights, camera, Oscars. When you chat with someone about filmmakers and mention Steven Spielberg, even the most oblivious Hollywood consumer knows who you’re talking about. Yet the helmers of the year’s most critically acclaimed and top-grossing movies aren’t typically household names.

Owen Gleiberman Chief Film Critic The first thing to say about Alex Gibney’s “In Restless Dreams: The Music of Paul Simon” is that it’s three-and-a-half hours long. Normally I wouldn’t lead with that daunting fact, especially since the film is mostly marvelous: a documentary that every Paul Simon fan on earth should want to see and experience. But will they? I raise the issue only because “In Restless Dreams” has come into the Toronto Film Festival without a distributor, and let’s just be honest: The 209-minute running time, when you hear about it, doesn’t exactly sound…user-friendly.

Van Morrison‘s 1968 album ‘Astral Weeks’. Other non-jazz albums that featured Davis’ playing include Bruce Springsteen‘s ‘Born to Run’ (on the track ‘Meeting Across the River’), Paul Simon‘s ‘There Goes Rhymin’ Simon’ (on ‘Something So Right’) and Bo Diddley‘s ‘Where It All Began’.Davis often served as bandleader within ensembles he performed in, which includes the band put together to record ‘Astral Weeks’ with Morrison. It is believed that Davis had over 3,000 album credits across his decades as a working musician.

Owen Gleiberman Chief Film Critic A lot of the young men who became stock traders in the 1980s saw themselves as rebels. With their Porsches and drugs and (by the decade’s end) their idolization of Gordon Gekko, they put the kill into making a killing. They were the new swingers of greed.

There’s no doubt that, at this very moment, scores of documentary filmmakers, both those new to the game and more wizened veterans of the genre, are kicking around ideas for their next great project, one that will hopefully capture the minds of audiences, open eyes to a subject previously untouched and/or inspire society into making some sort of cultural change. It can be difficult to find that balance, as is the case with any narrative feature.

Clayton Davis Senior Awards Editor It’s back, baby. As summer winds down and fall festivals begin anew, it’s time to get ready for another awards season. Anticipation, hope and uncertainty are in the air as studios, streamers and the army of Oscar strategists they employ gear up for the long slog of getting their movies in front of voters — all in pursuit of those golden baubles.

Whatever was going on with Irina Shayk and Bradley Cooper in THOSE pics, it reportedly has not thrown Tom Brady off his game!

Bradley Cooper appears to have another winner on his hands.

Variety’s chief film critic Owen Gleiberman wrote of the film, “When I saw ‘The Palace,’ Roman Polanski’s garish debacle of an ensemble comedy, I was sitting in the Sala Darsena, which seats 1400 (and was full), and on the rare occasion when a line in the movie got laughs, it was literally coming from about six people. I’m not sure if I’ve ever heard a giant theater this deadly silent for a movie that’s working this strenuously to amuse you.” Polanski has a history at Venice, having premiered his film “Carnage,” starring Kate Winslet and Jodie Foster, at the festival in 2011, as well as 2019’s “An Officer and a Spy.” His return to the festival this year has been cause for controversy, as he has faced several sexual assault allegations over the course of his career.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Maestro” — Bradley Cooper’s long-awaited second film as director — premiered at the Venice Film Festival to rapturous applause. The drama about the life of legendary stage composer Leonard Bernstein landed a seven-minute-standing ovation at its world premiere at the Sala Grande Theatre on Saturday night. Cooper, who also plays Bernstein in the Netflix film (with the help of nose prosthetics), and his co-star Carey Mulligan didn’t attend the night’s festivities due to the SAG-AFRTRA strike.

Before “Maestro” plunges into the sharp monochrome of its first chapter, Bradley Cooper’s Leonard Bernstein relays to a camera crew how he can still feel the presence of his wife within the walls and gardens of their beautiful countryside manor. “I miss her so much,” he says, the passage of time denounced by the sprawling maze of wrinkles that frames his youthful blue eyes.

Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.

Irina Shayk and Tom Brady sparked rumors of romance earlier this month. Now, the pair seem to be apart, with Shayk spending time in Venice with her ex Bradley Cooper and their daughter, Lea.Tom Brady and Irina Shayk’s sleepover: Bradley Cooper reportedly unfazedTom Brady jokes that he’s ready to join BLACKPINK now that he’s retiredShayk and Cooper looked happy to be together. The two were seen with their daughter enjoying themselves.

EXCLUSIVE: With the Venice Film Festival opening tonight, all eyes are on Italy to give us some early clues as to what some of the most anticipated movies of the season will be delivering in terms of their awards potential. Certainly one of the more eagerly awaited expected contenders is Bradley Cooper’s Leonard Bernstein movie, Maestro.

with their six-year-old daughter Lea de Seine. Over the weekend, the pair—who —were photographed looking very cozy with one another on a boat ride in Venice, Italy.In photos exclusively obtained by , the actor-director can be seen helping the Russian model step on and off the boat, carrying her purse, and putting his arm around her chair at dinner. On Instagram, Shayk documented the trip by sharing a shirtless snap of Cooper on a kayak, not to mention several (topless) portraits of herself.This content can also be viewed on the site it from.Reportedly, Cooper made the trip to Venice to “check the vision and sound” of his new film, Maestro, ahead of its premiere next weekend.

Laura Anderson has broken her silence after reports she got back together with ex Gary Lucy.

As Bradley Cooper‘s “Maestro” approaches its world premiere at the Venice Film Festival, some have criticized the actor-director’s use of prosthetics to adapt more of a likeness to Leonard Bernstein. Certain critics have gone as far as to call the prosthetic nose Cooper wears for the film as anti-semitic.

Bradley Cooper’s decision to use a prosthetic nose to portray Leonard Bernstein in his upcoming biopic Maestro.The Jewish organisation, which fights against antisemitism, released a statement on Monday (August 21) addressing the film after the actor was accused of performing in “Jewface”.In the statement (via Variety), the ADL said the use of prosthetics is not inherently tied to antisemitism. “Throughout history, Jews were often portrayed in antisemitic films and propaganda as evil caricatures with large hooked noses,” the organisation said.“This film, which is a biopic on the legendary conductor Leonard Bernstein, is not that.”Cooper, who also co-writes and directs the film, stars opposite Carey Mulligan in Maestro, which charts the relationship between Leonard Bernstein and his wife Felicia Montealegre.Bernstein, the son of Jewish-Ukrainian immigrants to the US, was a renowned composer and conductor perhaps best known for writing the music to West Side Story.Earlier this month, Bernstein’s family similarly defended Cooper’s decision to use prosthetics for the role.“It breaks our hearts to see any misrepresentations or misunderstandings of his efforts,” Bernstein’s children, Jamie, Alexander and Nina, said.

Ethan Shanfeld Bradley Cooper caught backlash for wearing a large prosthetic nose to portray Leonard Bernstein in “Maestro,” his upcoming biographical romance film about the late conductor. The controversy sparked the latest discourse about “Jewface,” Hollywood’s stereotypical or inauthentic portrayal of Jewish people. But the Anti-Defamation League, the notable Jewish organization fighting against bias and bigotry, has come to Cooper’s defense, stating that his depiction of Bernstein is not antisemitic.