China Box Office: Jackie Chan’s ‘Ride On’ Leads Weekend, Ahead of ‘Super Mario Bros’ in Fourth Place

Patrick Frater Asia Bureau Chief Director Stanley Tong (“Rumble in the Bronx”) is to team up with Jackie Chan for the tenth time on “The Legend.” State media in China report that Chan, who recently reached the top spot in the mainland Chinese box office with aged stuntman comedy “Ride On,” will play an archaeologist on a quest through time and space. With production by Bona Film Group, “The Legend” is pitched as being in the same vein as Tong and Chan’s 2005 effort “The Myth,” which was a fantasy love story. Tong and Chan have worked together on other titles including “Police Story 3,” “Supercop” and “Vanguard.” India’s Jio Studios is backing “Khashaba,” a Marathi-language film on the life of India’s first Olympic medalist Khasaba Dadasaheb. After delivering the sleeper hit Sairat and Fandry, the new film will be directed by Nagraj Manjule. The title is considered as part of Jio Studio’s ambition to deliver more than 100 stories this year. With production to begin shortly, the film will be mounted on a large scale. “Along with entertaining the audience, this film will also introduce the audience to a brave and exceptional athlete who made India proud all over the world,” said Manjule. “Khashaba” will be presented by JioStudios and produced by Aatpat Production, Jyoti Deshpande and Manjule.

Patrick Frater Asia Bureau Chief The highly-anticipated Japanese animated feature film “The First Slam Dunk” dominated the mainland China cinema box office in its opening weekend. It broke multiple records as it did so. The film scored $38.5 million (RMB266 million) over the Friday to Sunday weekend, according to data from consultancy Artisan Gateway. However, it opened on Thursday, a day earlier than is the norm in China, and has accumulated $55.2 million over the opening four-day frame. The film is based on IP that is well-known to a generation of comic book fans and TV audiences in China (early middle-aged men were reported to have been particularly interested) and has already proved a hit in other parts of Asia. (Comscore estimates that the film has grossed $211 million worldwide.)

Patrick Frater Asia Bureau Chief The South Korean cinema box office fell to its lowest level of the year over the latest weekend. Nationwide theatrical earnings in a territory which before COVID was the world’s fourth largest were barely over $6 million. “John Wick: Chapter 4” lead the weekend chart from Japanese anime “Suzume” and Korean sports drama “Rebound” in a top three repeat from a week earlier. “John Wick 4” earned $2.51 million in its second weekend of release, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That was a 38% week-on-week decline and represented a 41% share of the total Korean box office market. It also gave the film a cumulative total of $9.73 million since release on April 12.

Patrick Frater Asia Bureau Chief Global cinema box office recovered strongly in the first three months of the year, driven by the performance of “The Super Mario Bros. Movie” in many territories and a bumper Chinese New Year season in mainland China. The upbeat news was delivered on the eve of CinemaCon Las Vegas by specialist research firm Gower Street Analytics, which has now increased its forecast of the cinema industry’s full year. The firm now projects that 2023 gross revenues will reach $32 billion, a 10% increase on its earlier estimate of $29 billion. “A $32 billion global box office in 2023 would represent an approximate +23% improvement on 2022. It remains 20% behind an average of the last three pre-pandemic years (2017-2019), but it shows how post-pandemic recovery of our business continues to improve,” said Gower Street.

Patrick Frater Asia Bureau Chief Rights to ‘Man in Black,” one of two documentary films by China’s Wang Bing to appear in Official Selection at Cannes this year, have been picked up by specialty sales agency Asian Shadows. The 60-minute film, which will debut as a special screening, is a portrait of 86-year-old Wang Xilin, one of China’s most important modern classical composers and is now lives in exile in Germany. It was made in close collaboration with French cinematographer Caroline Champetier, whose credits include Leos Carax’s “Holy Motors,” Amos Gitai’s “Promised Land” and Andre Techine’s “Alice and Martin.” During the 1960s, when China’s Cultural Revolution forced intellectuals into the fields and stripped the middle classes of their wealth, Wang Xilin was the was the target of severe persecution, including beatings, imprisonment and torture. The film examines the body and soul of a man scarred by a life of suffering, who is yet still capable of deep and sincere compassion.

Patrick Frater Asia Bureau Chief Trinity CineAsia has acquired rights to Chinese tentpole action movie “Born to Fly,” and will release the film in cinemas in the U.K. and Ireland.

Patrick Frater Asia Bureau Chief Japanese animated film “The First Slam Dunk” has taken a strong early lead at the mainland China box office, picking up $13.8 million on its Thursday opening day. Films mostly release in China on Fridays, but the Japanese hit was given previews on Wednesday and a full court release on Thursday, starting with widespread midnight screenings. Data from local firm Ent Group reveals that the film earned $3.16 million from some 14,000 preview screenings on Wednesday, followed by $13.8 million on Thursday from 184,000 screening sessions. That gives it a $17 million cumulative and positions it at the top of the box office chart even before the conventional Friday to Sunday weekend begins.

Patrick Frater Asia Bureau Chief Television Broadcasts, Hong Kong’s leading free-to-air broadcaster, has said that it is considering legal action against a group of shareholder activists. The shareholder group, seemingly led by Chow Ngai Keung and publishing its critiques on Facebook, has made a series of complaints about TVB. These include the allegation that TVB is operating a streaming app Maiduidui in Mainland China without the proper authorization and that TVB has misled shareholders over the official name of the company that ultimately holds executive control. The minority shareholders have also criticized TVB for investments in Mainland Chinese firm SMI and State Reserve Energy Bonds, which have cost the company HK$1 billion ($128 million) of losses, and for its 2021 acquisition of e-commerce platform Ztore.

Patrick Frater Asia Bureau Chief Jackie Chan-starring nostalgic stuntman comedy film “Ride On” trotted to a second weekend atop the mainland Chinese box office. “The Super Mario” Bros. Movie” remained in fourth place. “Ride On” earned $6.0 million (RMB41.5 million) between Friday and Sunday, a 48% week-on week drop, according to data from consultancy Artisan Gateway. That took it to a $22.6 million total since release on April 7. Below it, Japanese animation “Suzume” and Chinese shaggy dog story “Hachiko” swapped places. “Hachiko,” on its third weekend outing, earned $4.9 million, for a cumulative of $35.1 million. “Suzume” earned $4.5 million in its fourth weekend on release in China, giving it a $109 million cumulative.

Patrick Frater Asia Bureau Chief “John Wick: Chapter 4” easily outgunned Japanese animation film Suzume to claim top spot at the South Korean box office over the latest weekend. The American action title earned $4.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a nearly 50% market share, continuing a polarization or clustering around a single title that has become familiar of late in Korea, a market that formerly had greater diversity and width. Over the five days since its Wednesday opening, “John Wick 4” earned $5.87 million.

Patrick Frater Asia Bureau Chief Japanese electronics giant, Sony has opened a virtual production studio in Shanghai, China, that it says can be used for shooting film, TV and commercials. The studio opened last month and is jointly operated with Gwantsi, one of China’s largest commercials production companies. Virtual production involves the use of high-resolution screens that create a backdrop in front of which actors perform. This can reduce the need for location travel, cut set-up times, shorten post-production and provide a more life-like environment for performers than traditional green-screen environments. VP studios are also well adapted to motion capture production.

Patrick Frater Asia Bureau Chief Michelle Yeoh, who made history by winning the best actress Oscar for her performance in “Everything Everywhere All at Once” last month, made an emotional return trip to her native Malaysia last week. She visited her mother in time for the traditional Qingming Festival, or Tomb Sweeping Day, and stopped by the grave of her father who died in 2014. In an Instagram post on Wednesday she said, “Brought Mr. O home. Without my parents’ love and trust and support, I wouldn’t be here today.”A post shared by Michelle Yeoh 楊紫瓊 (@michelleyeoh_official) Her trip home represented a promise that Yeoh made during her Oscars acceptance speech.

Patrick Frater Asia Bureau Chief Competition reality TV format “Lego Masters” has been picked up by Tokyo Broadcasting System for adaptation in Japan. The deal is the 19th for the Banijay Rights-represented format and the third in Asia. Production is currently underway for the show, which will see pairs compete against each other to wow judges with inspiring designs and brick builds. “I am looking forward to working with Banijay Rights and not only learn about the production of the show, but also to closely examine the essence of creation behind it,” said Aso Kunihiro, producer, contents solution department at TBS in a prepared statement.

Patrick Frater Asia Bureau Chief Wanda, the Chinese conglomerate that once threatened to take over Hollywood, has put up for sale the Hoyts cinema chain in Australia that it bought in 2015. Hoyts is Australia’s second largest movie theater operator with 46 multiplexes housing 412 screens, according to 2022 data from Screen Australia. It also owns Val Morgan, Australia’s biggest cinema advertising firm.Wanda Cinema Line, itself China’s biggest theater operator, has appointed Credit Suisse and Nomura to handle the sale. Bidders are understood to have access to a “stapled debt” package (a line of agreed financing arranged by the banks) if the potential buyer cannot arrange sufficient finance of their own. A first deadline for bids is set at the beginning of May, with final offers to be submitted by the end of June.

Patrick Frater Asia Bureau Chief U.K.-based sales agent Mister Smith Entertainment has picked up international rights to “Grafted,” a New Zealand-set horror film which marks the feature directing debut of Sasha Rainbow. The film is now in production. Mister Smith will launch sales next month in Cannes. The film tells story of a Chinese student who travels to New Zealand to complete the scientific work of her deceased father only to find a new way of achieving popularity, one body at a time.

Patrick Frater Asia Bureau Chief Huang Ji and Otsuka Ryuji’s “Stonewalling” won the Chinese-language section of the Hong Kong International Film Festival’s Firebird Young Cinema competition. Lila Aviles’s “Totem” won the equivalent Firebird Award for international films. The festival began on March 30 and concluded on Sunday evening with a world premier screening of “Vital Sign” at the Hong Kong Cultural Centre’s Grand Theatre. The screening was accompanied by cast and crew including Louis Koo, director Cheuk Wan-chi, producer Jacqueline Liu and performers Neo Yao, Angela Yuen, Ng Wing-sze, Tony Wu and So Yuet-yin. In total, “Stonewalling” picked up three awards. In addition to the best film prize, it also collected the best actress prize for leads Huang Xiaoxiong and Yao Honggui and the FIPRESCI Award. The tale of an unwanted pregnancy, the film premiered at Venice and Toronto last year. The HKIFF jury said it “[reminds] us of the confusion, difficulty and suffering women face nowadays and the inescapable responsibilities they have to shoulder.  It inspires the audience to reflect on this important issue in modern society.  It is an invaluable film replete with empathy.”

Patrick Frater Asia Bureau Chief Japanese animation “Suzume” held on to top spot for a fifth consecutive weekend at the South Korean box office, as Korean-produced sports film “Rebound” proved to be misnamed. Arriving only in second place, “Rebound” failed to provide any bounce to the beleaguered cinema sector, leaving the weekend as the lowest scoring this year.

Patrick Frater Asia Bureau Chief “Beijing 2022,” the official documentary about the 2022 Winter Olympic Games, has been set as the opening film of the revived Beijing International Film Festival. It is directed by noted narrative and documentary film maker Lu Chuan (“Kekexili,” “City of Life and Death” and Disney’s “Born in China”) and will have its world premiere at the festival. The festival will run April 22-29 and be based in the Huairou district which has become an out of town hub for the film industry, as well as other venues in the Chinese capital. For the past three editions the BJIFF has been held online due to disruptions caused by China’s strict anti-COVID measures.

Patrick Frater Asia Bureau Chief Cinedigm has acquired all North American rights to the Japanese sci-fi horror film “New Religion.” “New Religion” is a surrealist body horror film written, directed and produced by first-time feature filmmaker Kondo Keishi. It stars Seto Kaho, Nunami Daiki, Oka Satoshi and Ryuseigun Saionji. After her daughter’s death, divorced Miyabi begins working as a call girl. One day, she meets an unsettling customer who wants to take pictures of her body parts. Soon, she realizes that every time she allows her body to be photographed her daughter’s spirit gets closer. She must decide how far she is willing to go to connect with her daughter once again.

Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled plans for its return to an in-person event that will mark its 25th edition and its 30th anniversary. The festival was canceled last year, due to the severe restrictions imposed on the city in reaction to a Spring flare-up in the COVID outbreak. The 2023 edition will run June 9-18, 2023, organizers confirmed on Tuesday. They said it would, “open a two-way journey between Chinese films and world films.” The Jinjue (Golden Goblet) Awards competition will this year operate across five categories: main feature film competition, Asian newcomers, documentaries, animation and short films.