Kiah Roache-Turner’s ‘Sting’ Lands Deals; Magnolia Acquires ‘A Compassionate Spy’; Paramount Lands Matt Johnson’s ‘Blackberry’ — Berlin Briefs

UPDATED with Tyler Perry interest: Paramount Global is talking with Tyler Perry about a deal for BET Media as the conglom explores a sale of a majority stake in the division.

Paramount Global is in early exploratory talks to sell a majority stake in BET Media.

Sony Pictures Classics has picked up all rights in North America, Latin America and European Europe (excluding Hungary) to the Ilker Çatak drama The Teachers’ Lounge, which won both the Europa Cinemas Label award and the CICAE Arthouse Cinema award at this year’s Berlin Film Festival.

Manori Ravindran Executive Editor of International Sideshow and Janus Films have acquired North American rights to the Berlin-premiering family drama “Tótem,” written and directed by “The Chambermaid” helmer Lila Avilés. Winner of the festival’s Ecumenical Jury Prize, the film follows seven-year-old Sol, who spends the day at her grandfather’s home, helping her aunts Nuri and Alejandra with the preparations for a surprise party they’re throwing for her father, Tonatiuh, who is terminally ill. However, as night descends, a strange and chaotic atmosphere takes over, shattering the bonds that hold the family together, and Sol will come to understand that her world will change dramatically.

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Angelique Jackson Following a buzzy world premiere at the Berlin Film Festival, HBO Films has acquired the U.S. rights to the docudrama “Reality,” starring Sydney Sweeney. In the film, directed by Tina Satter, Sweeney portrays Reality Winner, a woman convicted of leaking a confidential report on Russian election interference to the media. The film contains verbatim dialogue from the unedited transcript of a FBI audio recording, capturing a tense 90 minutes as the FBI interrogates Winner at her home in 2017. The whistleblower — a former U.S. Air Force member and National Security Agency translator — was sentenced to five years in prison. Satter makes her feature directorial debut with the film, based on her 2019 stage play “Is This a Room.” She also executive produced the project and co-wrote the screenplay with James Paul Dallas.

EXCLUSIVE: HBO Films has closed a deal for U.S. rights to the Berlin Film Festival buzz competition title Reality. Directed by Tina Satter, the docudrama is a breakout turn for Sydney Sweeney as convicted classified document leaker Reality Winner. Sweeney stars in the hit HBO series Euphoria.

Leo Barraclough International Features Editor Berlinale competition film “Music” opens with gray clouds racing across the face of a Greek mountain as a storm prepares to break. It is a suitably dramatic prelude to the tumultuous events that will unfold, albeit rendered in an understated manner by German director Angela Schanelec, who won the Berlinale best director award in 2019 for “I Was at Home, But.” As the storm lifts, an abandoned baby boy is rescued a paramedic, who names him Jon. Years later, Jon, now a young man, kills another man, accidentally, and ends up in prison. Here, he is tended to by a female guard, Iro, as his eyesight begins to deteriorate. When he is released, the two get married and have a child. But several years later, his wife discovers a terrible secret.

Good afternoon Insider team, Max Goldbart here. It has been a wild ride of a week with Berlin drawing to a close. Read below for a good ol’ recap.

Nick Vivarelli International Correspondent Global indie streamer distributor and producer MUBI has acquired all rights in several key European territories to “Passages,” the erotic drama by Ira Sachs that bowed with a splash at Sundance and just had its European premiere at the Berlin Film Festival. Following the world premiere of “Passages” at Sundance MUBI last month snapped up all rights for the U.S., U.K., Ireland and Latin America to the U.S. indie darling director’s first film shot in France. Now MUBI has acquired additional European territories on “Passages” including for Germany, Austria, Italy, Turkey and Benelux. The Benelux pickup is in partnership with Belgium’s Imagine Film Distribution.

EXCLUSIVE: Eli Roth’s cast for his upcoming horror pic Thanksgiving looks to be getting bigger and splashier by the day as sources tell Deadline Addison Rae has joined the cast of the film based on the fake trailer from the double feature Grindhouse. Patrick Dempsey also recently boarded the cast.

For almost four years of siege in the 1990s, the city of Sarajevo concussed from shelling, the rumblings of armored vehicles and the repeated pop of sniper fire.

Matt Damon revealed he is in the early stages of research in a documentary project tackling the war in Ukraine at the Berlin Film Festival on Sunday.

Elsa Keslassy International Correspondent Matt Damon revealed he was in the “early stages” on a project about Ukraine during the press conference for “Kiss the Future” at the Berlin Film Festival. Damon is a producer on the documentary which chronicles the struggle of Sarajevo citizens during the Bosnian War. World premiering in the Berlinale Special section, the politically minded documentary is directed by Nenad Cicin-Sain and based on “Fools Rush in: A Memoir” the memoir of Bill Carter, an aid worker. It shows how his determination resulted in the enlistment of the world’s largest rock band, U2, to help shine a light. Fifth Season and WME handling worldwide sales. Asked if he was considering following the footsteps of Sean Penn with “Superpower” with a film on the war in Ukraine, he said he’s “watched as everyone has with horror that unfolded there in the last year,” and although they “don’t have anything on it right now there isn’t any doubt that we’ll be doing.”

There is a particular kind of audacity reserved for the wealthy and the well-meaning. Multi-award-winning actor and humanitarian Sean Penn co-directs “Superpower” with Aaron Kaufman, known mostly for his commercial work and his collaboration with writer-director Robert Rodriguez.

Nick Frost, Alicia Silverstone & Kevin Connolly To Star In Dark Comedy ‘Krazy House’Nick Frost, Alicia Silverstone, and Kevin Connolly have signed on to star in the dark comedy Krazy House from writer-directors Steffen Haars and Flip van der Kuil. Production on the pic has just been completed in Amsterdam. The cast is rounded out by Gaite Jansen, Walt Klink, Jan Bijvoet, Chris Peters, and Matti Stooker. Maarten Swart will produce the film for Kaap Holland Film, in a co-production with Haars and van der Kuil. Kaap Holland Film’s Jorn Baars and XYZ’s Todd Brown are executive producers. Splendid Films is handling distribution in the Benelux. XYZ has North American sales rights.

Brent Simon There’s no shortage of movies that gauzily peddle the notion of art as a balm. Few, however, are as invested in the charged immediacy of art’s relationship to real-life pain as “Kiss the Future,” a documentary enjoying its world premiere Feb. 19 in the Berlinale Special slot, with Fifth Season and WME handling worldwide sales. Directed by Nenad Cicin-Sain, and based on American-born aid worker Bill Carter’s “Fools Rush in: A Memoir” (the pair share a screen story credit), the film is a savvy mélange of history and cultural portraiture that affectingly chronicles the struggle of Sarajevo’s besieged civilians during the Bosnian War of the 1990s.

Chances are high that, if you are reading this on the go, you are doing so on your iPhone. Apple, which first introduced the phone in 2007, now holds a whopping 24% share of the smartphone market, meaning that out of every four phones sold today, one is an iPhone.

Who knew a Canadian biopic of an infamous smartphone could be this entertaining, even poignant and moving? I am here to tell you today’s World Premiere Berlin Film Festival competition entry, BlackBerry is all that and more.

Peter Debruge Chief Film Critic For a hot minute, it looked like BlackBerry might control the smartphone market. They got there first, figuring out how to use the existing data network to put email in users’ hands. Sure, it all came packaged in a device as thick and unwieldy as a slice of French toast — too big for most people’s pockets, not at all comfortable to hold up to one’s ear. Still, Canada-based electronics company Research in Motion revolutionized how mobile phones worked and what they could do, making billionaires of its co-founders. So what happened? Frantic, irreverent and endearingly scrappy, “BlackBerry” spins comedy from the seat-of-their-pants launch and subsequent flame-out of “that phone that people had before they bought an iPhone,” as one character puts it. Directed by Matt Johnson — the renegade mock-doc helmer responsible for 2013 Slamdance winner “The Dirties” and moon-landing hoax “Project Avalanche” — from a script he co-wrote with longtime collaborator Matthew Miller, this sly tech-world satire freely extrapolates from journalists Jacquie McNish and Sean Silcoff’s book “Losing the Signal,” refashioning that wild ride into something that approximates their favorite movies.