Korea Box Office: ‘Rebound’ Fails to Provide Bounce on Quietest Weekend of the Year

Patrick Frater Asia Bureau Chief Global streaming giant Netflix has publicly committed to spending $2.5 billion (approx. KRW3.34 trillion) on South Korean film and TV production over the next four years. The total is double the amount it has spent in Korea since 2016, the company said. The promise was made by Ted Sarandos, co-CEO of Netflix, at a meeting in Washington DC with South Korean President Yoon Suk Yeol. “We were able to make this decision because we have great confidence that the Korean creative industry will continue to tell great stories. We were also inspired by the President’s love and strong support for the Korean entertainment industry and fueling the Korean wave. I’d like to personally thank the President for his kind response letter,” Sarandos said in a statement.

Patrick Frater Asia Bureau Chief The highly-anticipated Japanese animated feature film “The First Slam Dunk” dominated the mainland China cinema box office in its opening weekend. It broke multiple records as it did so. The film scored $38.5 million (RMB266 million) over the Friday to Sunday weekend, according to data from consultancy Artisan Gateway. However, it opened on Thursday, a day earlier than is the norm in China, and has accumulated $55.2 million over the opening four-day frame. The film is based on IP that is well-known to a generation of comic book fans and TV audiences in China (early middle-aged men were reported to have been particularly interested) and has already proved a hit in other parts of Asia. (Comscore estimates that the film has grossed $211 million worldwide.)

Patrick Frater Asia Bureau Chief The South Korean cinema box office fell to its lowest level of the year over the latest weekend. Nationwide theatrical earnings in a territory which before COVID was the world’s fourth largest were barely over $6 million. “John Wick: Chapter 4” lead the weekend chart from Japanese anime “Suzume” and Korean sports drama “Rebound” in a top three repeat from a week earlier. “John Wick 4” earned $2.51 million in its second weekend of release, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That was a 38% week-on-week decline and represented a 41% share of the total Korean box office market. It also gave the film a cumulative total of $9.73 million since release on April 12.

RT score to go with an A on CinemaScore, but audiences over the past two years have largely eschewed films based around real life issues and this film set during the U.S. War in Afghanistan is turning out to be not much different even with such positive word-of-mouth.

according to IMDB’s Box Office Mojo.Since its opening on April 5, it has earned over $400 million nationwide, the second-fastest animated film to reach those numbers after “The Incredibles 2,” according to Deadline. The supernatural horror movie “Evil Dead Rise,” the fifth installment of the “Evil Dead” series, came in second, with a $10.3-million take on its opening day.The Post called the film “gory-as-hell” and said it is “as campy and fun as any chapter in producer Sam Raimi’s four-decade-old horror series.”“The Covenant,” the story of an army sergeant in Afghanistan, played by Jake Gyllenhaal, and an Afghani interpreter, played by Danish actor Dar Salim, landed in third, with $2.25 million in sales.

Patrick Frater Asia Bureau Chief Japanese animated film “The First Slam Dunk” has taken a strong early lead at the mainland China box office, picking up $13.8 million on its Thursday opening day. Films mostly release in China on Fridays, but the Japanese hit was given previews on Wednesday and a full court release on Thursday, starting with widespread midnight screenings. Data from local firm Ent Group reveals that the film earned $3.16 million from some 14,000 preview screenings on Wednesday, followed by $13.8 million on Thursday from 184,000 screening sessions. That gives it a $17 million cumulative and positions it at the top of the box office chart even before the conventional Friday to Sunday weekend begins.

Patrick Frater Asia Bureau Chief Jung Ho-seok, better known as J-Hope, Tuesday became the second member of K-pop sensation BTS to join the Korean military. Approaching his 30th birthday, J-Hope attended an army camp at Wongju, south of Seoul, and is expected to begin five weeks of basic training there. Local news agencies reported a small crowd of fans, seemingly outnumbered by assembled journalists, waited outside the camp to wish him well. Their number was reported to be diminished by bad weather. Earlier, J-Hope had posted on the Weverse fandom platform words of encouragement and a pair of photos revealing his newly-shorn hair. “I love you all. ARMY, I will return safely,” he wrote. ‘Army’ in that sense is a reference to BTS’s legion of fans, rather than the Korean military services.

Patrick Frater Asia Bureau Chief The battle for corporate dominance of K-Pop has become a drama that never stops giving. After the acrimonious takeover battle between BTS-backer Hybe Corp. and tech giant Kakao for control of SM Entertainment, Korea’s financial regulators are probing the deal-making that eventually led to Kakao’s victory. Korea’s Financial Supervisory Service raided the offices of SM Entertainment on Tuesday, according to the Yonhap news agency. Investigators were looking for evidence of stock price manipulation between February and March when the two camps were skirmishing.

Patrick Frater Asia Bureau Chief Leading indie sales agent Finecut has picked up international rights to “In Our Day” by idiosyncratic South Korean director Hong Sang-soo. The film is set as the closing title of the Directors’ Fortnight sidebar of the Cannes festival. Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.

Universal Illumination’s “The Super Mario Bros. Movie” already broke the animation record for the largest second weekend ever earned at the box office, but after a better-than-expected Sunday, that weekend total has pushed even further to $92.5 million.

Patrick Frater Asia Bureau Chief Jackie Chan-starring nostalgic stuntman comedy film “Ride On” trotted to a second weekend atop the mainland Chinese box office. “The Super Mario” Bros. Movie” remained in fourth place. “Ride On” earned $6.0 million (RMB41.5 million) between Friday and Sunday, a 48% week-on week drop, according to data from consultancy Artisan Gateway. That took it to a $22.6 million total since release on April 7. Below it, Japanese animation “Suzume” and Chinese shaggy dog story “Hachiko” swapped places. “Hachiko,” on its third weekend outing, earned $4.9 million, for a cumulative of $35.1 million. “Suzume” earned $4.5 million in its fourth weekend on release in China, giving it a $109 million cumulative.

Patrick Frater Asia Bureau Chief “John Wick: Chapter 4” easily outgunned Japanese animation film Suzume to claim top spot at the South Korean box office over the latest weekend. The American action title earned $4.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a nearly 50% market share, continuing a polarization or clustering around a single title that has become familiar of late in Korea, a market that formerly had greater diversity and width. Over the five days since its Wednesday opening, “John Wick 4” earned $5.87 million.

first week, according to IMDB’s Box Office Mojo.The film, which The Post found “lousy,” has now earned $500 million globally, making it the top-grossing video game adaptation in cinematic history, Variety reported. The horror-thriller “The Pope’s Exorcist,” which tells the petrifying tale of the Vatican’s top exorcist’s investigation into a child’s possession, landed second with $4.3 million after debuting on Tuesday.

There is absolutely no stopping “The Super Mario Bros. Movie.” At a time when many blockbusters in the post-shutdown box office are taking drops of over 60% in their second weekend, the Universal/Illumination animated film is dropping just 45% for an Illumination record $80 million in its second weekend.

Patrick Frater Asia Bureau Chief Is it time for South Korea’s TV drama series to move over and make way for Korean unscripted entertainment — namely game shows and reality shows? While 2003 drama series “Jewel in the Palace,” or the more recent “Crash Landing on You,” “Memories of the Alhambra,” “Mr. Queen,” “Love (ft. Marriage and Divorce)” and “Descendants of the Sun” have for years successfully tugged at emotional heartstrings across Asia, the unscripted category has equally long been a staple of Korean domestic TV. Korean variety shows have been a catch-all with multi-generational appeal. Talent contests have worked well in the home market, but often were too quirky — too much dialogue, or distracting titles flashing across the screen — which meant that they were best exported as formats rather than finished shows.

Patrick Frater Asia Bureau Chief South Korean actor Jung Chae-yul was found dead at her home on Tuesday. She was 26. The news of her death was confirmed by her agency Management S, without disclosing details of the circumstances. “Actress Chae-yul has left our side on April 11, 2023,” Management S, said in a statement on Tuesday. “We pray that Chae-yul, who has always been sincere about acting, is able to rest in peace in a warm place.” It added that, according to the wishes of her family, Jung will have a private funeral. Jung began her career as a model and appeared in 2016 fashion survival show “Devil’s Runway.” She transited into acting and appeared in 2018 Korean movie “Deep.”

Patrick Frater Asia Bureau Chief Competition reality TV format “Lego Masters” has been picked up by Tokyo Broadcasting System for adaptation in Japan. The deal is the 19th for the Banijay Rights-represented format and the third in Asia. Production is currently underway for the show, which will see pairs compete against each other to wow judges with inspiring designs and brick builds. “I am looking forward to working with Banijay Rights and not only learn about the production of the show, but also to closely examine the essence of creation behind it,” said Aso Kunihiro, producer, contents solution department at TBS in a prepared statement.

Patrick Frater Asia Bureau Chief A growing range of Thai, Japanese and Chinese-language films and TV shows are reaching global audiences – joining the by-now well-established international viewership for South Korean shows.Netflix’s Global Top 10 for the week April 3-10, sees made-for-streaming Korean title “Kill Boksoon” on top of the non-English-language films list, with 27.5 million hours watched in its second week of release. It is immediately followed by Thai film “Hunger,” about a young woman apprentice in an upmarket restaurant working under a tough boss. The film is directed by Sitisiri Mongkolsiri and stars “Bad Genius” breakout Chutimon Chuengcharoensukying.

Patrick Frater Asia Bureau Chief The Jackie Chan-starring stunt-man comedy drama “Ride On” pratfalled its way to first place at the mainland Chinese box office with a lowball $11.7 million opening. Still, that was enough to beat another new release, “The Super Mario Bros. Movie,” which ranked fourth over the latest weekend. Chan is an enduring, but fading, star in China and in the past his new release titles were often scheduled for the three biggest holiday seasons. “Ride On,” which sees Chan in an ode to the stunt players he has worked with, was released two days after the Ching Ming (Wednesday 5 April) holiday, when many folks honor their ancestors. Its opening three days were enough to depose “Suzume” from the top spot, where “Suzume” had ranked for the previous two weekends. “Suzume” earned $8.0 million over the latest weekend in China, according to data from consultancy firm Artisan Gateway. That gives it a $103 million cumulative after 17 days in mainland theaters, a China record for a Japanese animation film.

Patrick Frater Asia Bureau Chief The Far East Film Festival in Italy’s Udine will open with a double bill of He Shuming’s “Ajoomma” and Kai Ko’s “Bad Education.” It will close with Zhang Yimou’s blockbuster period epic “Full River Red.” In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29. Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”