The launch of “Dancing with the Stars,” which was scheduled on September 26, is reportedly being postponed by ABC.
03.09.2023 - 00:15 / variety.com
Variety’s chief film critic Owen Gleiberman wrote of the film, “When I saw ‘The Palace,’ Roman Polanski’s garish debacle of an ensemble comedy, I was sitting in the Sala Darsena, which seats 1400 (and was full), and on the rare occasion when a line in the movie got laughs, it was literally coming from about six people. I’m not sure if I’ve ever heard a giant theater this deadly silent for a movie that’s working this strenuously to amuse you.” Polanski has a history at Venice, having premiered his film “Carnage,” starring Kate Winslet and Jodie Foster, at the festival in 2011, as well as 2019’s “An Officer and a Spy.” His return to the festival this year has been cause for controversy, as he has faced several sexual assault allegations over the course of his career.
He was originally arrested in 1977 in Los Angeles for allegedly assaulting 13-year-old Samantha Gailey. He entered a plea bargain and plead guilty to one charge of unlawful sexual intercourse with a minor, and was sentenced to 90 days of psychiatric evaluation at California prison.
He was then released after 42 days and put on probation. Gailey later sued Polanski in 1988 and he eventually settled the suit in the ’90s.
He was then arrested again in 2009 in Switzerland at the United States’ request, but ultimately the attempt to extradite him for a trial was unsuccessful. In 2018, Polanski was removed from the Academy of Motion Picture Arts and Sciences.
The launch of “Dancing with the Stars,” which was scheduled on September 26, is reportedly being postponed by ABC.
Michael Caine has returned to the red carpet!
Travis Kelce is opening up about his love life.
The Talk is not coming back amid the Hollywood strikes, after all.
Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.
according to IMDB’s Box Office Mojo.The supernatural mystery, which The Post called a “surefooted film with strong performances and a luxurious-yet-frightful tone,” is based on a 1969 Agatha Christie novel.“The Nun II,” which was in first place last week, moved down a notch to the No. 2 spot, with earnings of $4.4 million.
Owen Gleiberman Chief Film Critic The first thing to say about Alex Gibney’s “In Restless Dreams: The Music of Paul Simon” is that it’s three-and-a-half hours long. Normally I wouldn’t lead with that daunting fact, especially since the film is mostly marvelous: a documentary that every Paul Simon fan on earth should want to see and experience. But will they? I raise the issue only because “In Restless Dreams” has come into the Toronto Film Festival without a distributor, and let’s just be honest: The 209-minute running time, when you hear about it, doesn’t exactly sound…user-friendly.
A spokesperson added that it’s a “small injury” and “nothing serious.” The Princess of Wales, 41, who is mom to Prince George, 10, Princess Charlotte, 8, and Prince Louis, 5, was visiting the prison as part of her role as patron of the Forward Trust, to see how inmates and their families are being supported through addiction, ahead of Addiction Awareness Week. She wore a navy suit for the visit, and sported beachy waves and new curtain bangs.High Down is a men’s prison with around 1,100 prisoners, and the Forward Trust performs a variety of services there, including workshops for addicts and their loved ones and abstinence based programs.
The Equaliser 3, but it was scaled back after audiences reacted badly to it in preview screenings.The film, Washington’s final appearance as McCall, sees the retired intelligence officer living in a small Italian town where the friendly residents are being terrorised by local Mafioso. One of the residents is waitress Aminah, played by Gaia Scodellaro.
Callum McLennan Toronto’s Platform is set to be enriched by Jaione Camborda’s poignant second feature “The Rye Horn.” The film, set against the backdrop of 1970s Galicia, unravels the tale of María, a midwife thrust into a life on the run following a devastating incident. Her path to freedom takes her from Galicia to Portugal, retracing ancient smugglers’ trails.
Owen Gleiberman Chief Film Critic A lot of the young men who became stock traders in the 1980s saw themselves as rebels. With their Porsches and drugs and (by the decade’s end) their idolization of Gordon Gekko, they put the kill into making a killing. They were the new swingers of greed.
Matt Donnelly Senior Film Writer Malia Obama, Oscar-winning directors The Daniels and “The Mandalorian” star Pedro Pascal were just a few of the notables who turned up in force for the first Los Angeles screening of A24’s holocaust drama “The Zone of Interest” on Tuesday night. The intimate gathering at West Hollywood’s London Hotel was something akin to a bucket of ice water in a social Mojave, as the ongoing Hollywood strikes have shuttered red carpets and made party RSVPs into war room fodder for talent publicists and studio communications executives.
new COVID-19 variant, dubbed Pirola.The “Sister Act” star, 67, is reportedly recovering well at her home in New Jersey. “She’s on the mend,” Behar stated, allying the audience’s audible concerns.
With 12 reviews so far, Roman Polanski’s latest film, “The Palace,” currently sits at a horrendous 0% on Rotten Tomatoes. Polanski hasn’t really had a hit film in a very long time and has also been at the center of controversy for decades, but a 0% is still really rough, with some reviews calling it the worst movie of the year.
Whoopi Goldberg was absent from the Season 27 premiere episode of The View today due to yet another case of Covid, though many usual viewers throughout the country will miss the show too: The View did not air today in markets impacted by the ongoing clash between Disney and Spectrum.
Camila Mendes and Lili Reinhart are wrapping up their weekend in Venice, Italy.
EXCLUSIVE: Venice Film Festival chief Alberto Barbera is appreciated by many in the film and media industries not only for having cemented Venice as a must-attend blue-ribbon festival, but also for his candour.
It’s hard to believe that it’s now over 60 years since Roman Polanski teamed up with Jerzy Skolimowski for the landmark 1962 Polish thriller Knife in the Water. But it’s even harder to believe that these two giants of international cinema reunited more recently to pool their braincells and come up with the most terrible, joyless farce since the heyday of the ’70s British sex comedy. Forget for a moment, if you can, the furor surrounding Polanski’s controversial status as a fugitive from justice and concentrate instead on the fact that the Venice Film Festival, in its infinite wisdom, went ahead and booked this entirely dreadful offering anyway, deeming it somehow worthy of a prestigious Out of Competition slot.
Roman Polanski’s Venice Film Festival feature The Palace received a 3 minute ovation tonight at its world premiere screening.
Owen Gleiberman Chief Film Critic As any critic will tell you, when you’re watching a comedy with an audience, it doesn’t matter how bad the movie is — even the jokes that are making you groan are going to provoke laughter. (That’s why comedies are always screened in advance; the studios want the audience giggles to rub off on you.) But at the Venice Film Festival, when I saw “The Palace,” Roman Polanski’s garish debacle of an ensemble comedy, I was sitting in the Sala Darsena, which seats 1400 (and was full), and on the rare occasion when a line in the movie got laughs, it was literally coming from about six people.